New Arrivals: Racks and Stands

Sculptural umbrella stand handmade in Italy between the 60s and 70s by the Venetian sculptor Salvino Marsura in twisted wrought metal. Very special and one-of-a-kind piece of design....

This practical and elegant Bauhaus style valet stand - coat rack comes from Czechoslovakia from the 1970s. It is made of tubular chrome steel and has been preserved in very good orig...

This is an antique ornate stick stand. An English, cast iron umbrella loop, dating to the Victorian period, circa 1880. A wonderfully decorative and practical hallway piece with deli...

Very nice Amcrest Gentlemans Wardrobe Stand/ Silent Butler. This was a piece of furniture that most well dressed men owned. The stand has a well done rush seat, the rush has been str...

This is a tall antique hallway stick stand. An English, cast iron umbrella rack, dating to the Victorian period, circa 1870. A stately and decorative piece, offering superb form and ...

Bleached Mahogany magazine rack/ table. Very useful design set up to hold newspapers, magazines and books! 3 Levels give ample space for storage! Top is perfect to hold a Lamp! Much ...

Steel and faux leather Cylinder Umbrella Stand - 1970s Cane holder - Decoration Vintage Measures : Ø 11cm H: 45,5cm Materials : Steel - Faux leather

A Victorian Antique Primitive Hand Carved Wooden Organic Tree Stump Door Stop Including Iron Handle Top Height to the top of the handle 33.5cm Height to the top of the stump 24.5cm ...

Ceramic umbrella stand A Hand-Painted Conversation Piece This unique ceramic umbrella holder showcases a traditional Eastern scene, full of charm and craftsmanship. Both functional a...

Beautiful brass and iron gentleman's valet. Solid brass elements to include coat hanger topped with finial, shell form dish and fabulous pant rack with faux bamboo detail both adjust...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely textured gold leaf Portmanteau Luggage rack Please note the delivery fee listed is just a guide...

Heavily Carved Solid Teak Double French Door w/ Frame Antique Decorative

Mid-Century Bronze Umbrella Stand, Made in Italy 1940s Good condition. Small signs of aging.

A c1900 adjustable oak easel by the Technical Supply Company of Scranton, Pennsylvania. The height of the easel and angle of display are adjustable. A wonderful display piece with a...

Hinged, two part mahogany three tier towel rail. The rails and uprights are square cut and morticed together. The two sections are joined with three brass hinges. England, circa 189...

Antique early 20th Century Arts & Crafts Mission Oak umbrella/cane stand with eight sections & original copper liner. Gorgeous Verdigris patina in beautifully maintained condition; r...

An exceptional antique Mission or Arts & Crafts period quarter sawn oak corner umbrella stand In the manner of Stickley Brothers USA, Circa 1900 Measures: 18.75"W x 10.25"D x 53"H...

Arts and Crafts Umbrella Stand in Hand Hammered Metal Early 20th Century. This is a large and very beautiful hand hammered arts and crafts umbrella stand in metal. Late 19th century...

An unusual rack coat in pine made in Sweden

Rectangular with four section top opening for canes or umbrellas. Four chamfered square supports joining a plinth base holding a tin tray.

A mid-century magazine rack made of bent bamboo. Arched bamboo pieces form the central handle and frame, with three smaller arches on each side. Joints are secured with rattan wrapping.

Enameled metal umbrella stand decorated with geometric patterns, Italian manufacture Siva Poggibonzi 1970, inspired by the iconic style of Piet Mondrian. Decorated with bold black li...

Italian modern coat hanger Sciangai by De Pas, D'Urbino and Lomazzi for Zanotta, 1980s Folding coat stand model Sciangai with round base, composed of squared wooden strips. Each stri...

A brass and wood shoehorn. The handle is made of brass cast in the shape of a duck’s head, with an attached string for ease of storage. The round wooden stem finishes in a traditiona...

Brass and Cast Iron Walking Stick Stand or Umbrella Stand A charming piece, the stand has a brass top divided into 6 sections to hold either Walking Sticks or Umbrellas, the heavy i...

The HOL Series Solid Oak Umbrella Stand combines functionality and elegance with a touch of modern sophistication. Handcrafted from premium solid oak, this piece features refined chr...

Remarkable example of early 20th century, this coat rack features a beautiful primitive blackened iron finish. The skilled metalwork and angular construction inspires a medieval desi...

Sedes blurs the line between sculpture and functional object, redefining the role of furniture in contemporary spaces. Part of Unicuo’s Masa collection, this coat rack draws inspirat...