Unframed Abstract Drawings and Watercolors

Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate an...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a seri...

Felt-tip pen and ink and pencil on paper. Dated and extensively annotated in ink on recto. Study for the same-titled steel sculpture, 1956, Yale University Art Gallery, New Haven.

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 24680 Co...

Acrylic on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves...

Abstract drawing on paper without frame

Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea co...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo)No. 26190 Con...

This expressive abstract drawing is made with Chinese ink and pastel on white paper. Looking at it you can feel the freshness of instant impulse and the charge of energy! Every ...

This expressive monochrome drawing is made with Chinese ink and pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of energy! ...

Translated title: "Study for a sculpture". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

This calligraphic abstract drawing is made with Chinese ink and pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of cheerful en...

"Open Loop II" is a bright graphic abstract geometric original work on paper with patterns and shapes. The colors used are blue, gold and black. It is part of Kazaan Viveiros' series...

Shape 33 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Deep purple...

Pen, ink, pencil, watercolor & colored pencils on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work h...

Acrylic on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Acrylic on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves...

Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate an...

This spontaneous gestural drawing is done in Chinese ink and ocher pastel on thick white paper. This is a visualization of the energy impulse that I felt when I closed my eyes and st...

This spontaneous gestural drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of cheer...

Ink on paper - Unframed. Martín Reyna is an Argentinian-born abstract painter living in Paris, France. His gestural abstract paintings delight the eye and activate the mind with the...

Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...

Artist: Ian Hornak (1944-2002) Title: Untitled (Apocalyptic Tropical Landscape) Year: 1973 Medium: Ink on heavy archival paper Size: 22 x 30 inches ...

Casein and ink on paper - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in the...

Drawing on paper without frame Size A4

This spontaneous gestural drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of cheer...

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Acrylic, ink, glue & charcoal on paper

Dimensions: 25.5 X 20.5 Frame. Artwork measures 23.25 X 18.25 Tempera painting Signed by the artist, lower right corner Ksenia Vladimirovna Ender ( Russian Ксения Владимировна Эндер , also Xenia Ender and Kseniia Ender. born 1895 in Sluzk , died 1955...

Artist Pinajian signed and dated lower left. The gallery certificate is available.

Ink on 19th Century Paper If painting, like any other language, can be considered an abstract system of signs, there must be a pictorial vocabulary and syntactical rules which commu...

Acrylic, graphite on paper - Unframed. Daniel Gottin's interest and concept are to examine the subjective nature of perception, and playfully responds to the characteristics of an a...

Pencil and acrylic on Canson-Montval paper - Unframed. This artwork conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and...

Artist: Susan Michod, American Title: Untitled Year: 1977 Medium: Watercolor on Paper, signed and dated Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

Acrylic on paper - Unframed. The artist created this series shortly afterward arriving in NY. His interest was to see what responses the paintings evoke.

Translated title: "Study for a sculpture". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Ink on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate and inter...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 20" H x 25.5" W. Provenance: From a 3...

Acrylic on paper. Unframed. This piece comes out of the more informal Painting A Day series. While these are more interested in scale, stroke, and surface, they also carry with them...

Gouache on paper, signed by different Chubac friends artists, lower right. The artists are: Max Charvolen, Serge Maccaferri et Martin Miguel that constituted the Groupe 70 a Nice. A ...

Mixed media on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate an...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1986 Medium: Acrylic and Mixed Media on Paper, signed and dated l.r. Size: 40 x 30 inches

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn with pen or pencil and which so...

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

Acrylic, glue, pencil & ink on paper

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series expresses Kyong Lee's personal emotions and experience about the Spring through 5 colours and words. Lee emboss...

Unknown Artist - Slays in Cyclone, Medium: Gouache on Japon Paper on linen backing, signe in pencil and titled on verso, Image Size: 15 x 10 inches, Size: 20 x 16 in. (50.8 x 40.6...

Ink on paper - Unframed. Martín Reyna is an Argentinian-born abstract painter living in Paris, France. His gestural abstract paintings delight the eye and activate the mind with the...

Anastasia Vasilyeva - 05.03.2020 - Lucerne has first Corona case. From COVID-19. (2020) A few days ago, the virus appeared in Italy and has already come to Switzerland. All major ev...

Anastasia Vasilyeva - 16.03.2020 -Social distancing, Respect, Solidarity. COVID-19 (2020) COVID-19 Documentary art. From 16.03.2020 is Switzerland official in Social Distancing. Soc...