Unframed Abstract Drawings and Watercolors

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

The Lovers "The Eyes Have It" Figurative Abstract Watercolor and Pencil on Paper A whimsical figurative painting by California-based artist Ricardo de Silva (Brazilian, 20th Century...

Michael Knigin Abstract 7 1967 Ink brush drawing on paper 10.5"x14" unframed $675 Signed and dated in ink lower left Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Michael Knigin, painter, printmaker, muralist, photographer, and teacher, was born in Brooklyn, New York on December 9, 1942. He received his BFA in 1966 from the Tyler School of Art, Temple University in Philadelphia. In 1964 he was awarded a Ford Foundation Grant, which enabled him to study printmaking at the Tamarind Lithography Workshop and collaborate with Rufino Tamayo. Knigin was a full professor at the Pratt Graphic Center in Manhattan between 1967 and 2003. From 1968 through 1972, he also co-owned and directed the Chiron Press where he worked with Andy Warhol, Louise Nevelson, Kenneth Noland, Larry Poons, and Tom Wesselman. In 1974, he served as Art and Technical Director of the Burston Graphics Art Centre in Jerusalem. In 1988, Knigin was appointed to the NASA Art Team and was sent to the Kennedy Space Center...

Untitled Abstraction Graphite on paper, c. 1946 Signed with the estate stamp verso Provenance: estate of the Artist Inherited by his neighbor/caregiver Conditio...

This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 26.5 x 20.5 inches, sheet size is 28.5 x 22.5 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

Futurist Composition is an original pastel drawing realized in the beginning of XX century by Anonymous futurist artist Mixed colored pastels on plywood. Includes a very beautiful...

This is a one of a kind original abstract oil painting on canvas by Southern California artist, Daniel Ketelhut. Its dimensions are 40" x 28" x 2". It is unframed. A certificate of a...

Unknown Artist, France, late 19th century Anonymous c. 1900 Rondelle on antique laid paper Ink, Watercolor and or Gouache Unsigned An Art Nouveau preliminary design for a decorative ...

Frida Willis (Swedish, born 1971) "Two Palms" 2024 Watercolor, Ink, Paper The artist signed the bottom right of the artwork. "Two Palms" by Frida Willis is a stunning minimalist wat...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

Figures is a beautiful artwork realized by Maurizio Gracceva in the 2017. Black and white ink on paper. Hand signed by the artist. Original title: Figure Title, date, and sign on ...

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...

Heidi Lowell is a multidisciplinary artist based in Austin, Texas, whose practice is deeply rooted in the earth itself. Harvesting site-specific soils and plant materials from across...

Heidi Lowell is a multidisciplinary artist based in Austin, Texas, whose practice is deeply rooted in the earth itself. Harvesting site-specific soils and plant materials from across...

Mister Cartoon LA 2023: A standout, unique drawing by world-renowned Los Angeles Graffiti & Tattoo artist, Mister Cartoon. Features Cartoon's classic gr...

Abstract Geometric Illusory Line Art in Ink on Paper by Geraldine Heib In this line abstract by Jerry O'Day (American, 1912), lines intersect and layer in straight and rounded ways giving a sense of movement to the piece. O'Day uses simple ink on paper and pure geometric form in the Minimalist style of the 1960s. Unsigned, but was acquired with a collection of the artist's work. Mat size: 39"H x 27"W Paper size: 30"H x 20"W Image size: 27"H x 16"W Jerry O'Day is also known as Geraldine Heib. Born in Oakland, California, on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. O'Day wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time, the couple moved to a houseboat in Sausalito, where she remained until her demise on March 30, 1986. Post War California artist, Jerry O'Day studied at the Cornish School of Fine Arts in Seattle; studied with Beniamino Bufano for two years. She lived in the artist's colony at the Cod fishery with artist David Lemon on Belvedere Island in the San Francisco Bay Area from 1942 - 1963. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo, 1955; Marin Art Gallery, Sausalito, 1956; Palace of The Legion of Honor, San Francisco, 1962; East & West Gallery, Fillmore Street, San Francisco; Landmarks Gallery, Marin County, 1991. Selected Group Exhibitions: 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Source: David J Carlson...

This is a stylized figurative abstract expressionist nude. This one is hand signed and dated. From the style we are estimating it to the 1970's They have abstract stylized erotic mal...

Abstracted still life by Les Anderson (American, 1928-2009). Unsigned, but was acquired from the estate of Les Anderson in Monterey, California. No frame. Image size: 20"H x 14"W. L...

"Sleeping Figures" Watercolor Abstract Painting 10" x 14"in by Shaker El Maadawy signed & dated Shaker El Maadawy graduated from the Faculty of Fine Arts in painting in 1967 in his...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

"Abstract Composition" is an original drawing in watercolor on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is good. The artwork represents ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Louise (McClure) Schatz (1916 – 1997) Born in Vancouver, Canada, Louise Schatz moved with her family at age three to Minnesota. Her father, a stage director, was part of the local Bohemian culture and traveled the theater circuit around the U.S. She earned a Master’s Degree in Fine Arts at the University of California, where she became a skilled water colorist. “My Japanese instructor showed me how to preserve several colors together on paper,” she noted. “Water colors can bleed into the paper, and the paper plays with the colors – some of which can even disappear. I have a great love of texture and what materials do to color. I was very excited to discover what happens to colors and how to achieve what I wanted.” Her interest in astronomy also led Louise to study science at the university. Louise joined the “California Seven” artists in 1945 and for the next three years created prints and textile patterns. During WWII, she earned her living as a sketch artist for ship builders in San Francisco Bay, and it was there she met her future husband, Bezalel. “Then, it was very avant-garde to hire women in ship-building,” she once recounted. “We used to take dimensions from engineers and make sketches. It was very trailblazing and exciting, and the ships were constructed very quickly and launched very quickly. Besides the fact that we contributed to the war effort, it was really beautiful art.” The Bohemian society developing in San Francisco at the time included the novelist Henry Miller, who was then married to Louise’s sister, Eve. “There was a group of artists in Big Sur, all of them poor,” according to Bezalel Schatz’s sister, Zohara. “They were a group of Beatniks before the hippy era of the 1960s. There were novelists, poets, and painters there who lived communally under primitive conditions and were close to nature.” Bezalel and Louise were married in 1948 and moved to Israel. There, together with Zohara, they founded the arts and crafts workshop, “Yad,” with the goal of creating and selling alternative art objects that differed in style from those of the Bezalel School of Art. The couple divided its time between the family home in Jerusalem and a residence in Ein Hod designed for them by the architect David Resnik. Despite her connection to the Schatz family and her active involvement in the Israeli art world at the time, Louise guarded her privacy and rarely granted interviews. As Henry Miller wrote, “Her paintings reflect and reveal the extent of her sensitivity, shyness, and gentleness…” Scenes of Israel were a source of inspiration for Louise, and, in addition to her abstract Bauhaus geometric works, she also painted landscapes, flowers, and other elements of the environment in which she worked. Louise worked mainly in water colors but also created collages, book illustrations, and applied art. Among her outstanding works are murals for Zim’s “Shalom” and “Theodore Herzl” ships (together with Bezalel), El Al’s London office, and Jerusalem’s tenth anniversary exhibition, as well as ceramic walls for Jerusalem’s Midreshet Amalia and Beit Ha’am Library. She was awarded the Silver Medal in 1954 at the tenth Triennale in Milan for her copper designs, and in 1952 she received the “Above Competition” prize for her textile designs at the Bezalel National Museum. She was also awarded the Shen Beit Haomanim Prize in 1970 and the Jerusalem Prize for painting in 1973. Louise took part in many art exhibitions in Israel and abroad. Her works are held by the Israel, Tel Aviv, and Haifa Museums, and in private collections in Israel, the U.S., England, Switzerland, France, and Italy. Following her husband’s death in 1978, Louise continued to live with her sister-in-law, Zohara, at the family home in Jerusalem on Schatz Street. Louise died in Jerusalem in 1997. She has been called in the pages of the Jerusalem Post " the greatest Schatz of all" and "Israel's finest watercolorist" Parts of her work summon up affinities with Paul Klee and Julius Bissier and occasionally even Joan Miro. But she never copied any of them. Her work also bears affinities for Lyonel Feininger and Wassily Kandinsky Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray recorded his observations about the two, noting that “I have never encountered such smooth cooperation…” Bezalel produced silkscreen prints for Miller’s novel, Into the Night Life, an innovation for both the art and publishing worlds. In Florence, New Mexico, New York, San Francisco, and other locations, Bezalel exhibited his own work and participated in group shows with some of the greatest artists of his era – Picasso...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Elaine Kaufman Feiner (1922-2018) "Night Glow I" 1988 Watercolor and pastel on paper 30"x30" unframed Signed and dated in pencil lower right, titled reverse

Rocio Rodriguez July 8, 2013, 2013 pastel, oil pastel, charcoal and pencil on paper 18 x 24 in. This original oil oil pastel drawing on paper by Rocio Rodriguez features abstracted ...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6A Year: 1984 Medium: Tempera on Paper, sig...

Artist's Statement: "I had been making some very colorful paintings based on rings or circles that have been very well received, but my forms and brushstrokes began to tighten and feel a little restrained. So I decided to change both the forms and the strokes, and lose a lot of the color, and do something different for awhile. I stayed with simple forms as in general I am much more interested in surface and color anyway. With this painting, after I had finished the central piece, I felt it lacked gravitas due mostly to size, and so I decided to affix the canvas to an underlying canvas painted in a very flat black color, with texture to it (I actually used house paint for this, which is perfect for what I wanted). So the painting is actually a canvas attached to another, and has three-dimensionality to it. You can see in the close-ups the "strokiness" I was after. I think this painting has a sort of Rothko-ish, iconic quality to it, but without the gravitas." Recent message from a 1stDibs buyer and seasoned collector about a painting in the prior "ring" series: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

George Dannatt (1915-2009) Basler Motif Series 1 No.2 1981 Medium: Mixed media on paper Image: 12.0 x 8.0 cm Mount: 27.0 x 21.8 cm Reference no: 0640 George Dannatt’s long career...

Rocio Rodriguez February 25, 2013, 2013 pastel, oil pastel and charcoal on paper 18 x 24 in. This original oil oil pastel drawing on paper by Rocio Rodriguez features abstracted rec...

Title: Cubist French Abstract Geometric Composition With Spheres Figures Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 15.75 inches (height x width)...

Flower Pot is an original artwork realized by Maurizio Gracceva (Roma, 1955) in 2010. Good condition. Hand-signed. Watercolor China. Author of numerous philosophical and literary...

Title: Geometric Abstract Composition with Spherical Form French Modernist Watercolour Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 11.25 x 9.25 inches (he...

Abstract Composition is a Charcoal Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellowed paper, included a white cardboard passpartout (3...

This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition. About the artist. Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe. Solo Exhibitions: 2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia 2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico 2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico 996- "Why Don't You Just Leave?" paintings and video installation 1998 tour to 11 British Columbia regional galleries, originating at the Art Gallery of Greater Victoria Victoria, British Columbia 1993 Fran Willis Gallery, Victoria, British Columbia 1991 Fran Willis North Park Gallery, Victoria, British Columbia 1990 Fran Willis North Park Gallery, Victoria, British Columbia 1986 Robert Vanderleelie Gallery, Victoria, British Columbia Thomas Gallery, Winnipeg, Manitoba 1984 Grace Gallery, Vancouver, British Columbia Winchester Galleries, Victoria, British Columbia 1982 Kyle's Gallery, Victoria, British Columbia 1981 Kyle's Gallery, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia Selected Group Exhibitions: 2014 Insight Art Gallery, Galiano, B.C 2012 The Field Gallery, San Jose del Cabo, Mexico 2002 “European Media Arts Festival”, Osnabruck, Germany 1997 “Open House”, Canadian Cultural Centre, Paris, France 1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia 1994-1996 Government House, Victoria, B.C. 1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia 1990 "Bumbershoot Festival 1990", Seattle, Washington 1986 "Images B.C." The British Columbia Pavilion, Expo 86 Vancouver, British Columbia 1985 "Hot Water Colour", Harbourfront, Toronto, Ontario "B.C. Women Artists" Art Gallery of Greater Victoria, Victoria, British Columbia 1983 "National Watercolour Exhibition" Contemporary Art Gallery, Vancouver, British Columbia 1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C. Public Collections British Columbia Art Collection, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Maltwood Art Museum, Victoria, British Columbia City of Vancouver, Vancouver, British Columbia Esso Resources Canada, Ltd., Calgary, Alberta Canada Council Art Bank, Ottawa, Ontario Grants and Awards 1995 British Columbia Cultural Services Branch grant 1973 City of Vancouver Purchase Grant Exhibition Reviews, Catalogues and Articles "A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus. “Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus. Cover, Preview Magazine, Vancouver, B.C., (May/June 1990) Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus. “B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus. Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8 Hartog, Diana, “Body Landscapes...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Ink and pencil on paper Signature top right In this ink-on-paper composition, Gen Paul tackles one of his favorite themes: musicians. His attraction to the effervescence of Montmart...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 2 Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

Abstract Portrait of a Woman in Gouache on Paper A vibrant abstract portrait of a woman with raven black hair accented in bold red and yellow, by California-based artist, Ricardo de Silva (American...

The Church is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white paper. No signature. Reynold Arnould was born in Le Havre, Fr...

Tribute to Francis Poggi is an original colored pencil and pastel drawing realized by Perrine Gretener in the 1970s. Good condition and bright colors. No signature. Perrine Greten...

Roundism – 10-03-18 The challenge was to create maximum flow but still maintain a recognizable female figure. Therefore I wanted no section crossing another in order to create a...

series "Non-standard configurations", 42x30 cm, acrylic on paper The work is sold without a frame and mat

Composition is a Black Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook. No signature. Reynold Arnould was born i...

In this abstract floral artwork I experience the world of nature through the bright colors of a summer period. While painting, I sought to capture the beauty of summer flowers whic...

A view over the loch by Natalie Bird [2022] original Pastel Image size: H:36 cm x W:28 cm Complete Size of Unframed Work: H:25 cm x W:20 cm x D:0.5cm Sold Unframed Please note that ...

Flowers is a beautiful artwork realized by Maurizio Gracceva in the 2017. Mixed colored ink on paper. Hand signed by the artist. Original title: Fiori Title, date, techinique and ...

ARIATTA 6 (Abstract drawing) Pastel and acrylic on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...

Interior design paintings. The work was done with alcohol ink in gold, blue,gray, brown color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a dou...

Abstract Composition is a Color Markers Drawing and Watercolour realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition. No signature. Reynold Arnould was born ...

Abstracted Cubist Egyptian Pharaoh Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Centur...

Artist: Ian Hornak (1944-2002) Title: Gabriel’s Pavilion Variation II Year: 1980 Medium: Pencil on Arches paper Size: 29 x 41 inches Condition: Good Provenance: Fischbach Gallery, Ne...

series "Non-standard configurations", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

'Evening Landscape' by Robert George Gilberg. Bay Area Abstraction, San Francisco Museum of Fine Arts, California Watercolor Society ----- Signed ...

This is a Archival Pigment Print. Paper Size: 30 in x 30 in Frame Size: 34 in x 34 in  Artwork priced unframed. Contact the gallery for framing options. About the Artwork:   The pa...