Utah - Art

25th Street, by Elise Zoller, 24 x 30 in. oil on panel. Elise Zoller has recently embarked on a series of plein air paintings of sites around Salt Lake City and in the smaller towns of Utah from Hurricane to Huntsville. She has enjoyed meeting people along the road and learning about the history of the state. “Plein air work can be physically demanding, but there is no substitute for working from life. Light and shadow dance in subtle ways a photograph cannot capture. Even the wind and the fragrances it carries inform the work. Scenes come alive when you stand in one place for a few hours. You’ve got to get to know a spot,” Elise says. “While I work, all manner of people come up and talk to me about their towns and their lives. I’ve met a downwinder from Enterprise, pie bakers in Veyo, pony cart...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

"The 'Endless Power Petrol Palace' poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Though oil may have seemed initially to be endless, we now know the world’s oil reserves will run out eventually but more importantly, we know from thorough scientific research that the planet does not have the endless power to maintain a stable climate if oil and gas...

The gestural paintings of Hyunmee Lee are sumptuously minimal. Rich forms advance from buttery canvases like an abstract garden. Gauzy veils of paint hover like soft air against the ebony weight of matter. Light peeks through translucent shapes like sunlight illuminating soft mist. Texture swirls and echoes across the canvas as if carved by waves or eroded by the wind. The viewer, invited into a realm of contemplation and meditation, is surprised to look away and see the physical world existing in only three dimensions. But perhaps that is precisely the experience the artist would like the viewer to have. In her current exhibition, Touch, on display at the Phillips Gallery...

Silkscreen on White Cotton Fine Art paper with Silver Metallic Inks 20 × 16 in 50.8 × 40.6 cm Edition of 19/50 3 colors with deckled edges Published by Subliminal Projects. A port...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the high road with a...

Manufacturer: 1xRUN Edition Details: Year: 2021 Class: Art Print Run: 175 Technique: Giclee Paper: Perforated Blotter Size: 7.5 X 7.5 Markings: Signed & Numbered by the artist in pe...

Jose Parla "The Founders" Time Limited Edition of 1368 Dimensions: 20.5in x 32.7in Medium: Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smoo...

Mark Drew, Sunshine Plays a Major Part in the Daytime comes from a limited edition of 150. This contemporary print is inspired from Wu-Tang...

SIGNATURE: Signed And Numbered By The Artist In Pencil, Shepard Fairey. EXHIBITION HISTORY: Gallery Itinerrance Paris, France Two Screen Prints On Creme Speckletone Paper 24 × 18 in ...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...

Step into the captivating world of Sandra Chevrier with "Dark Heart (2015)," an exquisite aluminum acrylic composite piece that exemplifies the artist's early brilliance. Part of a ...

Lithograph on thick art paper 23 × 15 in 58.4 × 38.1 cm Solo Show December 5th-19th Medium Print Condition Print is in good condition and has been stored flat since 2013. 8/10 Si...

NUNO VIEGAS & Nuno Viegas "WEAPON OF CHOICE" Grey Variant Edition of 20. 22 COLOUR SCREEN PRINT ON SOMERSET 330 GSM PAPER. EDITION OF 20 87 X 75 CM ...

San Rafael Reef #2, acrylic on panel, 11 x 37 1/2 inches, $2,200 “It is my feeling that the desert country of the American West is too large, too wild, too gorgeous to be encompassed by traditional landscape painting. Our inherited aesthetic defines beauty in landscape as green and arable land or grand, breathtaking places. I feel the need to expand that definition. I want to portray the desert as it is right now; to dispense with the limitations of what has come before, to quietly point out the beauty of places that are harsh and forbidding to habitation but express an aesthetic of the wild. I strive to go beyond the sentimentality that often defines our images of the West. The scale of many of my pieces (an extreme horizontal) is a compositional strategy to capture the vastness of these places.” – M. Knudsen Mark Knudsen...

Dressed in Yellow, oil on panel, 11 x 17 inches (Framed size: 18 x 24 inches), $1,500 Raised in the Bear River Valley, Tom Howard has an attachment to the la...

"I made this custom art for Blake Mycoskie and TOMS' End Gun Violence Together campaign which benefits organizations that I believe in like Everytown for Gun Safety, March For Our Li...

LA Art Show exclusive fine art wood print on 1/2" sustainable Birch wood, vintage matte finish honoring 2017 award recipients Mel Ramos, Britt Salvesen & Ben Goretsky. Featuring ar...

Banging the Drum 27 x 17 inches , 2020 Offset lithograph "Real One by Yoshitomo Nara Dallas Contemporary Release" 2020 15 x 17 in 73.7 × 63.5 cm

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

Radiohead Print Toronto Signed Materials: Screenprint Size 20 × 28 in 50.8 × 71.1 cm Rarity Edition of 500 Near Mint Condition. Signature: Show print from the Skydome in Toronto, ...

Silkscreen On Paperback Book 10 × 8 × 2 in 25.4 × 20.3 × 5.1 cm Edition 164/300 Materials Silkscreen On Paperback Book Size 10 × 8 × 2 in 25.4 × 20.3 × 5.1 cm Rarity Limited edit...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

Conceptual artist Hank Willis Thomas uses photography to explore issues of identity, history, race, and class. Inspired by the works of Carrie Mae Wee...

Screen print on cream Speckle Tone paper. Signed by Shepard Fairey and Craig Stecyk III. Edition 142 of 300. 18 x 24 inches Published by Obey Giant Reference Photo by: C.R.Stec...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

1983 Japanese pearlescent paper 27 × 20 in 68.6 × 50.8 cm Edition of 1000 2 colors printed matter on Japanese Kirabiki Paper

Evening Shroud, oil on panel, 7 x 10 inches (Framed size: 14 x 17 inches), $1,050 Raised in the Bear River Valley, Tom Howard has an attachment to the land that runs deep. Surrounde...

"Pressure Point" by Sarah Milne, mixed media, 8 1/2 X 5 inches (Frame size:16 1/4 X 13 1/2 in.), $325. I use old book pieces, ephemera, and subtle signs of life as my palette, and c...

POST NO BILLS launches with a unique ten-year retrospective from the acclaimed Brooklyn-based artist collaborative− FAILE. Recognized for their bold graphic imagery gracing street, ...

Queen Product, Mr. Brainwash, Red, 2014, Contemporary Street Art, Limited Edition. Beautiful, rare print with deckled edges, hand torn. From an edition of 150. Mr. Brainwash is an ...

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent dri...

"Golden Light", Connie Borup, oil on canvas, 30 x 40 inches (Framed size: 33 x 43 inches), $4,800 “Connie Borup’s work cannot simply be described as land...

Joan Jett is one of the most prolific, bad-ass women in music. I was honored when Joan asked me to recreate the cover of her 1981 album "I Love Rock & Roll" for its 33 1/3 Anniversar...

Interpol NYC Calling on True White Speckle Tone paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition 550. - Shepard Fairey Obey C...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

Outlaw Mesa Shadows, oil on canvas 17 x 30 inches (Framed size: 18 x 31 inches), $2,900 Leslie Thomas returned to painting after working 20 years as a computer engineer. She has since studied painting under Mark Knudsen...

Abandoned at birth, Emek has lived a difficult, often tragic life. After being forced to work for years as a child-laborer in a plutonium mine, he won a rare mining scholarship to at...

Black Frond, wall-hanging ceramic sculpture, 12 x 13 x 5 inches, $700 Francesc Burgos is a Spanish-born sculptor and ceramic artist. His ma...

Wu-Tang Clan Washington D.C. Emek Silksrceen Print Contemporary Art Street Fine art pearlescent paper 24 × 18 in 61 × 45.7 cm Edition of 300 Categories Silkscreen / Outsider Art /...

Locating Your Epiglottis, mixed media collage, 15 x 10 inches (Framed size: 20.5 x 17 inches), $700 Trent Alvey is known as a mixed-media artist who uses painting, sculpture, light ...

Bird Apprentice 2/25 by Corinne Geertsen, 16 x 12 in. (frame size: 25 X 21 in.), Digital Photo Collage Geertsen starts with a photo of an ancestor an...

Parra knows a fine bit of design when it sees it. The Amsterdam-based brand has long worked with Case Studyo to create striking homeware and collectibles, all leading up to a curvy new creation. Like the pair's collaborative Give Up tomato sculpture, Parra and Case Studyo's A Pear Lamp...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

SHARE Paco Pomet (b. 1970, Granada, Spain) lives and works in Granada, Spain. He uses his precise observation to reflect the humour and realism, emphasizing the aggressiveness, assa...

"I made this art because I'm incredibly inspired by Father Greg Boyle who's spirit and dedication have helped to build an ecosystem that gives opportunities to people who frequently find doors closed elsewhere. Homeboy provides a second chance to people who never had a first chance. In this painting, I wanted to convey Father Greg's vision, as well as the love, trust, and camaraderie that exemplify the culture of Homeboy. The pride people feel at Homeboy is palpable and the art I created is meant to illustrate the power of support, healing, and redemption. When I showed the art to Father Greg, he seemed genuinely moved, but he seemed far more excited to call Cesar, the homeboy he is embracing in the image, into the room to share the art with him. Cesar's reaction to the art was enthusiastic his eyes lit up, and he said: "wow, that looks like it was done by the guy who did the Obama poster...

Street Connoisseur - Life Is Beautiful, Pink. Archival Paper with dimensions of 20 x 16 in. 5-Color Screenprint with 1 Hand Finished Stencil Layer Edition of 15 Certificate of Authen...

D*Face is a London-based sculptor and stencil artist, who uses London as his own personal gallery. Sticking, pasting and drawing on any wall or space he doesn't actually own. (If he ...

TITLE Roy Lichtenstein Limited Edition of 1000 YEAR 2021 CLASSIFICATION Limited edition MEDIUM TYPE Jewelry MEDIUM/MATERIALS Silver an...

My work primarily revolves around concepts of and aspirations for justice. Whether it be environmental justice, racial justice, economic justice, gender equality, etc., the themes in my art often address injustices in a number of areas. Justice is a subjective, and in some ways, an abstract concept, but I think we all know in our conscience when something is wrong, unfair, immoral, or unjust. I witness convoluted logic every day from people attempting to defend (or ironically justify) injustice. These “Cultivate Justice” prints...

Sunstorm, 24 x 24 inches, drypoint on aluminum (Frame Size: 25 x 25 in.) by Paul Vincent Bernard. $2,450 PROCESS AND MEDIA: Scratched, etched, and rubbed enamel-coated printing plat...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

Medium: Silk Screen Print Condition: Print is in pristine condition and has been stored flat since purchase. Four sharp corners and the print is breathtaking in person. Cheers ...

Introducing Purple Pedestrian #4, a stunning 2 colour screenprint by the iconic artist and political activist, Russell Shaw Higgs. This print is part of a limited edition of only 50,...

Watercolor painting of a leaf trace fossil from a museum specimen, on 300 lb cold press paper. Working as a volunteer fossil preparator at an awesome natural history museum, I hav...

Obey Holiday 2016. 18 x 24 inches. Screen Print. Signed by Shepard Fairey. Edition of 575. "I make a holiday print every year as a gift for friends and supporters, which is usually ...

Edition Details: Year: 2020 Class: Art Print Status: Official Run: 195/200 Technique: Screen Print Paper: Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered Co-autographed b...