Abstract Drawings and Watercolors

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Textura (Framed) by Rodrigo Spinel From The No. 5 Series Chinese ink on Fabriano paper 250 g. Image size: 25 cm H x 35 cm W Frame size: 32.5 cm H x 43 cm W x 4 cm D One of a Kind ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...

Colores 3, 2018 by Rodrigo Spinel From The No. 1 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 22 cm H x 29 ...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Confident, bold, decisive, bright! This artwork conveys such a mood. This intuitive abstract drawing is made with Chinese ink, pastel and pencil on white paper. It conveys an impulse...

Diana Kurz Light White Pastel on Paper 14 x 11 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England and t...

The Struggle itself toward the heights is enough to fill a man's heart, 2021 by On Hansen Rubber resin, rice paper, oil stick, wax pastel, and encaustic wax ...

UFO. When something so out of the ordinary happens as if you've seen an actual UFO. This intuitive monochrome drawing is made with Chinese ink and pastel on white paper. It conveys a...

Total size with the frame: 77x56cm Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he ...

Painting from COVID-19 documentary art collection. Participant SWISS ART EXPO 2020 in Zürich! All COVID paintings are published in the official catalog...

This artwork titled "Full Moon" 1995 is in an original pastel on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated and titled by th...

Plano Pirámides 2, 2018 by Rodrigo Spinel From The No. 1 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 22 cm...

PERLE FINE Untitled c. 1957 Graphite on paper 14 x 19 inches

"Free Mix" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and pastel on thick white paper. "Every time I draw such a...

Large Colourful Abstract Art with Pink, Red, Yellow & Blue on a White Background by Contemporary British Artist, Angela Wakefield. This radian...

Work on paper without frame

"Streamlet" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I draw...

Title: Fragment Medium: Graphite on Canson paper, 50x70 cm, mounted on white wooden frame 63x83 cm, ready to hang Description: This unique charcoal drawing by Marilina Marchica...

"Abstract" is an original watercolor drawing on ivory-colorated cardboard by Charles Boggs (1921). In excellent conditions. Hand-signed, Boggs, on the...

This expressive abstract drawing is made with Chinese ink and pastel on white paper. Looking at it you can feel the freshness of instant impulse and the charge of energy! Every ...

Black and white French pen and ink with ink wash of weaving lines defining abstract complex alignements, circa 1970. Original artwork on paper displayed on a white mat with a gold ...

Línea Bloques, Línea Cubos, and Línea Estructura, 2020 by Rodrigo Spinel From the series Illusions of the Line Chinese ink on Fabriano paper 250 g. Overall size: 19 cm H x 57 cm W ...

Cubos Huecos (Framed) by Rodrigo Spinel From The No. 5 Series Chinese ink on Fabriano paper 250 g. Image size: 25 cm H x 35 cm W Frame size: 32.5 cm H x 43 cm W x 4 cm D One of a K...

This expressive monochrome drawing is made with Chinese ink and pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of energy! ...

This expressive abstract drawing is made with Chinese ink and pastel on heavy white paper. Looking at it you can feel the freshness of instant impu...

Work on paper without frame

Tejido 2, 2018 by Rodrigo Spinel From The No. 1 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 22 cm H x 29 cm W x 4 cm D One of a Kind N...

Picos Invertido, 2018 by Rodrigo Spinel From The No. 1 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 22 cm H...

Esfera transparencia 3, 2019 by Rodrigo Spinel From The No. 3 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 26 cm H x 32 cm W x 4 cm D O...

Mark di Suvero Project for Sculpture in Chalon-sur-Saône, 1992 Marker, Watercolor and Ink Wash on Paper. Hand signed and dated by artist on lower right front Frame included The rare ...

This monochrome abstract drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of insta...

Bright abstract ink drawing of cityscape by French artist Isabelle Troquet, circa 1985. Signed lower left. Original artwork on paper displayed on a white mat with a gold border. A...

Work on paper without frame

This abstract calligraphic drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of in...

Work on paper without frame

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-302 Hand-signed by author

Isodomo Bloques, by Rodrigo Spinel From The No. 3 Series Chinese ink on Fabriano paper 250 g. Image size: 14.8 cm H x 21 cm W Frame size: 26 cm H x 32 cm W x 4 cm D One of a Kind...

This work on paper features deep hues of red, orange, yellow and brown. The unframed piece measures 25 by 42 inches. Lizzy Storm is an Atlanta-based Artist and educator creating wea...

Bloques Huecos 3 Puntos, 2019 by Rodrigo Spinel From The No. 3 Series Chinese ink on Fabriano paper 250 g. Image size: 21 cm H x 14.8 cm W Frame size: 32 cm H x 26 cm W x 4 cm D ...

Jorge Eliecer Gaitán (Framed) by Rodrigo Spinel From The No. 15 Series Chinese ink on Fabriano paper 250 g. Image size: 29.7 cm H x 21 cm W Frame siz...

Picos Tercio, 2019 by Rodrigo Spinel From The No. 3 Series Chinese ink on Fabriano paper 250 g. Image size: 21 cm H x 14.8 cm W Frame size: 32 cm H x 26 cm W x 4 cm D One of a Ki...

Colourful Abstract Painting by British Artist Art measures 33 x 24 inches Frame measures 40 x 31 inches Gold frame behind glass Margaret Francis received her Degree in Fine Art from Winchester Art...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-309 Hand-signed by author

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9 x 9 inches condition: very good and impressive provenance: all the paintings we have for sale by this artist have come from the artists studio and are all featured in the artists Catalogue Raisonne. Jacques, Paul, Firmin Coulais is a French painter born on March 22 , 1955 in Fenioux ( Deux-Sèvres ) and died at the age of 56, the June 25 , 2011 in Niort (Deux-Sèvres). Born into a farming family, he was the seventh of eight children. Suddenly becoming a quadriplegic at the age of six following poliomyelitis, he overcame this handicap by building with determination an independent life centered on artistic practice and an intense social life. For more than thirty years his house and his workshop have been the center of attraction for many artists, art lovers or simply friends of Niort and all of France. Coulais began to paint with his mouth, as an autodidact. In 1978, he made the acquaintance of a plastic art teacher who advised him and engaged him on the path of watercolour. The freedom granted to him by this technique as well as the flexibility of its application fascinate him. This meeting and the friendship shared with his teacher, lead him and very quickly direct his work from figurative to abstraction in a way that he explores and that he will then find in the works of Kandinsky and Paul Klee. Admitted to the School of Fine Arts in Angoulême, he studied there from 1981 to 1984 and obtained the National Superior Diploma in Plastic Expression at the age of 31. A few years later, Jacques Coulais exhibited at the Museum of Niort and since then, his career has been punctuated by his participation in numerous exhibitions organized very regularly in various French cities as well as abroad. In the 1990s, the AAPBP, Association of Mouth and Foot Painting...

This work on paper features deep hues of green, orange, yellow and brown. The unframed piece measures 24 by 18 inches. Lizzy Storm is an Atlanta-based Artist and educator creating w...

Otto Eglau (1917 Berlin - 1988 Kampen), Raft Landscape in Sweden, 1956. Watercolor and ink on paper, 45 x 60 cm, signed in his own hand lower right with "Eglau" and dated "[19]56". - somewhat darkened Exposé as PDF - Temporary structures - About the artwork A wide river landscape stretches out before us, its horizon line running across the upper part of the picture, creating the impression of enormous depth. The depth is further extended by the dark tree trunks, most of which spill into the picture, and at the same time rhythmized by their different positions. This sequence of movements gives the landscape a strong dynamic moment. Indeed, the landscape seems to be "fleeing" from beneath us. To keep the gaze on the foreground alone requires a real visual effort. By looking at the foreground, we have already arrived at the background. Therefore, we cannot speak of pictorial grounds in the classical sense. Rather, we are confronted with a structurally rhythmic continuum of space, the dynamics of which are further accelerated by the cut tree trunks in the foreground and the upright trunks in the background, which function as target marks. Since the narrow strip of sky has the same white tonality as the ice, this area also fits seamlessly into the spatial structure, so that a deserted "structural landscape" unfolds before us. The structure, however, is not - as in the case of Piet Mondrian - completely abstract and thus something that exists independently of itself, removed from the time of natural space. The structures that Otto Eglau discovered in nature remain bound to it, which is why they exhibit a temporality that corresponds to the 'course of things'. Even if they correspond to an architecture of nature brought to representation, the structures are not substantial, but contingent. Artistically uncovered, they present themselves to Eglau at the very moment he captures them. In nature itself, these structures will never be repeated in the same way. Panta rhei - everything flows, even if the flow of time is frozen by his artistic representation and the image, for all its dynamism, radiates calm at the same time. "The structures I put behind things, and the lines that hold my paintings, are signs of transient life. They are random like the trace a wave leaves in the sand, blurred like the border between sea and land, ephemeral like the life of a shell I hold in my hand." - Otto Eglau About the artist After his release from captivity in 1947, Otto Eglau studied at the Hochschule für Bildende Künste in Berlin. He was a student of Oskar Nerlinger, Max Kaus and Wolf Hoffmann. From 1953 he taught free drawing for architects at the Technical University of Berlin. In the years that followed, Eglau undertook numerous study trips that took him to Scandinavia, the Arab world, the Far East and even Macau. During these travels he cultivated the technique of watercolour, which allowed him to work quickly in the open air, while retaining a strong painterly quality. Scholarships enabled Eglau to stay in Japan from 1962 to 1963 and in Naples in 1970. From 1969 to 1976 Eglau was professor of etching at the International Summer Academy of Fine Arts in Salzburg. Between 1983 and 1988 Eglau worked simultaneously in his Berlin studio at Lietzensee, which had its own printing press, and in his studio in Kampen on the island of Sylt. Otto Eglau's work has been shown in more than 100 solo exhibitions worldwide and in more than 120 group exhibitions. "I love the vastness of the island. The mudflats off Kampen are my treasure trove; here I discover new shapes and colors every day. Without Sylt, I would be like a fish without water." - Otto Eglau Selected Bibliography Hanns Theodor Flemming: Otto Eglau. Das graphische Werk, Flensburg 1966. Heinrich Seemann (Einführung): Otto Eglau. Inselskizzen, Hamburg 1982. Heinrich Seemann (Einführung): Otto Eglau. Japan, Nepal, Sylt. Aquarelle. Zeichen und Strukturen. Einführung von Heinrich Seemann, Hamburg 1986. Otto Eglau: Watt-Tagebuch. Ausgewählte Aquarelle aus den Skizzenbüchern Otto Eglaus. Kampen 1996. GERMAN VERSION Otto Eglau (1917 Berlin – 1988 Kampen), Floßlandschaft in Schweden, 1956. Aquarell und Tusche auf Papier, 45 x 60 cm, unten rechts eigenhändig in Blei mit „Eglau“ signiert und mit „[19]56“ datiert. - etwas nachgedunkelt Exposé als PDF - Temporäre Strukturen - zum Werk Vor uns erstreckt sich eine weite Flusslandschaft, deren Horizontline im oberen Bereich des Bildes verläuft, wodurch der Eindruck einer enormen Tiefenerstreckung entsteht. Die Tiefe wird von den dunklen, zumeist ins Bild hineinfluchtenden Baumstämmen zusätzlich geweitet und – durch ihre verschiedenartigen Lagen – dabei zugleich rhythmisiert. Durch diese Bewegungsabfolge weist die Landschaft ein starkes dynamisches Moment auf. Und tatsächlich stellt sich der Eindruck ein, als ob die Landschaft unter uns ‚hinwegfluchten‘ würde. Den Blick einzig im Vordergrund zu halten, verlangt regelrecht eine visuelle Anstrengung. Auf den Vordergrund schauend sind wir bereits im Hintergrund angelangt. Daher kann gar nicht von Bildgründen im klassischen Sinne gesprochen werden. Vielmehr steht hier ein strukturell rhythmisiertes Raumkontinuum vor Augen, dessen Dynamik von den angeschnittenen Baumstämmen vorne und den als Zielmarken fungierenden aufgerichteten Stämmen hinten zusätzlich beschleunigt wird. Da der schmale Himmelstreifen dieselbe Weißtonalität wie die Wasserlandschaft aufweist, fügt sich auch dieser Bereich bruchlos in das Raumgefüge ein, so dass sich vor uns eine menschenleere ‚Strukturlandschaft‘ ausbreitet. Die Struktur ist aber nicht – wie dies bei Piet Mondrian der Fall ist – gänzlich abstrakt und dadurch etwas eigenständig für sich Bestehendes, das der Zeit des Naturraums enthoben ist. Die von Otto Eglau in der Natur entdecken Strukturen bleiben an diese zurückgebunden, weshalb sie eine dem ‚Lauf der Dinge‘ entsprechende Temporalität aufweisen. Auch wenn sie einer zur Darstellung gebrachten Architektur der Natur entsprechen, sind die Strukturen nichts Substanzielles, sondern kontingent. Künstlerisch aufgedeckt, bieten sie sich Eglau in eben jenem Moment dar, den er festhält. In der Natur selbst werden diese Strukturen niemals in derselben Art wiederkehren. Panta rhei – alles fließt, auch wenn sich der Fluss der Zeit durch seine künstlerische Darstellung verfestigt hat, wodurch das Bild – trotz aller Dynamik – zugleich auch Ruhe ausstrahlt. „Die Strukturen, die ich hinter die Dinge setze, und die Linien, die meine Bilder halten, sind Zeichen des vergänglichen Lebens. Sie sind zufällig wie die Spur, die eine Welle im Sand hinterlässt, unscharf wie die Grenze zwischen Meer und Land, vergänglich wie das Leben einer Muschel, die ich in der Hand halte.“ - Otto Eglau zum Künstler Nach seiner Entlassung aus der Kriegsgefangenschaft 1947 nahm Otto Eglau ein Studium an der Hochschule für Bildende Künste in Berlin auf. Dort war wer Schüler von Oskar Nerlinger, Max Kaus und Wolf Hoffmann. Ab 1953 unterrichtete er freies Zeichnen für Architekten an der Technischen Universität Berlin. In den Folgejahren unternahm Eglau zahlreiche Studienreisen, die ihn nach Skandinavien, in den arabischen Raum, nach Fernost und bis nach Macau führten. Auf diesen Fahrten kultivierte er die Technik des Aquarellierens, die eine zügige Bildschöpfung im Freiraum erlaubt und dennoch eine stark malerische Qualität aufweist. Stipendien ermöglichten es Eglau, sich von 1962 bis 1963 in Japan aufzuhalten und 1970 länger in Neapel zu verweilen. Von 1969 bis 1976 hatte Eglau die Professur für Radierung an der Internationalen Sommerakademie für Bildende Kunst in Salzburg inne. Zwischen 1983 und 1988 war Eglau parallel in seinem Berliner Atelier am...

Diana Kurz Green Square #12 Gouache on paper 19 x 14 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Time Travel Gouache on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / Mini...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9 x 9 inches condition: very good and impressive provenance: all the paint...

Futurist Abstract Figure by Louis Bellon (French 1908-1998) Signed lower right gouache painting on paper, unframed measurements: 12 x 6 inches (overall sheet measures 15.5 x 11.25 inches) provenance: private collection of the artists work, Provence, France Condition report: very good, colour strong, clean throughout, minor rippling, shallow creasing around corners and edges of sheet, image clean Vibrant French futurist...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Interior design paintings. Abstraction art, made in yellow, orange, light blue, black and white. Can be positioned in horizontal or vertical mode, can be a part of diptych. Lena Ch...