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Vermont - Ceramics

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Item Ships From: Vermont
Japanese Fine Antique Blue and White Floral Tea Bowl, 19th Century
Located in South Burlington, VT
From Japan, a beautiful hand-built, hand painted and glazed, blue and white "floral" tea bowl from the late Edo to earlhy Meiji period, 19th century, likely from an Arita pottery Kil...
Category

19th Century Japanese Meiji Antique Vermont - Ceramics

Materials

Ceramic

Chinese Vintage Pair Richly Hand-Glazed Leaf Garden Stools
Located in South Burlington, VT
An attractive Chinese pair (2) of richly crackle glazed garden stools (garden seats), ornately black hand painted with a handsome leaf design . Beautifully executed and ready for y...
Category

Late 20th Century Chinese Vermont - Ceramics

Materials

Ceramic

Big Spotted Year of Rabbit Sculpture- Hand Painted Masterwork Eva Fritz-Lindner
Located in South Burlington, VT
Unique one-of-a-kind Studio Creation- an unusual opportunity Tall, old and all handmade and hand painted rabbit sculpture handcrafted and hand paint...
Category

Mid-20th Century German Mid-Century Modern Vermont - Ceramics

Materials

Ceramic, Pottery

Japanese Huge Antique Captain Whale Fisherman Satsuma Charger, 18 Inches & Box
Located in South Burlington, VT
Japanese Satsuma, a fine and monumental 18" Meiji period charger Ozara with rare motif: Captain fisherman and his fish. Depicting a tale of Urashima Tarō* (see below), Signed Jyukan pottery by Chinjyu Makoto, in a lovely gold gilt and red detailed hand-painted composition Age: 1880-1900. Dimensions: 18 inches diameter and includes owner's signed wooden presentation box, tomobako. Hand made and hand painted. Finest quality. Provenance: Old Southern Japanese collection. Urashima Tarō (浦島 太郎?) is a Japanese legend about a fisherman who holds a fishing pole and rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin, the Dragon God, under the sea. He stays there for three days and upon his return to his village, finds himself 300 years in the future. Finest quality. Largest size. Original collector box tomobako included. Lifetime guarantee of authenticity: All of our Asian works of art come with our Lifetime Authenticity Guarantee. We are members of the North American Japanese Garden Association (NAJGA) specializing for ten years now in old and authentic Japanese stone...
Category

19th Century Japanese Meiji Antique Vermont - Ceramics

Materials

Ceramic

Japanese Huge Antique Year Of Dragon Blue Dragon Vase, Brilliant Color, 37 Inch
Located in South Burlington, VT
Japan, an exceptionally tall 37" antique monumental monochrome blue cobalt crackle glazed dragon vase with a dramatic and impressive "curling dragon" wrapped around its stem. It was crafted by the master artisans of the Japanese southern Awaji Kiln, from the late Meiji to Taisho period (1910-1920). The impressive porcelain vase crafted in a tubular modernist form with an original brilliant blue tone glazed finish and with an applied curling dragon sculpture. It is unsigned as many normally were from that period and is in original condition with normal kiln origination surface creation imperfections. Dimensions: 37 inches tall and 8.5 inches diameter top and with an 13 inch diameter widest diameter Provenance: private New England collection. Undoubtedly influenced by the modernist movement and more likely by the visit to the Awaji kilns by the noted English designer Christopher Dresser of Linthorpe Art...
Category

Early 20th Century Japanese Taisho Vermont - Ceramics

Materials

Ceramic, Pottery

Extraordinary Japanese Hand Thrown Blue And White Wabi-Sabi Vase, Early 19thc.
Located in South Burlington, VT
A recent find: an old Japanese SHOKI-IMARI blue-and-white porcelain ware bottle with unique hand painted designs called Kusabana-Chou-Monyou (Grass, flower, and butterfly patterns)...
Category

Early 19th Century Japanese Edo Antique Vermont - Ceramics

Materials

Pottery

Japanese Fine Large Rooster And Birds Tea Bowl, Hand-Built and Hand Glazed
Located in South Burlington, VT
Mint Kyo ware bowl From Japan, a beautiful hand-built, painted and glazed, Kyo ware large bowl or large tea bowl with a proud rooster and birds motif created in the 1930s.- over se...
Category

1930s Japanese Showa Vintage Vermont - Ceramics

Materials

Ceramic, Pottery

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Large Taisho Period Wabi Sabi Japanese Tansu
Large Taisho Period Wabi Sabi Japanese Tansu
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Located in South Burlington, VT
This wonderful antique large size mingei plate is known as an “uma-no-me zara” ("horse-eye" plate). It is a heavily potted, glazed stoneware plate with seven oval-shaped eye decorations freely executed in underglaze iron pigments on a crackled ground. Edo period, mid-19th century. A horse-eye motif is similar to a bull’s eye a concentric circle design except that the elongated horse-eye is ovoid rather than round, and the innermost circle is against one long side rather than in the middle. Prior to applying a clear glaze on this plate, the design was painted with iron oxide. The color of the design is a handsome, variegated reddish-brown color. The bold spiral patterns, which were painted very quickly, are imbued with great energy. The thick foot rim is unglazed. In the mid to late Edo period, horse-eye plates were one of the standard utilitarian products produced by the Seto kilns. Used for serving food, they appeared in restaurants and inns along the Tokaido Road from Kyoto to Edo, as well as in ordinary homes. Horse-eye plates are the quintessential example of Japanese mingei pottery, and no major Japanese folk art collection would be considered complete without one. They are bold, fresh, powerful and contemporary in feeling. One of similar size to this one is illustrated together in “Quiet Beauty” by Robert Moes which chronicles fifty centuries of Japanese folk ceramics from the world famous Jeffrey Montgomery Collection. The Montgomery Collection is widely considered to be the most important trove of Japanese folk art outside of Japan. CONDITION is excellent for this type of antique folk ceramic dish. Due to their long and frequent use, horse-eye plates typically show signs of wear, yet there are only insignificant old rim chips and surface lines on this one. The unglazed spots in the center ring are marks made by small ceramic points that separated the many plates that were stacked in the kiln during the firing process. There are no damages or repairs on this beautiful example. This uma-no-me zara is darkened by use and age, and it has a handsome original patina. Lifetime guarantee of authenticity: All of our Asian works of art come with our Lifetime Authenticity Guarantee. Schneible Fine Arts has been dealing in authentic Japanese antique garden ornaments, lanterns and water basins for many years. Our president personally travels to Japan each year to meet his network partners who assist him in finding best examples. He personally inspects each antique ornament...
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Located in South Burlington, VT
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