USA - Still-life Photography

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Conundrum, Flowers, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...

Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...

Checkered Alliums, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 Moody photos of a summer vacation house at the beach. Peter C...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

"FENDI FYW3" Fashion Photography 48" x 48" in Edition of 4 by Giuliano Bekor Grenades series Title of artwork: FENDI FYW3 Year: 2023 Medium: Photography Print size: 48x48 Inches tr...

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

"Chair, Napkins and Sheets" by David Halliday, 2020, archival pigment print, edition of 10 35 3/4" X 22 1/4" Image size 38.25 x 24.75 inch paper size Contemporary Still Life Color...

This listing is for the unframed photograph. The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin ...

"Drift 07" Photography 30" x 20" Edition 2/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the nation...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

Untitled #106 by Jo Ann Callis presents a black bird hovering over a table with a layered strawberry cake. The raven flies over the table setting, with it's wing cutting across the center of the image. The bird appears to gaze downward, perhaps looking at the slice of cake as it's next meal. This vintage c-print measures 24 x 20 inches, and is presented matted with a silver metal frame, measuring 28.38 x 23.38 x 1.13 inches. This photograph is signed and dated in ink on the verso. This photograph was acquired from the Atlantic Richfield Company. Jo Ann Callis was born in Cincinnati, OH and relocated to Los Angeles in 1961. She enrolled at UCLA in 1970 where she began taking classes with Robert...

An exquisite meditation on knowledge and architectural splendor, Reinhard Görner’s The Blue Books invites the viewer into the hallowed halls of Oxford’s Upper Library. The interplay ...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

From the series Blow Up

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

"Leaf on Asphalt is signed and dated on the front of the mount. Limited Edition work from the Hawaii Portfolio.

Red Dahlia, Flower, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...

Reinhard Görner Colored Columns New Museum, Berlin 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed Internal: The Neues Museum...

This listing is for the unframed photograph. Please inquire about framing. The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special n...

New Museum, Berlin 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with ...

Great Dahlias, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Floating Lily, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...

Deep Fog, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

Wild Roses , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

Sweet Williams, Flower Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof...

"I am a professional food and still life photographer with over 30 years experience based in New York City. My attention to detail and strong sense of composition has allowed me to ...

Jo Ann Callis (American, b. 1940); Gelatin silver print; Signed, dated and numbered 3/10 Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...

Vintage Hand Colored Albumen Print

Taking inspiration from Robert Mapplethorpe, Max Grant's series "Floral Noir" is a thoughtful combination of simplicity and elegance. In this striking bla...

Afar #12, 2016 Digital photography printed on Hahnemuhle paper 16.50h x 81w in Edition of 5 Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as pain...

A mesmerizing portrait of architectural elegance and intellectual grandeur, Reinhard Görner’s Uris Library, Ithaca immerses viewers in the ornate beauty of Cornell University’s iconi...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...

Hang gliding in Kitzbuhel, Austria, 1980 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic ...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Contemporary scanograph still life photograph of a child's bib on a white background. "Aliboo Bib", by Chad Kleitsch 2011 Archival pigment print on Hahnemuhle paper, edition of 6 30 ...

Contemporary color still life photograph of purple and green vegetables 30 x 37.5 inch image size, 33 7/8 41 5/8 inch paper Edition of 10 This horizontal color still photograph of ...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte paper...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

30"x40" available unframed edition 1 of 5 From the series: "The Hundred Acre Wood" Ragsdale’s process begins with rough sketches of places ...

Color still life photograph of figurative fig branches with green leaves, measuring stick, and colorful nautical rope against a white and light beige background 'Flotsam and Fig Limb...

Abstracted still life photograph of white leaves with accents of cream, blush, and white gold Archival digital print, made to order 30 x 30 inches, edition of 30 Additional sizes av...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Laura Letinsky Untitled #7, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 43 x 33 3.8 inches Paper: 53 x 44 inches

Panel with Snakes, Turtles, and Dove, 2010 40 x 15.5 inches, edition of 30 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This contem...

archival digital print 94 x 36 inches, edition of 15 unframed This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in 2010. The botanical still l...

Eucalyptus and Framed Birds, 2010 40 x 15.5 inches, edition of 30 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contemporary, arch...

Sepia Toned Silver Gelatin Photograph of Six Ceremonial Canes from Ancient Tonga 17 x 17 inches, edition of 8/25 signature on face Tonga was once at the center of a vast trading empire stretching...

50 x 52 inches ed. of 10 $6,000 60 x 62.4 inches ed. of 7 $9,000 70 x 72.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

Sepia Toned Still Life of Wooden Antique Headrest from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists ...

Side Table with Chain and Window Stay (Diptych), 2017 Upper: 16 x 20 inches framed Lower: 14 x 10.5 inches framed toned silver gelatin prints in vintage fr...