Abstract Photography on Sale

Image dimensions: 40 x 28.5 cm. Italian Art # 1 is a black and white photo shoot made by the Italian artist Edoardo Montaina. Fine-Art Print on Canson Baryta Photographique paper. Signed, numbered and titled in black ink on the center of the paper. From an edition of 9 specimens, plus 2 artist's proofs. In excellent conditions. Montaina builds a new image from two details of two masterpieces of Italian art: the legs of Paolina Borghese...

Ancient # 12 is a wonderful color photograph realized by the Italian artist Edoardo Montaina and print on William Turner Hanhemuhle and Baryta Photo Rag Hanhemuhle paper. Signed, nu...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 2/3. ...

Signed, Dated, number Lower left recto, unframed, 4/15 other size available, printed later, Printed on Hahnemühle Fine Art paper Intense golden light reflects off of midtown glass ...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 4-6 week turnaround. Edition: 3/3...

Spectators in silhouette viewing an immense display of vintage camera flash accessories. By Kristy Sparrow, an American, Paris-based photographer. Signed and numbered by the artist. Presented in a black wood frame. Image, 20"H x 30"W. Kristy Sparow has had a lifelong love affair with photography. After many years developing her career in Los Angeles, she made the move to Paris in 2009 where she has been consistently working at the top of her trade in fashion, music, and entertainment, with images regularly seen in major media around the world. She has worked the runway for most major designer brands, including the CBS live Victoria’s Secret Fashion Show, and on behalf of the Arab Fashion Council, she was the solo photographer at the end of Saudi Arabia’s first-ever 2018 fashion show in Riyadh. Chanel, Estée Lauder, Justin Timberlake and The Leonardo DiCaprio Foundation are among those on her client list. Kristy has received many Best Of acknowledgements for her work, and feels fortunate for the opportunities to travel and to be a part of many memorable moments—including a weekend in Switzerland photographing...

"Storm 64" STORM series 30" x 22.5" Archival Pigment Print on Moab Rag fine art paper Ed. #2/20 signed and dated by artist Selected Finalist: Camera USA® 2017: National Photography Exhibition The von Liebig Art Center, Naples, FL Artist's Statement: glitch noun 1. a defect or malfunction in a machine or plan. 2. Computers. any error, malfunction, or problem. 3. a brief or sudden interruption or surge in voltage in an electric circuit. STORM is almost the antithesis of what we think of as photography, because the end result does not accurately depict what was viewed from the other side of the lens. Taken with an old BlackBerry Storm smartphone, these images were created from what appeared to be a corruption within the device's operating system. After attempting to take more photos and getting the same results, I frustratingly downloaded hundreds of files only to discover frenetic, vibrant, undulating images. The photographs represented are the last of 28 images that still exist today -- the remaining files having degraded to the point where there is no useful color information left. Making a photograph is a painstaking process occasionally made easier with modern photo editing software. But despite our best efforts, sometimes technology just slips up and has its own way, and in this case an unexplainable computer glitch produced a surprisingly delightful result -- if only for a fleeting moment. From the gallerist: I proudly exhibited Les Schmidt's award-winning photography at my New Orleans gallery for years. His work is in notable collections around the world and his exhibitions are always well received by collectors and the press alike. Over the coming months, I will be listing limited edition prints from his diverse portfolio. (PLEASE NOTE: As with many photographic editions, prices rise as prints sell in each edition) BIO Les Schmidt (b. 1960 New Brunswick, NJ) attended the New Orleans Academy of Fine Arts from 2003-2004. He has exhibited extensively in the US including Atlanta, GA; Los Angeles, CA; Naples, FL; New Orleans, LA and Cooperstown, NY and internationally in Budapest, Hungary and Crete, Greece. He’s been a twice selected finalist for Naples Art Association's Camera USA® National Photography Award (2016, 2017) as well as being curated into recent national exhibits held at the Huntsville Museum of Art, Masur Museum of Art and Attleboro Arts Museum Les Schmidt works and resides in New Orleans, LA. EXHIBITIONS 2019 Choice 2019 Atlanta Photography Group Gallery, Atlanta, GA 2018 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA Chania International Photo Festival Grand Arsenali, Crete, Greece St Tammany Art Association: 53rd National Juried Exhibition Miriam Baranger Gallery, Covington, LA Monochrome: Juried International Photography Exhibition PH21 Gallery, Budapest, Hungary Urban Landscapes 1650 Gallery, Los Angeles, CA Still Life A Smith Gallery, Johnson City, TX 2017 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA I'll Be Your Mirror: The Portrait 1650 Gallery, Los Angeles, CA STORM Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Atlanta Celebrates Photography: Photo Buckhead Buckhead Library, Atlanta, GA Someone/Someplace: Figures, Portraits & Landscapes Western Bureau Arts, San Jose, CA Street Photography: Juried International Photography Exhibition PH 21 Gallery, Budapest, Hungary Cooperstown Art Association: 82nd Annual National Exhibition CAA Village Building, Cooperstown, NY The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art Huntsville Museum of Art, Huntsville, AL St Tammany Art Association: 52nd National Juried Exhibition STAA Art House, Covington, LA RECOLLECTIONS: A Community Photography Project New Orleans Photo Alliance, New Orleans, LA It's a Sign: The Medium is the Message 1650 Gallery, Los Angeles, CA Camera USA® 2017: National Photography Exhibition The von Liebig Art Center, Naples, FL Line - 2017 National Juried Exhibition Attleboro Arts Museum, Attleboro, MA Masur Museum of Art: 54th Annual Juried Competition Masur Museum of Art, Monroe, LA 2016 New Beginnings: Insight Photography Show Rail Yard Studios, Nashville, TN Highway 90: Beyond the Rigolets Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Abstracted Mpls Photo Center, Minneapolis, MN Portraiture: Photography Now Black Box Gallery, Portland, OR THINGS: a still life show 5 Press Gallery, New Orleans, LA ARTifact Darkroom Gallery, Essex Junction, VT Fishing for Iconography 2 A Smith Gallery, Johnson City, TX Camera USA® USA 2016: National Photography Exhibition The von Liebig Art Center, Naples, FL 2015 Dorothy Jean Guy Lyman Fine Art, New Orleans, LA Solo Exhibition 2012 A New Landscape: The 10th Annual Grand Isle Juried Exhibition Grand Isle Community Center, Grand Isle, LA 2011 The Windsor Court Art Showcase Series Windsor Court Hotel, New Orleans, LA Solo Exhibition Embleme Eustis Studios, Cape Girardeau, MO Solo Exhibition 2009 PhotoNOLA 2009 Soren Christensen Gallery, New Orleans, LA Salon d'Automne Arthur Silverman Studio, New Orleans, LA 2006 New Works Soren Christensen Gallery, New Orleans, LA Souvenir Grand Contemporary, Lafayette, LA 2005 Souvenir Soren Christensen Gallery, New Orleans, LA 2004 Leaf Shadows Soren Christensen Gallery, New Orleans, LA 2003 Jack...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

C-Print mounted on acrylic board

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

C Print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering colo...

This vibrant abstract color panorama is from a series of images, night photography by the artist Roberta Fineberg. On intentional camera movement and light painting, the image Mixed ...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

C Print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering col...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

Chromogenic Print Face-mounted 4.5mm Plexiglas- Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3. Paul Snell combines traditional and digit...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

'Dark Wave I' by Stuart Möller Beautiful capture of a single wave at dusk. Seascape, abstract landscape. An exquisite SIGNED Limited Edition C Print. * Edition Size 25 only this ...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

"Laundry Day, Venice" Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numb...

ROI PARTRIDGE (1888-1964) PHOTOGRAM c 1940 Gelatin Silver Print c. 1940 9 ½ x 7 ¾ signed & titled. Mounted on card. Partridge was a well known California etcher. He was married...

Plant Leaf Detail, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by artist. Custom sized print available upon request. Framing...

Abstract feeling shot of rock in the water. Shot in Montauk. Exposure creates painterly feel. Ltd Ed of 10. The art can be inside or outside with no visible loss of resolution. ...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

Boathouse, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by art...

Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and ...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

Fu Wenjun, 1955, is a famous Chinese contemporary artist. He creates principally through the art media of photography, installation, sculpture and oil painting, and has put forward t...

C print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

"Casper" Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by artis...

Rushing Water, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by a...

Reflection of Willow Trees, Abstract Black & White Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. S...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Signed and dated verso 1961 Matted with archival board. Not framed The Art Institute of Chicago, Gift of Richard L. Menschel

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

Swept Away 3 (Gestural, Abstract Black and Gray Monoprint on Photographic Paper) Unique chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood, 8 ply mat, n...

Abstract camera-less photograph Neutral palette on white Unique chromoskedasic monoprint on black and white photo paper mounted on foamboard 20 x ...

Signed dated, numbered lower left recto 3/15 , other sizes available, unframed, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a "Color Photographer Pioneer"....

Red Sun. Green Skyline, Nikon Advertising Campaign Inkjet Archival Print Signature: Signed dated ,numbered lower right recto. Printed Later, Unframed 2/15, other sizes available - Pr...

Born in 1948 in the French Alps, Jean Turco spent his adolescence in Chamonix Mont Blanc. He awarded a diploma in photography and made numerous images of high mountain. At the age of 20, he left "the valley" for Paris where he is going to exercise as a game an activity which fascinates him and will allow him to visit a lot of distant countries by taking in his luggage Leica IIIf and Hasselblad which share his life. He has so produced in Europe, in the United States or in Emirates and Sultanates of the Gulf, uncountable landscapes and portraits; his taste for these last ones asserting itself during journeys in India and in Pakistan. In 2000, he rethought his implication in the photography and decided to dedicate himself to it full-time. He abandoned then quite other activity, tidied up his inseparable IIIf and Hasselblad in a cupboard, took back his Sinar P 20x25 and Nikon-digital then burned symbolically and without mood, his negatives and archival to start all over again. Mainly intended for the exhibitions, he made more of seventy these last years, his photos concern since numerous subjects even if the portrait, the nude and the still life remain privileged. Except his personal works, except the writing of works and except the articles on the photography and workshop / studios which he runs in numerous European countries, Jean Turco works mainly on commission for private individuals or advertising agencies. He uses according to the use of the produced images everything kind of existing shot equipments but the Sinar P2, the chamber of size 8x10 inches (20x25 cm) big film photography format which he processes personally in his laboratory, became his favourite equipment. Besides the catalogs of his exhibitions, he publishes in the editions Pearson: "The photo of nude...

Signed and dated on lower right, numbered on verso. Edition: 2/12 Unframed, other size available printed later, Printed on Hahnemühle Fine Art paper Beginning in the late 1960’s, Mitchell Funk has spanned 5 decades of photo innovation. He’s a 10 trick pony...

Black and white photograph on a ChromaLuxe metal panel with a UV coating bonded to substrates that include 0.45" metal. ChromaLuxe has superior fade, moisture, stain and scratch resi...

Cover Popular Photography, May 1978, Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed

Black and white photograph on ChromaLuxe metal panels with a UV coating bonded to substrates that include 0.45" metal. ChromaLuxe has superior fade, moisture, stain and scratch resis...

Sennen is a new study, and the first in a series of works based around a loose grid of interlocking circular forms. This impression is #20 in an edition of 24. The work takes on some of the language of artists such as Sonia Delaunay and Sarah Morris, who both use flat geometric grids as the basis for many of their studies. I’ve taken that idea and built it up into something more complex and textured, that I hope is redolent of a landscape, or perhaps just a dreamlike imagining of a landscape, filtered as ever through the digital, and its ability to layer and distort form. Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

XGen 2 / chromatic variation 5 is taken from a new set of drawings designed to explore, and riff on, the energy contained within a simple X form. I hope the edition captures some of the kinetic energy and life contained within the essence of the original form too. This is impression #23, a ten color pigment print on Hahnemuhle 340 gsm photo paper. The study builds on a simple X shaped grid that generates the underlying drawing, which I overlaid with experimental mark making, building up layers of texture and colour to work the piece up into something a little more painterly than many of my previous editions have been. I like the idea that the ink seems quite fluid, but also sits on a fairly rigid geometric grid. That combination would be hard to achieve off system I think, and as ever, I really enjoy seeing if I can make the digital speak with a little more soul, and just generally feel more haptic than might otherwise be the case. A lot of the joy, for me, is in the unexpected overlaps and misalignments in the final drawings. I feel there’s something of Sean Scully’s style here too, I’m drawn to his works, but always with a slight scepticism. I tend to feel there’s something a little suspect about that bravura level of underworking, but really I think I’m just envious of the raw confidence he brings to his mark making! Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by Danish photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine...