1950s Abstract Paintings

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting com...

Abstract, 1959 is a sophisticated Carl Holty, experimentingn with color, space, and form. Framed in a new white lacquer frame of high quality. An important artist in Art History wh...

Antique American modernist seascape painting. Gouache and watercolor on board, circa 1951. Signed. Housed in a period modern frame. Image size, 37.5 x 29.5.

Casein on board In American art circles in the second decade of the twentieth century, Cramer was an early emissary of European modernism. Born in Wurzburg, Germany, in 1888, Cramer...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

Signed lower left, 'Thall V' for Victor Thall (American, 1902-1983) and painted circa 1950. A mid-century, American abstract oil comprising complex, contiguous and superimposed, linear and ovoid forms painted with an energetic and painterly brush in primary and secondary colors in both pure and pastel tints. Born in New York in 1902, Victor Thall first attended the Art Students League in New York City where he studied under Arthur B. Davies, George Bellows, John Sloan and Robert Henri. He furthered his studies at the Pennsylvania Academy of Fine Arts before leaving for Paris, in 1924, to attend the Ecole des Beaux Arts and the Academie Julien. He remained in France for six formative years before returning to the United States in the early 1930's. Back in New York, he became friendly with Willem de Kooning and Arshile Gorky and was both influenced and inspired by the ferment of ideas that developed around the New York School during the late 1940's and early 1950's. Thall was also an active participant in the WPA New Deal Art Project of New York City between 1935 and 1939 and returned to the Art Students League as a teacher from 1947-9. He exhibited widely and with success including at the Whitney Museum Annuals of 1949 and 1950 and the Leicester Gallery, London, in 1961. Victor Thall's paintings are held in numerous private and public collections including the permanent collections of the Brooklyn Museum and the Newark Museum and the artist is listed in all relevant reference works including Who Was Who in American Art. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, p. 3273; Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991; Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery; 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950; Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43; 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney; Museum of American Art, 1949; Lansford, Alonzo, "Thall at Binet," The Art Digest' December 15, 1947, ill; Upton, Melville, "George Binet Gallery," Sun, December 13, 1947; Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947; "Victor Thall at Binet Gallery," Art News, December 1947, p. 59; Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947; et al. Select Exhibitions: 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Moody blue night with rain and wind rendered in a post-impressionist style somewhat like that of Albert Marquet

Fertility Goddesses, original abstract figurative painting, vintage 1950, by 20th century Denver modernist artist, Edward Marecak (1919-1993). ,Three nude female figures with fruit. ...

Another female artist in need of rediscovery. Strautin was good friends with Lee Krasner and Jackson Pollock and lived near them in Greenwich Village.

Oil on masonite Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the artistic z...

Signed lower left. “Abstract and Fractured Biomorphic and Geometric Forms” which was painted in the mid to late 1950’s is a nod to Picasso’s famous painting Guernica, which Hart may have seen when it was given to the Museum of Modern Art in New York in 1958. Several elements in the painting clearly reference Guernica: the black geometric and cut-out shapes, the biomorphic shapes, the abstracted horse’s head and body, with a district reference to the bull’s tail, along with the black and white pallet choice and various details throughout-all hallmarks of Picasso’s Guernica. The abstracted reality Hart presents in these references go beyond a simple nod and reflect a personal interpretation reflected in the splintered abstraction and her bespoke interpretation. Agnes Hart’s first began her career as a social realist artist in the 1930’s. She was also WPA artist. Her longtime friend Milton Avery encouraged her, and she exhibited in the same gallery in the late 1940’s, the RoKo Gallery. Her instinctive and personalized modernist periods often reflected a similar path of her compatriot artists during the first half of the 20th century. Her early works were influenced by her teachers Josef Presser, Paul Burlin and Lucile Blanch, and Reginald Neal, and reflected historical modern trends-at times showing the influence of Avery and other modernist. Like Elaine DeKooning, Lee Kraser, Michael Corrine West...

Sam FRANCIS (1923-1994) THE YELLOW AND WHITE SQUARE Signed, titled and dated 1959 on the reverse Watercolor on paper 11 by 10 in. (27.9 x 25.4 cm.) Executed in 1959 This work is identified with the interim identification number of SF58-133 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. PROVENANCE Zoe Dusanne...

Small longitudinal dark green and yellow toned portrait by Houston, TX artist Pat Colville depicting a young pregnant woman with short hair and a sleeveless top. The subject's striki...

Neuman's work assimilated a wide variety of influences, including Bay Area Abstraction, the New York School and European Art Informel. Not bad for a young man raised in the rural min...

Note: oil pastel on paper Gandy Brodie (American, 1924-1975) studied dance and jazz before teaching himself to paint, inspired by the paintings of Van G...

In 1937, at the age of 20, Little started working with Hans Hofmann in both New York and Provincetown. This pushed him towards abstraction and his first serious involvement as a pain...

Note: oil pastel on paper Gandy Brodie (American, 1924-1975) studied dance and jazz before teaching himself to paint, inspired by the paintings of Van G...

Signed lower right, 'Thall V' for Victor Thall (American, 1902-1983) and painted circa 1950. A mid-century, abstract oil comprising a centrally placed and expansive star-shaped form accompanied by jagged, linear elements and superimposed on a background of ivory and midnight-blue; a dynamic and elegant New York School work showcasing the artist's characteristic, energetic and painterly brushwork. Born in New York in 1902, Victor Thall first attended the Art Students League in New York City where he studied under Arthur B. Davies, George Bellows, John Sloan and Robert Henri. He furthered his studies at the Pennsylvania Academy of Fine Arts before leaving for Paris, in 1924, to attend the Ecole des Beaux Arts and the Academie Julien. He remained in France for six formative years before returning to the United States in the early 1930's. Back in New York, he became friendly with Willem de Kooning and Arshile Gorky and was both influenced and inspired by the ferment of ideas that developed around the New York School during the late 1940's and early 1950's. Thall was also an active participant in the WPA New Deal Art Project of New York City between 1935 and 1939 and returned to the Art Students League as a teacher from 1947-9. He exhibited widely and with success including at the Whitney Museum Annuals of 1949 and 1950 and the Leicester Gallery, London, in 1961. Victor Thall's paintings are held in numerous private and public collections including the permanent collections of the Brooklyn Museum and the Newark Museum and the artist is listed in all relevant reference works including Who Was Who in American Art. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, p. 3273; Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991; Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery; 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950; Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43; 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney; Museum of American Art, 1949; Lansford, Alonzo, "Thall at Binet," The Art Digest' December 15, 1947, ill; Upton, Melville, "George Binet Gallery," Sun, December 13, 1947; Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947; "Victor Thall at Binet Gallery," Art News, December 1947, p. 59; Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947; et al. Select Exhibitions: 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting com...

At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...

ZORA STAACK 1910-2001 (Yugoslavian/Active in France) Title: Abstract Composition, 1958 Technique: Original Signed and Dated Oil Painting on Canvas size:...

Vintage modernist harbor view by Aksel Jorgensen (1883 - 1957). Oil on board, circa 1957. Signed. Displayed in a period frame. Image size, 24"L x ...

Expressive portrait of a man and a woman looking directly at the viewer as well as indicated chairs. The execution of a series of chair paintings served Wilhelm Ohm (1905 Stettin -...

A fine period Abstract Expressionist oil painting by noted American artist, Alexander M. Bing (1878 - 1959), signed 'AMB' lower right. Gallery label from ...

Like many AbEx painters of his era, Wall first painted in a WPA, or Social Realist Style, but this changed in the mid-1950s and he gained early prominence as an Abstract Expressionis...

"Untitled" by French painter Roland de Thonon is an abstract oil on canvas presented in a gold accented wood frame. On the back of the canvas "Roland de Th..." is barely discernible along with other inscriptions in French (possibly title of work...

The work is executed at the heyday of abstract expressionsim in the mid-50s. Colors are saturated and bright. Goldfield (of Goldfield Gallery). Written on the stretcher. Goldfield G...

Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at...

This is a Happy New Year Card Signed by Virgilio Guzzi, to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Seventies. Rome, Febr...

Note: oil pastel on paper Gandy Brodie (American, 1924-1975) studied dance and jazz before teaching himself to paint, inspired by the paintings of Van G...

Neuman's work assimilated a wide variety of influences, including Bay Area Abstraction, the New York School and European Art Informel. Not bad for a young man raised in the rural min...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting com...

Floral composition "Blossom", 1950-1959 by Ferdinand Springer ( 1907-1998 ), Germany. Oil on hardboard. Signed lower left: Springer. Signed verso: ...

Vibrant mid century modern abstracted figurative in orange, red and black by Bay Area artist Paul Sheppard. Dated 1959 and signed "Sheppard." Presented i...

Signed lower right. Description An example of Scarlett’s abstract drip painting, this untitled work has linear and geometric elements rendered in shades of black, rose, and blue and...

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the beginning of World War II he joined the Foreign Legion. After he was demobilized, he became a mechanic in a garage in Avignon. Although Jewish, he survived the war with a false identity. In 1943, Krol started studying to be an artist, taking courses in sculpture at the city’s School of Fine Art. He also began studying painting and self-described himself as a “Sunday painter.” Krol moved to Paris in 1944. The first exhibition of his work was in 1946 in the Katia Granoff Gallery in Paris. After the war, Krol took up engraving, studying that art form with an engraver he met in Paris. Krol reflected his Hasidic childhood often using Biblical themes in his art works. He said, During all my years of childhood I had read the Bible endlessly. I came back to the Bible because I was on solid ground there. It was part of the assertion of my own truth after a time of complacency. It seemed to me that in painting or engraving there were so many reefs to avoid, so many possibilities of setback, that I had to have all the odds in my favor do what I could—say what I had to say. Krol illustrated over 20 literary works from the late 1940s through the 1960s. He also engraved medals for the Paris mint and painted murals for schools in France. He designed tapestries and painted approximately 200 enamels. Museums and libraries which own Krol’s art works include the Bibliotheque Nationale in Paris; the Victoria and Albert Museum in London; the British Museum; Houghton Library, Harvard; Bodleian Library, Oxford, and the Palace of the Legion of Honor in San Francisco. Krol has had numerous one-man shows throughout Europe, Brazil, and in California. In 1960, Krol was invited to the Venice Biennale. He was awarded the Critics Prize in 1958. He also won the Feneon Prize among other honors. Krol died on October 9, 2001. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the Ecole de paris, School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder...

Jennie Haddad (1906-1996) Dallas Artist Image Size: 25.75 x 40.25 Frame Size: 32.5 x 47 Medium: Mixed Media Circa Late 1950s Early 1960s " Ballerina " Signed and Estate Stamp Biogra...

The art market--collectors, curators and museums--is in the early stages of a broad reappraisal of the contribution of previously overlooked groups to the development of post-war mod...

Géométries is an original oil drawing on watermarked paper, realized by the French artist Ph. Ferrando. Signed and dated "4.12. 53" in black ink on the lower right margin. In very...

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

Like many AbEx painters of his era, Wall first painted in a WPA, or Social Realist Style, but this changed in the mid-1950s and he gained early prominence as an Abstract Expressionis...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

Signed upper right, 'Laisner' for George Laisner (American, 1914-1984), titled, verso, 'Fireflies', and painted circa 1955. Born in Czechoslovakia, Laisner first studied at the Uni...

Signed lower right, 'Max Gunther' (German, 1934-1974); additionally signed verso, dated 1958 and titled 'Cité Décomposée'. Provenance: Estate of David Rockefeller...

Signed: Gendron '59

This intense abstract watercolor has drawed on sheet of Fabriano paper, an Italian high quality paper specially made for artists and its artworks. About Keller arworks was told many words but we want to add that every time we look at his creations we can feel at once his whole world. Erich Keller...

Signed verso Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurat...

Understated town-scape in grays and muted blues. It's a painting that looks better as you get closer to it. Koch brings the same serene intimacy to an outdoor scene as his interiors....

Gorgeous mid century modernist abstract combining earth-tones and subtlest metallic silver background by Corban LePell (American, b. 1933), 1955. Signed ...

Vintage 1950s mid century modern abstract expressionist painting by Colorado artist, Charles Ragland Bunnell in shades of red, green, white, and black. Presented in the artist's orig...

Gorgeous oil and watercolor on paper by abstract expressionist artist Adine Stix. Beautiful shades of pink, purples, cobalt blue with s hint of orange cover the paper to create the h...

Gouache on paper by Rolph Scarlett c. 1950s. The piece is signed "Scarlett" on the front in two places. The piece is in perfect condition. Unframed it measures 10.75 x 13.5.

A dramatic, Expressionist Coastal landscape showing a view of white-capped jade green breakers crashing against a rocky shoreline, with a distant mountain painted in shades of scarlet, slate blue, and indigo rising in the background. Signed lower right, "Beamish", titled verso and painted circa 1960. Provenance: The Vincent Price Collection...

An original oil painting by Egyptian Born French Artist, Raymond Abner (1919 - 1999) entitled "Espace en Gris". Abner rubbed shoulders with the top arti...

"Les Competiteurs" by American modernist painter Leonard Nelson is a 36" x 26" oil on canvas abstract figurative painting, created in 1952. The work is framed in classic black and si...

An abstract Mid Century Marina scene with Boats, presenting a vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1955 with sailboat...

Mid Century Modern Boats and Bridge, Abstracted Maritime Landscape Painting Wonderful mid-century modern abstracted maritime seascape by listed San...

Squares is a bridge between Mondrian and the Hard-edge abstraction movement. Clearly, this is a very early work because the artist has not yet found his mature style. The flat squares of uneven proportion, are in a formal but off-axis vertical /horizontal grid structure. Perhaps it's the artists take on a "drunk Mondrian" where the squares stumble to align themselves. Each square shape is different in shape and color and with visible brushstrokes and light impasto. Look carefully at the gray squares. They all have a slightly different hue. The squares are all unique individuals and not a repetition To Goodnough this was his departure from his influencer. Squares show the influence of his teachers including Hans Hofman...