Photography on Sale

Pan and Apollo, Gallery of Parma -  Vintage Photo is a black and white photograph of the early 20th century by Anderson. Information is written on the lower in Italian. Good condit...

Fine Art Print, photographed in the US., Limited edition.

Vintage, Montage, signed, Number 1977/2

Untitled (Beachshoot) - 2005 38x37cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1410. Not ...

Glenda Jackson Self-Portrait (Oscar, BAFTA, Tony Award, Labour Party) Black & White Photograph on Photographic Paper Year: 1980s Image Size: 4.5 x 3.5 i...

Michael Mardikes River Club Unveiling Event (Thomas Hart Benton Plate #31) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 13.5x19 in Paper Size: 17x22 in Editi...

Hand printed by the artist. Signed in pencil. Printed 1999 Framed in gun metal frame. Mint Condition

Jack Hayhow Title: Kansas City Icons Photographic Print on fine Paper Year: 2020 Size: 16x24 inches Description: Available in multiple sizes - please inqu...

Lord Fauntleroy House Labels in Yellow 241206-02 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

Signed dated and numbered lower right recto. , Edition 3 of 15, Printed later. Unframed , other size available - Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of...

11 x 14" vintage silver gelatin photograph of Joffrey Ballet dancer Christian Holder photographed nude, 1970. Signed on the verso by Jack Mitchell. Come...

Painting of Road-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

Black and white fine art long exposure waterscape - seascape photography. Abandoned wooden pier at night, Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and...

In this evocative underwater photograph, a crimson dress billows like a delicate flower petal beneath the surface, creating a powerful contrast against a serene aqua backdrop. The mi...

Panoramic cityscape made from 6 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Capital of the former county of Fl...

Prince Charles III Skying- Vintage Photo realized in 1964. Good conditions and aged.

Artwork # 5 on 5 sold in perfect condition Print from the collection called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Artwork printed later on fine art papers later (2014) from black & white negatives processed in 1962 She was there, leaning against a wall, she seemed to be waiting," says the photographer. I did not understand what she could expect, since few vehicles could have passed through this narrow passage. So I leaned against the wall almost in front of her, I also waited and this ray of sunshine came to play in the hanging linen...

This is a contemporary black and white photograph of a Costal Wolf. 30x60- 1 of 3 unsigned test prints Printed on Photo Rag using only archival ink. Framing available. Inquire for r...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine at that time. Today they swarm like bees to place their own hot ads in gay publications. I had been photographing on assignment for Dance Magazine well before After Dark was created. Being a friend of William (Bill) Como, the Editor, and being gay, I was called into service, for the life of the publication, to photograph many of the handsome young men and women, who were featured in After Dark. Needless to say, this was enjoyable work for me, Because, mixed in with the hot-looking young guys and gals sent to my studio were some famed performers like Debbie Reynolds, Giancarlo Giannini, Arnold Schwarzenegger, Natalie Wood, Placido Domingo, Sergio Franco...

Jolynne Martinez Bee Pollinating Cutleaf Coneflower Archival Pigment Print Year: 2024 Visible Size: 7.5 x 11.25 inches Framed: 14 x 18 x 1 inches Signed: On Label COA provided *Read...

Print, limited edition of 15. Signed by the author.

Christian Museum -  Vintage Photo is a black and white photograph realized in the early 20th century by Alinari. Consular diptych depicting Boethius and Lampadius. Ivory bas-relief ...

Nick Vedros Cara Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 14x10in Edition: 12 Signed, dated and numbered by ...

A beautiful and mysterious underwater photograph of a young naked woman relaxing on her back in her pool. This is a monochrome photograph close to black and white with some aquati...

Artwork sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Porta Portese, Rome Sunday Flea Market. Fabrizio La Torre...

New release July 2022. Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated collection "Bowie Unseen", released for the first time in 2016....

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 25 ex- Composition from an assembly of 9 ...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 6 ...

Boccia I (Beachshoot) - 2005 38x36cm, Edition of 10. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1467. Not mounted. featuring Cam...

An underwater photograph of a beautiful topless model wrapped in red tulle. Original gallery quality archival pigment print signed by the artist. Limited edition of 24. Print #2 Pa...

Michael Mardikes Boy with Mirror (Thomas Hart Benton Plate #26) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-909 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

An underwater black and white photograph of two naked young women in the pool. Original gallery quality archival pigment print on archival paper sig...

Digital photograph, edition of 25.

This is a contemporary photograph of a North American Wild Mustang 60x40 Edition of 10. Signed and numbered. Archival pigment paper Framing available. Inquire for rates. Shane Ru...

11 x 14" vintage silver gelatin photograph of Dance Theatre of Harlem dancer Ronald Perry, photographed in New York City, 1975. Comes directly from the Ja...

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhe...

San Francisco Ballet principal dancer Mikko Nissinen photographed for the cover of Dance Magazine, January 3, 1992.. This is a vintage silver gela...

11 x 14" vintage silver gelatin photograph of British artist and photographer Cecil Beaton on a visit to Manhattan in 1966. Signed by Jack Mitchell on the print verso. Comes directly...

This fine art print features “Sunset by the Allahverdi Khan Bridge,” popularly known as Si-o-se-pol, the largest of the eleven historical bridges on the river Zayanderud, in the Iran...

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 13.9x10.8in Signed in the print Lotte Jacobi Copyright Annotation lower left, recto Ref.: 924802-1355 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost, and May Sarton; philosopher Martin Buber; writer J.D. Salinger; writer and activist W. E. B. Du Bois; scientist Max Planck; artist Käthe Kollwitz; the actress and singer Lotte Lenya; the singer and activist Paul Robeson...

Héliogravure on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. ...

Claudio Villa-Vintage Photo is a black and white photograph realized in the 1960s. Good conditions and aged.

James Earl Ray - Vintage Photo is a historical photograph realized in 1968. Good conditions and aged.

11 x 14" vintage silver gelatin photograph of Paris Opera Ballet principal dancer Patrick Dupond, photographed for Dance Magazine, 1984. Signed by J...

Nick Vedros Potawatomi Indian Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1987 Size: 8x10in Edition: 15 Signed, dated and n...

This is # 1/7 Fine Art Print Limited Edition 60 cm x 80 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in the coworking area named The Spaces (Gare Maritime - Tour & Taxis) from december 15th up to march 31st Thirty prints are housed in high quality black anodized metal American boxes and all prints are supplied on heavyweight fine art paper printed with museum pigment inks. All photographs are exclusively offered in limited editions in 4 different formats : 42cm x60cm (7+2AP) 60cm x80cm (7+2+AP) 70cm-100cm (5+2AP) 100cmx150cm (3+2AP) Stefan Darte is a fighter pilot in the Belgian Air Force...

Large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions 62 x 48 inches (157 x 122cm) signed edition of 7 40 x 31 inches (102 x 79cm) signed edition of 25 24 x 19 inches (61 x 48cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on certificate label ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...

Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia toned Silver gelatin photographic print by Charles Roshe (British, 1885-1974). Provenance: Mary Pickford, Elizabeth (Bess) Huggins. Image 10.75"H x 13.75"W He was Mary Pickford's favorite cinematographer and a personal friend, shooting all of the films in which she starred from 1918 to 1927, before they had a falling out during production of Coquette (1929). He was the first cinematographer to receive an Academy Award, along with Karl Struss, for Sunrise: A Song of Two Humans (1927), and won again for The Yearling (1946), with Leonard Smith and Arthur Arling. He was also nominated four times. Walpi, pueblo (village), Navajo county, northeastern Arizona, U.S., on the edge of a high mesa in the Hopi Indian Reservation. It comprises a group of angular stone houses of two to three stories crowded on a narrow tip of the steep-walled mesa at an elevation of 6,225 feet (1,897 metres). The original pueblo (founded c. 1700) was on a lower part of the mesa, but following the Pueblo Rebellion, the inhabitants moved to the top as a defensive measure against Spanish retaliation. Walpi is known for an antelope ceremony and for snake dances, held during odd years in August and generally closed to non-Hopi spectators. Shitchumovi (Sichomivi) pueblo is adjacent and Hano is nearby. Pickford was the first Canadian to win an Oscar. She was also the second to win best actress and the first for a role in a film with sound. She was one of the founding members of the Academy of Motion Picture Arts and Sciences. In 1919 Pickford took the lead in organizing the United Artists Corporation with Griffith, Charlie Chaplin, and Douglas Fairbanks. In 1920, after the dissolution of her first marriage (1911–19) to actor Owen Moore, she married Fairbanks (divorced 1936). Pickford’s popularity continued unabated in Pollyanna (1920), Little Lord...

Lord Fauntleroy Alfa (Americana, Rusty, Legendary, Italian) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 inches (60.96 x...

11 x 14" vintage silver gelatin photograph of Debbie Reynolds photographed by Jack Mitchell for the "What Becomes A Legend Most?" Blackglama fur ad cam...

Angie Jennings Midway Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standard plex Ang...

I met this young Himba girl near to a place called Etengwa in the far north of Namibia. We trekked a few kilometres in the midday heat, over a rocky hill to a small village within wh...

Coney Island Aquarium (Stay) - 2006 20x20cm, sold out Edition of 5, Artist Proof 1/2. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

11 x 14" vintage silver gelatin photograph of dancer Eliot Feld in costume performing ‘Fancy Free’, 1965. It is signed by Jack Mitchell on the print recto. Comes directly from the J...

Nick Vedros Ducati Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2012 Size: 16x10in Edition: 15 Signed, dated and number...

An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...

Professional bodybuilder Arnold Schwarzenegger posing at the top of his form in October 1976 for a cover and feature article in After Dark magazine. One of Mitchell's most beautiful ...

11 x 14" vintage silver gelatin photograph of famed choreographer Eugene Loring, 1961. Signed on the print verso by Jack Mitchell. Comes directly from the Jack Mitchell Archives wit...

Collaboration between artists Elsa Marie Keefe & John Mazlish. Shot during the height of the pandemic in June 2020. At that time more than ever, natur...