Olivetti Et Personal 55

Milan-born architect and designer Mario Bellini just may be the closest thing to a modern-day Renaissance man: His creative output spans genres, from electronics to furniture to architecture to cars, comprising iconic designs in each. Vintage Mario Bellini sofas, dining chairs and other seating pieces are widely coveted, and the designer has been the recipient of multiple prestigious Compasso d’Oro awards. More than 20 of his works are in the permanent collection of the Museum of Modern Art.

Born in 1935, Bellini studied architecture at the Polytechnic University of Milan before founding his own firm in his native city in the early 1960s. He soon branched out beyond architecture, however, first for the tech manufacturer Olivetti, where he served as chief industrial design consultant from 1963 to 1991. During that time, Bellini oversaw the design of some of Olivetti’s most popular typewriters.

His penchant for electronic design didn’t stop there: Bellini also designed cameras for Fuji, televisions for Brionvega and a slew of audio devices for Yamaha, then served as design consultant for Renault and devised the interior of the 1980 Lancia Trevi for Fiat. Meanwhile, his architecture work spans continents, including such modern gems as the Museum of Islamic Arts at the Louvre, the National Gallery of Victoria extension in Melbourne, the Dubai Creek Complex and the Milan Convention Centre in his hometown.

And then there’s the furniture: Over the last 70 years, Bellini has designed office furniture for Vitra; lamps for Artemide, Erco and FLOS; porcelain for Rosenthal and long-admired sofas and other seating for Kartell, Natuzzi, B&B Italia, Cassina and more.

His oft-imitated 1977 Cab chair for Cassina, comprising 16 individual pieces of saddle leather that create a “skin” over a minimal metal frame, remains one of the manufacturer’s best sellers today. His pudgy-legged, round tables for Cassina foreshadow Faye Toogood’s widely loved Roly Poly line. His postmodern Summa armchairs for Kartell, as well as his elegant Chiara floor lamp, still lure collectors on vintage furniture websites.

Bellini’s most famous contribution to furniture design, though, may be his 1970 Camaleonda sofa for B&B Italia (then C&B Italia). An entrant to the 1972 MoMA show “Italy: The New Domestic Landscape,” the seat takes its name from the Italian words for chameleon and wave. Its bulbous, modular form makes it infinitely flexible. The sofa was a runaway hit at the show and, once discontinued, remained so popular among vintage dealers that B&B Italia reissued it in 2020 with all recycled materials and interchangeable seat covers. “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense of freedom,” Bellini said.

Browse an expansive collection of vintage Mario Bellini furniture — including dining tables, armchairs, mid-century sofas and more — today on 1stDibs.

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Whether you’ve carved out a space for a nifty home office or you prefer the morning commute, why not dress up your desk with antique and vintage desk accessories? To best tiptoe the line between desk efficiency and desk enjoyment, we suggest adding a touch of the past to your modern-day space.

Desks are a funny thing. Their basic premise has remained the same for quite literally centuries: a flat surface, oftentimes a drawer, and potentially a shelf or two. However, the contents that lay upon the desk? Well, the evolution has been drastic to say the least.

Thank the Victorians for the initial popularity of the paperweight. The Industrial Revolution offered the novel concept of leisure-time to Europeans, giving them more time to take part in the then crucial activity of letter writing. Decorative glass paperweight designs were all the rage, and during the mid-19th-century some of the most popular makers included the French companies of Baccarat, St. Louis and Clichy.

As paper was exceedingly expensive in the early to mid-19th-century, every effort was made to utilize a full sheet of it. Paper knives, which gave way to the modern letter opener, were helpful for cutting paper down to an appropriate size.

Books — those bound volumes of paper, you may recall — used to be common occurrences on desks of yore and where there were books there needed to be bookends. As a luxury item, bookend designs have run the gamut from incorporating ultra-luxurious materials (think marble and Murano glass) to being whimsical desk accompaniments (animal figurines were highly popular choices).

Though the inkwell’s extinction was ushered in by the advent of the ballpoint pen (itself quasi-obsolete at this point), there is still significant charm to be had from placing one of these bauble-like objets in a central spot on one’s desk. You may be surprised to discover the mood-boosting powers an antique — and purposefully empty — inkwell can provide.

The clamor for desk clocks arose as the Industrial Revolution transitioned labor from outdoors to indoors, and allowed for the mass-production of clock parts in factories. Naturally, elaborate designs soon followed and clocks could be found made by artisans and luxury houses like Cartier.

Find antique and vintage desk accessories today on 1stDibs.