Utah - Art

For this painting the artist assembled everything necessary for a successful movie night - popcorn, candy, DVD, soft drink, and an adult drink. It is paint...

wall hanging sculpture, acrylic mixed media and barn wood

Thea Schrack is a photographer with a magical quality to her work. Fascinated with landscapes and water, she produces romantic, mysterious imagery and aspires to capture the essence ...

wall hanging sculpture, acrylic mixed media and barn wood

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

We were driving up Kolob Terrace Road and I had to take a photo of the view in front of us. So I asked we stop, got out of the car, and snapped said photo. I loved the landscape to a...

It is important to be open, to move away from safety, to take risks, to visit new places, to forget about habits and embrace new ideas. Many of you will conc...

What better way to cool off than to soak your feet in an ice cold stream. The inspiration for this painting was taken from a photo of my nephew sitting on a rock in a stream in Orego...

A beautiful little park in the heart of Salt Lake City. Developed to honor the 150th anniversary of the pioneer's arrival in the Salt Lake Valley. :: Painting :: Realism :: This pie...

"My paintings are an exploration of the phenomena of light. The light that exists within the environment and the light that falls over the objects. I am continually amazed with the...

"My new body of work uses discarded wood gathered from landfills and construction sites in Vermont. Once in the studio I prepare the boards by cutting them into thin strips taking ca...

Acrylic and alcohol ink on panel. Form follows process as drops of paint evoke organic forms and architecture that reverberate in nature. Within a limited framework of shape, color, ...

David Levinthal is a central figure in American postmodern photography. Since the early 1970’s, he has photographed dolls and toys in settings that explore the fantasies, myths and e...

oil, wax and photography on panel.

PHILIP BULLER is a figurative painter who is known for his historic, large scale paintings and unique surface texture. Buller employs a painting technique that involves the process o...

Wide sides painted gold. Piece has been lightly varnished and wired, ready to hang. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity sign...

Beautiful, ethereal oceanscape photograph from Thea Schrack. Diasec mounted (aluminum backing with matte plexiglass face).

Beautiful, ethereal oceanscape photograph from Thea Schrack. Diasec mounted (aluminum backing with matte plexiglass face).

From the book, "Fifty Nests and the Birds that Built Them", these magical photographs are an homage to the unique characteristics that various birds bring to their nest building craft.

Just waiting for Spring.... :) This oil painting is framed in 2" cradled masonite. The wide sides are painted grey to match. Wired and ready to hang. :: Painting :: Contemporary :...

This oil painting is framed in 2" cradled masonite. The wide sides are painted grey to match. Wired and ready to hang. :: Painting :: Contemporary :: This piece comes with an offic...

This oil painting is framed in 2" cradled masonite. The wide sides are painted grey to match. Wired and ready to hang. :: Painting :: Contemporary :: This piece comes with an offic...

"Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up..." - 1 Corintians 13:4 This oil painting is framed in 2" cradled masonite. ...

Archival pigment print. David Levinthal is a central figure in American postmodern photography. Since 1972, he has photographed dolls and toys in settings that force us to question their apparent innocence. The images are inspired by the romance and grandeur of 1950’s Western television and film. In composing the photographs, Levinthal arranges figurines into stereotypical poses to portray the rugged individualism of the Western hero. The blurred photographs, rich in color, use the iconic toy figurines...

Reminiscent of the apartment buildings I saw rising up all over China. Highly textured, simplistic, modern. Colorful darks and dirty whites with a splash of red will pop in any minim...

Futuristic, minimalist, geometric abstract with just a little pop of color. Perfect for any modern space, office, or den. This work is highly textured which adds a 3D aspect in perso...

Dystopian City of the future and a shout out to the Rolling Stones. This modern abstract impressionist work is highly textured and will match any decor in office, den, or entryway. B...

Comparisons of information delivered through a bridging of longstanding painting practices with technological. :: Mixed Media :: Contemporary :: This piece comes with an official cer...

Bridging the gap between the the longstanding practices in painting with technologies of now. :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authe...

An exploration of the gaze, subject, and object as well as viewer relationship. :: Mixed Media :: Pop-Art :: This piece comes with an official certificate of authenticity signed by t...

Robert Mellor’s paintings can be viewed as new propositions for visual enactment by the viewer, each work providing cues for engaging with the composition, layer by layer, edge by ed...

"To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I ...

STEPHEN FOSS is widely known for the visually rich surface finish and color that show a return to heavily worked finishes in contemporary painting. His current body of work is a prim...

"My work is often described as realism, and sometimes photorealism, but I don’t think of it that way. I do use photographs as reference, and the finished paintings have a photographi...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

Robert Mellor’s paintings can be viewed as new propositions for visual enactment by the viewer, each work providing cues for engaging with the composition, layer by layer, edge by ed...

Robert Mellor’s paintings can be viewed as new propositions for visual enactment by the viewer, each work providing cues for engaging with the composition, layer by layer, edge by ed...

Robert Mellor’s paintings can be viewed as new propositions for visual enactment by the viewer, each work providing cues for engaging with the composition, layer by layer, edge by ed...

"Within the series Everywhere, Always, I have combined a series of black and white images and a series of color photographs. In the black and white images planes of landscape appear to exist independently from one another like tectonic plates. Our sense of time and space is taken apart and re-ordered creating images where contemporary experiences and memory merge. How I see the world around me combines with recollections from multiple sources; the image of a water logged Washington State landscape...

"Within the series Everywhere, Always, I have combined a series of black and white images and a series of color photographs. In the black and white images planes of landscape appear to exist independently from one another like tectonic plates. Our sense of time and space is taken apart and re-ordered creating images where contemporary experiences and memory merge. How I see the world around me combines with recollections from multiple sources; the image of a water logged Washington State landscape...

To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I f...

To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I f...

"My work is often described as realism, and sometimes photorealism, but I don’t think of it that way. I do use photographs as reference, and the finished paintings have a photographi...

Ryan Akerley is a landscape painter based in Salt Lake City. He has always been intrigued, and inspired by the natural world. Learning to ski at age 5, and competing in freestyle ski...

Ryan Akerley is a landscape painter based in Salt Lake City. He has always been intrigued, and inspired by the natural world. Learning to ski at age 5, and competing in freestyle ski...

Ryan Akerley is a landscape painter based in Salt Lake City. He has always been intrigued, and inspired by the natural world. Learning to ski at age 5, and competing in freestyle ski...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Gregory is a painter, sculptor and public artist working in a variety of media. He was born in Georgia and grew up in Colorado. He studied architecture at Arizona State University, r...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

“I begin this short essay with my artists’ statement from 1997 because it illustrates my focus on emotion instead of on subject matter starting early on. I approached the idea of writing about what I paint back then with dread and tried to bypass it by being as honest as possible about my process. I’d like to think that I paint anything I want because through paint I can express how I feel. I started training to be an artist in early childhood. I studied texture. I learned about composition. I played with color and observed the beauty of line. My methods were unconventional and invented by me. Many different things inspired me: Cheerios in milk, clouds, hands in food, dry dusty dirt, wet mud puddles, coloring books, fashion photos in the newspaper and my keen need to observe my surroundings. When asked what I wanted to be when I grew up I had no answer. I just wanted to watch, and to observe the world around me. I’ve worked for years on a response to that complicated question “what is the work about?” I’ve developed all kinds of stories that seem to make sense at the time, but I have to ask, “isn’t this the same question as ‘what do you want to be when you grow up?”’ I am drawn to the figure, and to capturing physical expression in all types of situations, but especially when we are on our own. The body carries emotion, and most people are unaware that they reveal something of themselves when observed in private moments. When I was young I realized that I could easily understand the unspoken just by watching. It felt like a strange and isolating gift – and sometimes a curse – and I often felt confused and acted out in anger when the words didn’t match what I saw. But I still recognize all kinds of emotion there, and whether what I see is true or not, I relish the vulnerability of the moment. Color is another important tool for me. It’s a self-taught endeavor and one that I explore daily. Color mixing is similar to building flavors in a soup. A soup with just salt is watery and uninteresting. As in cooking, I pay close attention from the first layers what each color feels like in terms of its value, whether it’s warm or cool, and how it fits the composition. I am looking for something that feels harmonious with my nervous system. I begin with abstract shapes, then ask, “Is this shape interesting? Does this color work next to that one? Is it too strong? Is it helpful to the overall composition?” The more complex the mix, the more likely it is to hold my attention, and allow me to linger. Those puddles of paint sitting on my six foot glass palette...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Robert Mellor’s paintings can be viewed as new propositions for visual enactment by the viewer, each work providing cues for engaging with the compositio...

Donna Mintz (born Gainesville, Georgia, 1956) is a visual artist who writes about art and literature. Her painting and installation is a meditation on memo...