1920s Paintings

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Prévot-Valéri (1857-1930), and...

Initialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at ...

Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...

Léon Laurent Galand 1872 – 1960 Signed and dated 1928 bottom left Artwork Size: 25.75 x 36" (66 x 92cm) Artwork Size with Frame: 32.75 x 43" (83 x 109cm) Oil on Canvas Discounted ...

François FORICHON 1865-1952, French Still life with greens apples Painting, oil on canvas Signed "F. Forichon" and dated 1929 Painting: 46 x 33 cm (18.1 x 13 inches) Original wooden ...

Very beautiful work oil on canvas, depicting a beautiful cabaret dancer smoking a cigarette in front of a mirror. Large dimensions of the canvas. The frame is not sold with the pain...

1927 Carmel by the Sea - Beach, California Coastline - Oil on Linen Seascape oil painting of the Carmel coastline by Charles Henry Harmon (American, 1859-1936). Vibrant blue Pacific waves crash along Carmels white sands, with a walk way on the cliffs above. A lush green sycamore tree is seen to the left, beyond the cliffs. Vibrant greenery is seen on either side of the walkway, depicting colors of greens, yellows, and browns. Signed "Charles Harmon 1927" lower left. Charles Henry Harmon was born on December 23, 1859 in Mansfield, Ohio. He moved to San Jose, California with his family in 1874 and at an early age was apprenticed to local portrait painter Louis Lussier. He later spent one year working in a local photography studio re-touching negatives. His youth was spent visiting the art galleries of San Francisco and, with no formal training, he began sketching and painting in 1883 in the beautiful Santa Clara Valley. He painted many landscapes of that area and made trips to the remotest parts of the Sierra and the Monterey Peninsula where he painted many coastal scenes. He began exhibiting in San Jose in the 1880s. By the turn of the century, his works were handled exclusively by Gump's and he was recognized as one of California's foremost painters. In 1905 he established a studio in Denver and for seven years concentrated on the rugged landscape of the Rocky Mountains. While there, the Santa Fe, Western Pacific, and Colorado, Midland railroads commissioned him to paint scenes along their routes. After his time in Colorado, he returned to San Jose where he remained for the rest of his life. Harmon died there on October 14, 1936 and is buried in Oak Hill...

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

Antique American impressionist venice cityscape. Oil on canvas. Framed. Signed.

Frank Nelson Wilcox (American, 1887-1964) Schooner, Boothbay Harbor, Maine, c. 1924 Gouache and watercolor on paper Signed lower right 14 x 20 inches 19.5 x 25.5 inches, as framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox...

1920's nocturnal seascape of moonlight shining on breaking waves by Anna Louise Hull (American, 20th century). Presented in a rustic, carved, vintage, giltwood frame. Artists name ad...

This superb British exhibited Post Impressionist oil painting is by much sought after noted artist Harry Morley. It was painted in 1921 and exhibited that year at the Royal Academy L...

American Cubist Abstract Art Deco Avant-Garde Constructivism 20th Century Modern Florence Henri (American, 1893-1982) Composition 18 1/2 x 12 1/2 in...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

Éric Bagge (1890-1978) Beige and pink - project, circa 1928 Gouache on cardstock Signed and numbered “190bis” Dimensions : 29,7 x 21 cm Architect and interior designer Eric Bagge wa...

Signed lower right, 'Helge' for Helge Jensen (Danish, 1899 - 1986) and painted circa 1925. This Danish Post-Impressionist first studied with Harald Giersing (1915-1916) before initi...

This absolutely charming portrait of a Pekingese dog called Dodo is attributed to much loved Scottish artist Samuel Fulton. Famous as an animal artist and chiefly a painter of dogs, this has got to be one of his best if you are a Pekingese fan. Painted circa 1920, Dodo, a lovely little black and tan dog is sat profile but is turning to look at the artist/viewer. Beneath him is a beautiful orange and brown Persian rug...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 33x41 cm. Frame measures 47x55 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Arthur Clifton Goodwin Trinity Church, Boston, 1928 Signed lower left Oil on canvas 30 x 36 inches Provenance: Sotheby’s New York, American Art, May 24, 1990, Lot 166 Private Collec...

Sparkling landscape painting on canvass by Marion Butler Ewald of Pennsylvania. The painting measures 28" x 26" and is contained in a frame that measures 39" x 37". The painting is m...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 10x14 cm. Frame measures 20x25 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Watercolour on paper by Henri Duhem depicting Ypres - also known as Leper - in Belgium, which was the centre of the Battles of Ypres between Germany and Allied forces in World War I....

This superb Impressionist figurative interior oil painting is by Slade School Jewish Victorian born artist Pyzer Cowen, previously Cohen. It was painted circa 1920 and entitled Fleet...

Antique American impressionist oil painting of a fall landscape by George A. Renouard (American, 1884-1954). Oil on board. Signed. Framed.

A colorful still life painting of flowers in vase on a table by Jules Schyl, (1893 Copenhagen - 1977 Malmö). Signed and dated "Schyl XXV"...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Rivière Saulaie à Lyons-la-Forêt, Eure by Paulémile Pissarro (1884-1972) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed lower left, Paulémile - Pissarro. Signed and titled...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Signed post impressionist still life oil on canvas circa 1928 by French painter Jean Dufy. This vibrantly coloured work depicts red and yellow flowers in a vase with pears placed bes...

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Nielson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.' Norah Neilson Gray...

Female Illustrator of the Golden Age, Ruth Mary Hallock, paints a sensitive, heartwarming portrait of Mother and Child in a post-impressionist style. Richly saturated hues and gestur...

Narcisse HENOCQUE (1879-1952) Nature morte aux prunes Oil on canvas Size : 43 x 58 cm Signed lower right Framed Size with frame : 66 x 79 cm

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

This lovely Art Deco portrait oil painting is by noted British prolific society portrait artist Leon Sprinck. Painted in 1924 it is a half length portrait of a beautiful blonde woman, stood smiling at the artist/viewer, her head tilted to one side. We don't know the sitter's name or her relationship to the artist but her pose suggests a degree of familiarity and warmth between them. She is wearing a sleeveless black dress with beautiful Art Deco motifs, a long string of pearls...

Antique American impressionist nocturnal seascape by John Rummell (1861 - 1942). Framed. Signed. Artist Bio: John Rummell (American, 1861-1942) was a noted landscape and portra...

A superb portrait oil painting by noted British Newlyn school artist Harold Harvey. Painted in 1922 the sitter is Clara Matthews. A full length portrait, Clara is set in a landscape and holding a rose. In several of Harvey's portraits his female sitters...

A beautiful oil on panel by French post-impressionist painter Jacques Martin-Ferrieres depicting a view of lone gondolier rowing his gondola with a backdrop of the city of Venice in ...

Jacob Kramer is a Jewish artist who migrated with his family to Leeds to escape the Russian pogroms when Kramer was only eight. This portrait oil painting was painted when Kramer was...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Antique American modernist interior scene of figures eating lunch by the shovel full. Really well painted and unusual scene. A rare early work by Justin Murray (1912 - 1987). Sign...

A beautiful British portrait of a Pekingese dog by George Denholm Armour. Dated to circa 1920, it is a superb Art Deco animal portrait with bold brush strokes and vibrant colour. The...

This gorgeous, vibrant Scottish Impressionist landscape oil painting is by noted Glasgow artist William Pratt. Painted in 1920 the composition is sheep, shepherd and sheepdog in the...

This superb Scottish Impressionist landscape oil painting is by noted artist George Houston. The location is the River Ayr in spring and it was painted circa 1920. The choppy river i...

Oil on canvas by Charles Kvapil, France, ca.1920. "On the edge of the lake". with frame: 78x58.5x6 cm - 30.7x23x2.4 inches - without frame: 65x46 cm - 25.6x18.1 inches. 15M format. S...

Ville by LÉOPOLD SURVAGE (1879-1968) Oil and graphite on canvas 73.4 x 60 cm (28 ⁷/₈ x 23 ⁵/₈ inches) Signed and dated lower right, Survage 24 This work is an early 1924 painting...

Lyrical landscape painting by William Scwartz. A Song Without Words (1927) Oil on canvas 16" x 20" 21 ½" x 25 ½" x 2 ½" framed Signed and dated "W.S. 27" lower right. Titled and dated "A song without Words by William S. Schwartz Chicago 1927" verso. About this artist: Born in Smorgon, Russia in 1896, William Schwartz began studying art at a young age. He immigrated to the United States as a teenager, and worked briefly as a house painter. Schwartz eventually ended up in Illinois, and studied with Ivan Trutnev and Karl Buehr at the Art Institute of Chicago. He held a variety of jobs, including as a singer, but ultimately pursued painting as a vocation. Despite choosing art over music, his interest in music would influence several of his paintings - notably his Symphonic Forms series. In Chicago Schwartz was friends with many other modernists of the time including Ivan Albright, Aaron Bohrod, and Anthony Angarola...

Lovers Painting on canvas / frame Charles Léandre Circa 1925 Signature lower right L 81 cms x h 115 cms

This lovely Scottish Colourist portrait oil painting is by noted Scottish female artist Helen Ainslie Wingate. She was the daughter of Sir Charles Lawton Wingate who was president of...

Work on canvas Green wooden frame and gold borders 51 x 43 x 2.5 cm

Georges D’Espagnat was a Post-Impressionist painter, muralist, illustrator, and theater designer. After moving to Paris at the age of 18 to study painting, he became involved with pr...

Fine early 20th century impressionist oil painting on artist board. This painting is a quality example from the Buck Cou...

Antique American modernist portrait oil painting. Oil on canvas, lain to board. Framed. Very finely painted and a rare fauvist palette. No signature found.

L'Arbre au Bord de l'Eau by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile. Pissarro - 1928. Executed in 1928 This wor...

This superb Post Impressionist portrait oil painting is by noted Jewish artist Alfred Lomnitz. Lomnitz was born in Germany and Jewish by denomination. He emigrated to England in 1933...

This lovely large Impressionist view of St Paul's from the Thames is by Dutch artist Jacobus Cossaar who also worked under the name Ko Cossaar. It was painted during his eight years ...

Renwick Taylor, 1898 – d/o/d unknown Woman In Yellow, 1924 Oil on board Signed (Lower right): RENWICK TAYLOR Inscribed (verso): Painted at National Academy of Design School 1924/Exh...

This rich and vibrant Scottish still life oil painting is by noted Scottish artist Andrew Law. It was painted circa 1920 and has a Glasgow Club exhibition label verso entitling the p...