USA - Still-life Photography

"Human Nature Pt. 1" Photography 50" x 40" inch Edition 1/3 by Brendan North not framed ships rolled in a tube Other sizes available ABOUT: Brendan North is a fine art photograph...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

'Radio Woman' Castelloland Digital photographs on glossy pearlescent paper 27.5" x 19.6" Edition 2/3 + 1AP Unframed 2015 _______________________ Paloma Castello born 1988 Bogotá, Co...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

Wedgwood Wild Strawberry with Strawberry, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social...

Villeroy & Boch Artesano with Grapefruit, limited edition, archival ink, signed Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of fri...

Villeroy & Boch Mariefleur with Cabbage, limited edition photograph, signed and numbered. Eating is a physical need, but meals are a social ritual. Utilizing the passed-down heirlo...

Waterford Lismore Lace with Watermelon Radish, limited edition photograph, signed and numbered. Eating is a physical need, but meals are a social r...

Spode Kingsley with Biquinho Peppers, limited edition, archival ink, signed Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of friends...

Spode Delamere with Artichoke, limited edition, archival ink, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing t...

Sango Aristocrat with Apple, limited edition photograph, archival, signed Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of friends a...

Marchesa Camellia with Rhubarb, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed-down heirlooms of fri...

Noritake Hertford with Tomato, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of frien...

Lenox Chirp with Plum, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the p...

Gracie Lemonata with Lemon, limited edition, archival ink, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of fri...

Aram Black Orchid with Berries, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social ritual. ...

D. Angell Madison’s April in New York with Currant, limited edition photograph, archival ink, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizin...

Adelaide Blue with Pineapple, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social ritual. Util...

Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

Hand printed by the artist. Museum quality frame with 8ply over mat. Framed in black wood.

A mesmerizing portrait of architectural elegance and intellectual grandeur, Reinhard Görner’s Uris Library, Ithaca immerses viewers in the ornate beauty of Cornell University’s iconi...

Rodger Helwig "Juul's Cosmos" Dahlia, Golden Gate Park Color Photograph C.2000 Gorgeous close up color photograph from the Dahlia garden near the conservatory of flowers in Golden G...

Elise Gagliardi Piano Room Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Pound (of Putty), Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professiona...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, starting at $1,600 Each successive print in both editions increases by ...

9 x 12 inch images, matted at 16 x 20 inches, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, starting at $1,600 Each successive print in both editions increases by ...

9 x 12 inch images, matted at 16 x 20 inches, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, starting at $1,600 Each successive print in both editions increases by ...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, starting at $1,300 12 x 16 inch images matted at 20 x 24 inches, starting at $1,600 Each successive print in both editions increases by ...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

The First Cut by Robyn Stacey features a large watermelon sitting on a wooden table in this dramatically lit still-life. The handle of a silver knife protrudes out from a cut in the ...

Dragon Fly , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

Pink Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pape...

"White Trumpet Plants" is a print from Beth Moon's series The Savage Garden. Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerou...

Hooded Pitcher (back) is from Beth Moon's series The Savage Garden. Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature ...

Russell Drisch is a photographer and painter who resided in Buffalo NY during the 1970s and 80s. Originally an actor, Drisch moved to Buffalo to play two seasons at Studio Arena Theater. During this time, his interest in photography overcame his love for theater. He left acting and opened Drisch Photography studio and Gallery West. His works has been exhibited in many different cities Such as New York and Toronto. They have been published in Time Magazine Aperture, 1977. Some of the photographers in this issue: Walter Chappell, Jerome Liebling, Russell Drisch, Brewster Ghiselin. Also there is an excerpt Eikoh Hosoe's seminal book Ordeal by Roses" with some text by Yukio Mishima...

Santa Fe based photographer James W. Pitts' primary focus for over 20 years has been on hand coating platinum prints from large format negatives. He explores the still life genera ...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

A group of spectators at a polo match, France, circa 1950. Slim Aarons French Polo Crowd Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaro...

Woman in Robe, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...