Art on Sale

The Dienen, Dienen exhibition poster, featuring the work of Antoni Tàpies, was published by Galerie Lelong in 1997. This poster was designed to promote an exhibition of Tàpies' work,...

This is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Title: Seascape Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Works of Liene Liepina are full of life and joy because of photography-like, realistic details on the one hand, and intense and slightly artificial color...

Artist: Ben Frost Title: Happy Helmet Size: 43 x 43" Original Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable ta...

Exhibition poster for Moderna Museet, Abretsprocesser Grafik, 1980 Printed by Jernstrom Offset.

This superb Scottish Abstract oil painting is by noted sixties Edinburgh artist Alexander McNeish. An early work, painted circa 1957 when McNeish was just 25 years old, it demonstrat...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Painter active in Rome in the early 17th century Susanna and the Old Men Oil on canvas 76 x 62 cm. with frame 92 x 78 cm. This valuable painting illustrates the piquant episode, ta...

HAP Grieshaber Untitled Wood block print in two colors Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New Yor...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Color lithograph on Arches laid paper Hand signed In great condition Minimal marginal defects

Masri (Lebanese, born 1965) 'Stoic' 2023 Oil paint, Acrylic paint, Canvas, Stretcher Bars The piece is signed on the bottom left and back of the canvas. "Stoic," is an enthralling p...

ROMARE BEARDEN 1970-1980 THE LAMP (after the 1984 collage on board by Bearden) Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excel...

American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting, and minimal. Kelly is known for his use of bold colors, simple forms, and geometr...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

Charcoal drawings add warmth to an artwork and this is a nice one by Terry Futvoye. It has a few minor imperfections but still looks nice in the frame. Reframing is an option if t...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Seaside from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good ...

**Technical Sheet** **Title:** Cadaqués **Artist:** Rafael Durán Benet **Technique:** Oil on canvas board **Dimensions:** 13 x 16.1 inches **Support:** Canvas board **Fram...

Antique impressionist painting of a coastal seascape. Oil on canvas, circa 1900. Signed illegibly. Framed. Image size, 18L x 12H.

Acrylic on wood Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing h...

Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...

This evocative oil on canvas painting by renowned American landscape artist Charles Partridge Adams (1858–1942) beautifully captures a glowing sunset along Colorado's majestic Front Range. Rendered in a refined Tonalist style, the work features tall, mature trees bathed in soft hues of green, amber, gold, and rust, evoking the serene transition of day into evening in the Western landscape. Although unsigned, this work is accompanied by a letter of authenticity from the artist’s estate, ensuring provenance and collector confidence. The painting is presented in a vintage gold frame, enhancing its timeless appeal. Framed dimensions measure 18 ½ x 26 ¼ inches; the canvas itself measures 16 x 24 inches. This piece reflects Adams’s signature ability to translate the quiet drama of nature into rich, atmospheric compositions. A fine addition to any collection of American Western art, Tonalism, or early 20th-century landscape painting. About the Artist: Charles Partridge Adams (1858–1942) was one of Colorado’s most celebrated landscape painters and a prominent figure in the American West’s early art scene. Born in Franklin, Massachusetts, Adams relocated to Denver in 1876. He received his only formal training from Helen Chain, a student of George Inness, who introduced him to influential artists such as Alexander Phimister Proctor...

Jean Jansem (1920-2013) La salle de répétition de l’Opéra de Paris, 1968 Huile sur toile Signée en bas à gauche 130 x 195 cm Provenance: Wally Findlay Galleries, New York Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: 1964: c’est l’inauguration du nouveau plafond du Palais Garnier par Marc Chagall commandé par André Malraux alors ministre chargé des affaires culturelles. Commande qui fera couler beaucoup d’encre entre les partisans du modernisme et les tenants du conservatisme. Malraux tiendra bon, si ce n’est une légère concession: pour éviter de détruire l'ancien plafond et son décor, il sera masqué par une toile amovible de quelques 240m2 réalisée par Chagall dans les ateliers des Gobelins puis tendue par-dessus. Cette commande, autant acte politique que intellectuel, intervient à une époque où Malraux, convaincu que l’art contribue au rayonnement international de la France, soutiendra notamment les commandes du Mobilier national dont Pierre Paulin sera l’une des grandes figures, et où la CGT (Compagnie générale transatlantique) lancera un de ses plus gros chantiers avec le mythique paquebot France...

Bright Toh's creative vision is driven by a deep-rooted appreciation for his African heritage and a desire to pay homage to the intrinsic ties between the people of Africa and their natural surroundings. "Higher Life" stands as a testament to the exquisite synergy that exists between man and wildlife, shedding light on the harmonious relationship they share within their common ecosystem. The central figure in the artwork, a man adorned with the head of a bird, serves as a powerful representation of the mystical connection between humans and nature. The bird, with its freedom to soar through the skies, symbolizes the aspirations of the African people to rise above challenges and embrace a higher state of being. This metamorphosis of man into a bird-like form underscores the spiritual journey of self-discovery and cultural understanding that lies at the heart of African traditions. Toh's meticulous attention to detail and masterful use of colors breathe life into the canvas. The vibrant hues mimic the rich landscapes of Africa, from the lush greenery of the savannahs to the striking plumage of its avian inhabitants. Through a harmonious blend of traditional and contemporary artistic techniques, Toh weaves together a tapestry that celebrates the convergence of African heritage and its intertwined relationship with wildlife. The concept of totems holds immense significance in various African cultures, where ancestral reverence is deeply ingrained. In "Higher Life," the man's bird head serves as a totemic representation of his connection to his ancestors, carrying with it the wisdom and experiences of those who came before him. The totem acts as a guiding force, leading the man on a journey of self-discovery and connection to his roots. As viewers immerse themselves in "Higher Life," they are invited to contemplate the timeless relationship between man and nature. Toh's artwork urges us to recognize the importance of preserving our shared environment and the imperative role of cultural heritage in shaping our identities. In a world marked by rapid urbanization and detachment from nature, "Higher Life" serves as a poignant reminder of the intrinsic bond between humanity and the animal kingdom. Bright Toh's artistic prowess in "Higher Life" transcends cultural boundaries, beckoning audiences from all corners of the globe to appreciate the profound unity between humans and wildlife. It is a testament to the enduring legacy of African traditions and an encouragement to embrace our roots as an essential part of who we are. In conclusion, "Higher Life" is not just a stunning work of art; it is an exploration of our place in the world and the intricate ties that bind us with our environment and cultural heritage. Through the captivating portrayal of a man with a bird...

Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...

This superb marine oil painting is by noted Austrian artist Roland Strasser. Strasser was born in Vienna, studied art in Germany, spent time in Indonesia and finally settled in Amer...

"Italian Hillside" is a 48x60 oil painting on canvas by renowned artist Anne Packard. This expansive landscape painting leads the viewers eye through rolling hills of lush green foliage. A grouping of structures stand atop, catching the last bit of an afternoon sun. Signed to lower left. About the artist: Anne has brought to her work an instinct and skill drawn from a deep family well of American and European painters. A third generation Provincetown painter, she is a bona fide Cape Cod artist. Her grandfather, Max...

Oil on artist board painting by the American artist, Winfield Scott Clime. Signed lower left. Titled verso. Partial Lyme Association exhibition label verso. In good condition. Frame...

Mediterranean Landscape II', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a ...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Small-scale yet bold multi-colored abstracted figurative landscape of a horse rider in a canyon (a study after Edgar Payne’s works) by Tiffanie Mang (Ameri...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Springtime Memory (M.1019) is lithograph by Marc Chagall, image size 19.75 x 13.25 inches and framed dimensions 35.5 x 28.5 inches. A proof outside the edition of 64, signed 'Marc Ch...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

A charming Venetian scene with gondola oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking with gondolas and an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Venice so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower left and it comes housed in a gold tone carved wood frame with hanging wire on verso ready to be displayed. Art measures 12 x 16 inches Frame measures 16.5 x 20.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Danse de Feu from Derriere le Miroir Year: 1963 Medium: Lithograph Unsigned. Unnumbered from an edition of unk...

Artist: Todd Boppel, American (1934 - 2000) Title: Kennan Year: 1977 Medium: Acrylic on Paper, signed and dated verso Size: 22 x 30 in. (55.88 x 76.2 cm)

An original early 20th century etching of St Paul's Cathedral from across the River Thames, by Rowland Langmaid (1897-1956). The artist has signed and...

Up for sale is a beautiful antique oil on canvas painting depicting a bouquet of peonies and asters in a gold jar and a decorative small figure. Signed in th...

This is an official photograph of Painting January 7, 1983 by Pierre Soulages, reproduced to capture the artwork as it hangs at the Musée Soulages in Rodez, France. The image showcas...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

A contemporary photograph of 2Pacs iconic "All eyez on me" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic ta...

Joe Garnero’s medium of choice for his winding abstract wood sculptures is reclaimed Redwood roots, which he finds along the northern California coast. The distinct curving shapes of...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Woman on a blue background 1993. Oil on canvas. 98x140 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socia...

This classic triptych by Roy Lichtenstein "As I Opened Fire" is beautifully printed onto 3 separate panels. There are many fakes and replicas of this print, ...

“If you have no confidence in yourself, you are twice defeated in the race of life. With confidence, you have won even before you have started.” Hebrews 10:35–36 “So do not throw aw...

California/New Mexico artist Paul Pletka (b. 1946) Acrylic on Canvas, 1972. Native American subject in Decorative Hair Plates. Signed lower right. Titled in pencil on the verso by th...

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...