In the late 19th and early 20th century, France developed an enduring passion for Japanese aesthetics and craftsmanship. Not only did this interpretation of Japanese culture — which became known as Japonisme — infuse fresh energy into French art and design, but it also radically transformed how Europeans, and subsequently the world, would come to understand visual culture.

Until 1853, Japan had been closely guarded against foreign visitors for over two centuries. However, American Commodore Matthew C. Perry sailed into Japan that year and initiated the first of its treaties with the United States and Europe, thereby opening its borders and giving the West its first-ever look at Japanese design.

For the next few decades, taken with Japonisme, sophisticated collectors in Paris, New York and elsewhere gorged themselves on lacquered screens, celadon ceramics and netsuke ornaments, along with artworks depicting various aspects of Japanese life. The East Asian country’s influence on Europe, particularly France, contributed to one of the most creatively prosperous periods in history, leaving an imprint on the Impressionist, Art Nouveau and Art Deco movements, and inspiring artists like Edgar Degas, Mary Cassatt, Vincent van Gogh as well as luxury houses such as Louis Vuitton and Hermès. Japonisme emerged at the time when the ornate Renaissance Revival style was the most prominent mode of decorating in Europe, and Japanese aesthetics seemed strikingly modern and elegant in comparison.

In addition to everyday practical objects from Japan, such as vases, tableware and decorative boxes, Japanese art, especially Japanese woodblock prints by masters of the ukiyo-e school, caught the eye of many artists — particularly those in the Art Nouveau poster community in 1880s Paris. The luscious organic colors associated with traditional Japanese design, motifs like cherry blossoms and carp and the vivid patterns found in woodblock prints, silks and more were adopted and appropriated by painters as well as ceramicists and those working in other fields of the decorative arts. Today, demand for Japanese lacquerware — furniture, trays, writing boxes, screens, incense burners — from the Edo period (1615–1868) and the late 19th century continues to be very strong among collectors.

Find a collection of antique Japonisme furniture and decorative objects on 1stDibs.

Finding the Right ceramics for You

With their rich and diverse history, antique, new and vintage Asian ceramics offer colorful and sophisticated ways to add flair to any space.

Japanese pottery dates back at least 13,000 years to the Jōmon period. Pieces from the Late Jōmon era display a rope-cord pattern encircling a pot or jug. During the Muromachi period, potters created simple bowls and utensils frequently used in tea ceremonies and were made as both functional and aesthetic objects.

Ceramics made during Japan’s Meiji period, from 1868 to 1912, reflected an explosion of artistic expression propelled by new access to international trade. Details became more intricate and refined, and colors were enhanced with new glazing practices.

Chinese porcelain, meanwhile, is often identified by its shape. Each reign and dynasty had specific shapes and styles that were encouraged by the imperial ruler. During the Song dynasty, for instance, there were four dominant types of ceramic vase shapes: plum-shaped, pear-shaped, cong-shaped (tall and square) and double-gourd.

Chinese ceramics that were made during the Qing dynasty were demonstrative of an expanded artistic expression, with more delicate shapes and a focus on intricate detailing. The shapes of ceramics from this era are thinner, taller and have subtle features like a gentle flare, such as on the mallet-shaped vase.

Later, the 17th- and 18th-century interior design trend of chinoiserie brought Asian paintings and screens, textiles and other art and furniture from the continent into many European homes.

Explore an extensive range of antique, new and vintage Asian ceramics on 1stDibs to find the perfect piece for your home.