Unframed Abstract Drawings and Watercolors

India ink and acrylic ink on paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashio...

Paula Valenzuela In Nature, 2025 Watercolor and acrylic ink on paper 14 x 10 inches This one-of-a-kind work on paper comes unframed and ships in a tube. External, visible frame and ...

Untitled Watercolor on paper, 16x13 cm The artist has employed watercolor as the medium, which involves diluting pigments with water to create translucent layers and delicate washe...

Ink, wash, blow pen, pen & colored pencil on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has be...

Inspired by plants, this piece, part of a series, is hand drawn in ink on watercolor paper. These lively modern pieces add a pop of graphic energy to that special space you have in m...

Pen, ink, marker, pencil, watercolor & colored pencils on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. Hi...

Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...

"Beaver Lake Sunrise IV" is an original watercolor painting on paper by David Barnett, signed in the lower right corner. This abstract piece features brig...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Traces Mineral Oxide on Paper ( Fabriano Paper) 70x100 cm 2023 Original Art Authenticity certificate frame options one of a kind, non-reproducible Marilina Marchica orients her ...

Bottle (Dark Green), 2022 Additional information: Medium: Acrylic, gouache, graphite, and watercolor on paper Dimensions: 9 1/4 x 11 1/2 in Todd Hebert (b. 1972 in Valley City, ND)...

Composition. 1998. Paper, pencil, 29.5x21 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Rig...

Watercolor Printer ink on photographic paper :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Si...

Watercolor printer ink on photographic paper :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

Watercolor printer ink on photographic paper :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

Chthonic is derived from Ancient Greek and concerns the underworld and this painting by Wayne Summers shows a contemporary depiction of something decidedly other worldly. This is a p...

Artist commentary: This piece is from a series about geological time and the layers that record it in the earth. Words that describe the piece: geology ,stone, layers, gold

Born and raised in India, Canadian Contemporary artist Jeet Aulakh participates in a rich and varied cultural and social history in which...

Landscape with framed house in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Artist: Ian Hornak (1944-2002) Title: View on Cherry Hill, Barbados Year: 1971 Medium: Pencil on heavy archival paper Size: 29 x 41 inches Condition: Good ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Scottish Rockscape) Year: 1973 Medium: Ink on heavy archival paper Size: 22 x 30 inches Condition: Good Provenance: Estate of Ian Horn...

This 27.5" x 39" silkscreen print by artist David Mladjovic explores a vibrant colorful composition of lines and shapes providing the composition with an interesting rhythm. Mladjovi...

Gray toned abstract watercolor painting on paper titled "Militair." Back side of the paper has another painting depicting red, yellow, green, and blue abstract shapes with figurative...

Happy Holidaze Ryan Cronin Sharpie on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, ...

X Marks the Spot Ryan Cronin Oil-Based Pastel on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them...

Oil on paper Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curren...

Heads and Tails Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The ...

Chicken Wing Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw...

Low Tide Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Resting Figures :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Locatio...

Beautiful moments, memories together :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes...

Dancing girls :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location:...

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature paintings feat...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

This 10" x 11" watercolor on paper painting by Lisa Miceli depicts an imaginative abstracted landscape suggestive of a warm hearth setting. This painting i...

The color harmony on paper. stamp singed lower right Pinajian. Archived numbered 1580

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature paintings feat...

Artist commentary: This piece is from a series based on the geological layers of the Earth that record time passing. Words that describe the piece: geology, stone, layers, gold

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Ride is an energetic abstract painting, exploring dynamism and movement. It is inspired by experiences of the urban seaside and coastline. Beautiful reds, pinks and blue watercolour ...

This one of a kind painting is done inwatercolor on paper. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in...

Margules, De Hirsh. UNTITLED COMPOSITION, Ink on paper, 1962. Inscribed and signed in pencil within the image. 28 x 37 inches, 711 x 940 mm. In very good condition. Margules (1899-1...

Paula Valenzuela Living Roots, 2025 Watercolor and acrylic inks on translucent Yupo paper 12 x 9 inches This one-of-a-kind work on translucent paper comes unframed and ships in a tu...

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature paintings feat...

Paula Valenzuela Botanical Experiment #2, 2025 Watercolor, alcohol and acrylic inks on paper 9 x 12 inches This one-of-a-kind work on paper comes unframed and ships in a tube. Exter...

Untitled Pastel on paper, 1922 Initialed and dated lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Provenance: Estate of the Artist The Orange Chicken...

Underworld, Past is a drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Japanese Kozo paper with applied Tengujo Kashmir paper and Papyrus, Plettenberg, DE. Exhibited in " Heroine's Journey" 2023, in Gallery hall of German Bank " Sparkasse", Winner of scholarship and art residency "Werkstatt Plettenberg" in DE, 2023. From the series " Past,  Now, Future" in which the central piece "Earth- Now" is in the Municipal collection of Plettenberg, Germany. Hand-signed and dated. The artwork is represented with alchemical, magical, and mythological symbols and signs, through rebellious miniature figures, creatures and animals that shape the whole body of time and three words, here the past - underworld has the shape of the head of a horse, with by metal colors referring to the alchemical process of soul in a minimalistic manner, painting is characterized by expressive brushes. In a fusion of myth and archetypal features, the works aim to transport viewers into the intricate realm of "Heroine's Journey," an exhibition that encapsulates the essence of unity, rebellion and revolutionary figures, transformation, and resistance, and the enduring power of mythological narratives.  Through a combination of limited colors, shapes, and ancient symbolism, these works invite an odyssey that transcends the boundaries of culture, time, and narrative. Drawing inspiration from Joseph Campbell's Hero's Journey. Avani's works weave together a narrative that celebrates the interconnectedness of all living beings.  Avani employs a chosen palette of alchemical colors: various gold, silver, bronze, tint, and copper, representing metals and planets. Each color carries deep, symbolic significance. Gold symbolizes the golden spirit and enlightenment, while silver connects to the feminine aspect and the moon's goddess associations. Copper represents both women and the essence of love. These colors create a narrative resonating with universal themes of transformation and spirituality, mirroring the elevation of the soul through alchemical symbolism. Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of...

Racing is a a vibrant abstract painting, exploring energy and dynamic movement. The original artwork uses watercolour with charcoal and pastel marks. Your new original painting is si...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Cobwebs and Rocks Watercolor, 1940 Signed, dated, and copyrighted lower right Exhibited: Zimmerli Art Museum, Benjamin Benno: Retrospective Exhibition, 1988 Illustrated: Gustafson, Zimmerli Museum: Benjamin Benno: Retrospective Exhibition, 1988 Color Plate 14 copy copy of the catalog accompanies the watercolor Condition: excellent Image size: 14 3/4 x 21 inches Provenance: Estate of the Artist Ruth O...

Signed and dated lower right; inscribed, Dated and Signed on Verso Provenance: Ashley John Gallery

In ‘Untitled’ 1932, Walkowitz crafts a memorable image. Tessellating lines are centred on the page and form geometric shapes. Faint pencil marking reveal the artists forward planning...

The gallery certificate is available, stamp signed lower right Pinajian.

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature...

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature paintings feat...

Pencil, colored pencil and charcoal on paper. Note: The painting shown on the wall may not be proportional to the room size.

Artist Commentary: Books often appear in my work. Books are those containers of wisdom, of knowledge, of culture Words used to describe the piece: representational, books, humor, s...

Seated women with wings drawn on a circular sheet of paper. Signed. Matted on a silver reflective matting. Artist Biography: Charles Pebworth is known for his metal artmaking. He a...