Figurative Sculptures on Sale

Beautifully sculptural candleholder by Zanini de Zanine. Regarded as one of the most renowned forces in art and design, Zanini de Zanine creates pieces that bring a strong presence i...

Matt glazed sculptural group of man and woman, signed Dominic Pouchain.

Introducing an elegant forged iron sculpture, meticulously crafted by a master blacksmith at the forge. This work, executed with various techniques of hot ironwork, reflects the arti...

Late 19th century set of three beautiful barbotine ceramic pieces signed by Thomas Sergent (1830-1890). The set contains two jardinieres and a small plate, all of them in very good c...

Wonderful handmade sculpture made of bronze. In the style of Curtis Jere. This amazing piece definitely has a lot of work. It is a tree that has a house on it. It has nine kids playi...

A figure by Rudolf Hlavina from 1942. Dimensions: Height 41 cm, width 45 cm, depth 19 cm.

Italian Antique 18th century dancing putto marble statue. The sculpture features a small dancing Angel 'Putto" supported on a marble block with wonderful...

French glazed terracotta boy head. France 1958. Signed and dated on the base. Blue, white, pink colors. Measures : 30H x 22 cm Conditions: Excellent.

Saint Ambrosius Italian sculpture 17th century in painted and gilded wood. The figure is represented standing up blessing with the hand. Faults and defects. Dimensions. Heigh...

Antique Viennese bronze sculpture. Oriental nude dancer. Enchanting and decorative antique bronze sculpture. Painted bronze on marble ba...

Vintage hand carved sculpture Dimensions. 41/2 W ; 4 D ; 8 H.

Pair of signed terracotta pots. 20th Century terracotta pots signed by the author: ortega. Very decorative. Each one measures: 60x20x19 cm. Good condition.

Walnut and brass handmade eye glass holder in the shape of a human nose. Very fun and useful piece.

Faun figurine from Royal Copenhagen, 1969-1973.

Transform your space with this exquisite Art Deco alabaster sculpture from the 1920s, portraying a dancer. This sculpture is in excellent...

This decorative marble bust of a child, dating to the 19th century or earlier, is a charming and timeless piece of art. Finely carved with delicate features, the sculpture captures t...

Intending to enhance the "Tudo Isto É" collection, Malabar designers conceived the Azulejo V Portuguese Guitar showing, in a relaxed way, a magnifice...

DESCRIPTION Beautiful, graceful lines on this "Circle of Love" statue made by Royal Haeger Pottery Company between 1980s-1990s. It would be a real statement piece as mantel, console,...

Known as the ‘Olympic Rider’, this patinated bronze group of a man upon a horse is by the German artist Heinrich Splieth. The design is simple yet restrained and refined: an ideal ma...

The Following Item is An Outstanding Fine Patinaed Beautiful Estate Alabaster Figure of a Beautiful Woman Holding Her Dress. Signed on Base " P. C. E. FIASCHI, Made in Italy". Magni...

Gunnar Uotila (Finland, 1913-1997) - Unique carved wood sculpture "EVE" , signed and dated 1953 - Gunnar Uotila was a sculptor producing mainly wooden carved works . - Exhibitions ...

The table lamps designed by Lorenzo Ciompi for series Masterpieces of Lights" in 2021 , n. 5 supports a pair of rare bronze sculptures designed by Lucio Fontana in 1950 during the ...

Stunning set of three silver plated figures. One taller than the other. Very cute

A lost-wax bronze sculpture by Théodore Rivière, titled 'Carthage' French, Late 19th Century Height 41cm, width 23cm, depth 18cm This superb lost...

Ceramic sculpture of a woman by C.I.A. Manna Manna Torino, 1940s Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is n...

Taro Okamoto, artist (Japan) Tower of the Sun’ ceramic face wall plaque, for Expo ’70 world fair in Osaka japan, 1970. Cast, glazed ceramic. Due to th...

Patinated bronze and parcel-gilt classical sculpture by Levêque French, Late 19th Century Height 60cm, width 24cm, depth 24cm This elegant neoclassical bronze sculpture is by the Fr...

Pair of "Canna di Bambù" floor lamps designed by G&G Studio e Disegno, Architecht Carlo Giorgi and manufactured by Bottega Gadda during the 1970s.  Structure made of polished and ...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

This impressive large sculpture depicts a shepherd carrying a lamb on his shoulders. The piece is notable for its realism and expressive strength. The sculpture is in perfect conditi...

An important bronze sculpture of the god Jupiter from the 18th century, likely of German origin. This impressive piece captures the majesty of the king of gods, showcasing fine detai...

Beautiful small bronze statuette with ormoulu finish from the early 20th century, around 1920, on a breccia marble base. Untitled a rare representation of steeplechase with a jockey ...

The kneeling Angel portrays a loosely draped gown and is kneeling amongst clouds, with the sacred heart of Jesus in its hand. The dramatic pose and composition of this piece, along w...

French Paris porcelain figural group depicting Marie Antoinette borne in her carriage with small dog following. Carriage has removable top cover. Beautifully-painted detailing, and v...

Beautiful figures made in bronze that represent a couple of children, in what looks like a country scene. The proportions and details that define the figures is impressive.

Ken Warneke Face Painting "Female looking Left" Chicago School of Painters Ken Warneke Face Painting "Female Looking Left"

"The Jewish Traders" or the "Young Jewish Fur Trader" sculpture from Austria or Czechoslovakia circa 1890. In Austria-Hungary and Czechoslovakia during the late 19th century, Jewish...

Probably an early prototype, the largely open base showing an apparently unique structure described by Watney as ‘a favourite primitive buttressed by a strong overall cone-shape and further strengthened by a cut-out additional layer inside the base in the manner of pastry making.’ (Freeman Collection, Forward, 1982). Toper is an old English word for a drunk. Annulet Mark. Prov: Taylor Coll, Albert Amor...

Pierre-Jules Mene (1810-1879) was one of the foremost animalier sculptors of the 19th Century, and achieved high distinction in the art of making small bron...

Taken from a model of 1772 by M.C. Avier and J.C. Schönheit, this charming porcelain group by the Meissen manufactory depicts a group of five figures around a central rock mound, inv...

BARBEDIENNE ART NOUVEAU ONYX CLOCK EXCELLENT CLOCK OF THE XIX CENTURY MADE IN ONYX AND BRONZE BY BARBEDIENNE-SIGNED ON THE CLOCK AND ON THE CUP ART N...

A wonderfully hand carved rough stone head in a classical style. This piece would make a fantastic centrepiece or talking point.

Jonathan SELIGER (1955) lacquered bronze sculpture "Gucci" braided metal rope, signed and numbered under the base, A 72 x 91 x 31cm (some scratches) Jonathan Seliger makes meticulou...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

LARGE ROMAN BRONZE SCULPTURE 80 CM LARGE BRONZE SCULPTURE REPRESENTING A BUST OF A ROMAN EMPEROR. IT HAS A NICE BROWN PATINA. IT MEASURES 80X40X30 CM CM. ...

A pair of early 17th Century Baroque polychromed carved wood Angel sculptures with torch shaped candleholders.

18th century walnut sculpture of an angel's head surrounded by four wings, that could be used as a small shelf. Made in France, circa 1780.

A fine marble statue of the Greek God Pan with a Goat. Carved in great detail, with clear features on both the goat and Pan, right down to the Goats fur which delicately curls to the...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Yulia Batyrova started working with ceramics five years ago. From the very beginning, she was keen on experimenting with form, materials and graphics in search of her own style. Sinc...

XIX Century Italian Marble Sculpture ELEGANT 19TH CENTURY ITALIAN MARBLE SCULPTURE REPRESENTING A YOUNG MAN WITH A PITCHER. TO HIGHLIGHT THE Y...

Beautiful and charming little teddy bear in black golden line from the famous designer designer Walter Bosse (1904 - 1979) Beautiful original patina from the mid-20th century. H...

FRENCH SCULPTOR 17TH CENTURY, Sculpture "Saint Mary Magdalene" Sculpture from the Louis XIV era in carved wood with a contemporary base 45 x 35 ...

San Antonio Abad, Castilian school of the 15th century (1440-1501) Carving in polychrome wood, measures: 45 x 15 cm good vintage conditions.

Beautiful and unique Expressionist bronze sculpture, on marble base. France, 1930s.

The gilded bronze sculpture of this King seated on his throne, wearing his crown, while he is absorbed in reading a book is very rare and particular. The figure stands elegantly, and...

This limited edition chair is inspired by the menger sponge and bitcoin blockchain. In cell phones, the menger cube was used to amplify the signal and later negate the need for the...

This whimsical figure of a cherub pushing a sleigh was always in our Xmas window, but now we are selling it. It is artist signed "Kingsburger", German, circa 1900. A very lovely scul...

Beautiful Italian bronze sculpture circa 1950s in good condition.  

Sculpture of a porsche car made of glass by Magic Cristal.