Gold Leaf Abstract Drawings and Watercolors
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Style: Abstract
Medium: Gold Leaf
Thank you, Dotahn by Lélia Pissarro - Work on paper, Abstract
Located in London, GB
Thank you, Dotahn by Lélia Pissarro (b. 1963)
Tempera, watercolour and gold leaf and powder on paper
26 x 17 cm (10 ¹/₄ x 6 ³/₄ inches)
Signed lower left, Lélia Pissarro.
Titled and ...
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
'Oberon, Series 1', Instituto Allende, Carmel Art Association, NAWA, La Jolla
By Barbara Johnson
Located in Santa Cruz, CA
Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'Oberon Series 1'.
Exhibited: Carmel Art Association, circa 1995 (accompanied by original label)
...
Category
1980s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Vision I by Cheryl R. Riley, purple, gray, gold abstract geometric symbols
Located in Jersey City, NJ
Vision I by Cheryl R. Riley
Metallic abstract geometric symbols, purple, yellow, gray, gold
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contemporar...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Black & Gold Glyphs II by Cheryl R. Riley, metallic abstract geometric symbols
Located in Jersey City, NJ
Black & Gold Glyphs II by Cheryl R. Riley
Metallic abstract geometric symbols
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contemporary Feminist / G...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Black & Gold Glyphs III by Cheryl R. Riley, metallic abstract geometric symbols
Located in Jersey City, NJ
Black & Gold Glyphs III by Cheryl R. Riley
Metallic abstract geometric symbols
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contemporary Feminist / ...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Black & Gold Glyphs I by Cheryl R. Riley, metallic abstract geometric symbols
Located in Jersey City, NJ
Time Travel
Black & Gold Glyphs I by Cheryl R. Riley
Metallic abstract geometric symbols
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contemporary F...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Abstract Painting Green Dots, Gold Leaf and Blue Royal Society of Arts Africa
Located in Norfolk, GB
Anthony Benjamin, 'Green Dots', acrylic and gouache on gold leaf board, image size 9" x 12", signed and dated 1999. Artist Estate Stamp on verso
Provenance: From the Artist Estate
A...
Category
1990s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Halo drawing abstract
Located in Palm Desert, CA
Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Ecliptic 3"=1' abstract gold leaf pastel
Located in Palm Desert, CA
ARTIST'S STATEMENT
Michael Davis
My sculptures and installations are physically and symbolically multilayered mechanisms that react to environments and man-made inventions from the...
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Original Drawing Painting Abstract Biomorphic Art Phoenix Bird Michele Oka Doner
Located in Surfside, FL
This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink, hand signed in pencil lower right.
It is not titled on it.
Michele Oka Doner...
Category
Early 2000s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Original Drawing Painting Abstract Biomorphic Art Gold Leaf Michele Oka Doner
Located in Surfside, FL
This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right.
It is not titled on it.
Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world.
Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008.
In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. Oka Doner participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. A Death Mask, one of her first works, was selected as the cover of Generation, the University's avant garde journal, as campus unrest over the Vietnam war escalated. Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm... their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young."
Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008). She was awarded the honorary degree, Doctor of Arts (2016).
Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography. Using a krypton laser, they created the first art holograms. One of Oka Doner's sculptures was appropriated for this experiment. The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970. Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971. In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee. It was the first of many installations that shed pedestals and traditional ways of displaying sculpture. A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props. Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating. In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York.
In 1981, Oka Doner moved to New York City and embarked on a series of public art installations. In 1987, she won a national competition sponsored by the MTA's Arts For Transit Program with Radiant Site a 165 ft. long wall for the Herald Square subway station in New York City. The late architect Morris Lapidus said of "Celestial Plaza," "By laying these forms at our feet, she encourages us to stop and search the sparkling expanse for landmarks just as we would search the night sky."
In 2009–2010, Oka Doner installed SoulCatchers, approximately 400 shamanistic sculptures in the kiln room at the Nymphenburg Porcelain Manufactury, Munich, Germany.).
Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck, Diane Brown...
Category
Early 2000s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Halo
Located in Palm Desert, CA
Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
'Dreamscape', Bolivia, Brazil, California, Sao Paulo Biennale, UNESCO
Located in Santa Cruz, CA
Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1940) and created circa 1985.
Matted dimensions: 24 H x 18 W x .25 D inches.
Born in Bolivia, Mario Cespedes immigrated...
Category
1980s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
"Cranberry Bog" Purple, Red, Black, and Gold Abstract Mixed Media Drawing
Located in Houston, TX
Colorful mixed media piece by Christine Alfery (from Flambeau, Wisconsin) that incorporates hues of purple, red, black, and swatches of gold leaf. Th...
Category
1990s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Alternating Aubergine, purple and gold geometric abstract painting on paper
Located in Dallas, TX
"Alternating Aubergine" is a contemporary work on paper with purple tones and gold. Part of Kazaan Viveiros' series titled "Passages", this artwork comes in a gold box frame and ready to hang.
A Fellow at the Virginia Center for Creative Arts since 2015, Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute.
With an interest in architecture, plus being a talented mathematician, it is no surprise that Kazaan Viveiros’ paintings are works of geometric perfection. Carefully considered shapes and colours dynamically draw your eye up and down diagonals before pausing or pivoting at junctions. In contrasting effect to these visuals, the subject matter that this work references is natural and fluid, such as water, handwriting, or nature itself.
Viveiros' paintings have caught the attention of collectors far and wide. Five of her pieces are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia and have additionally been acquired by individuals such as Walmart's Rob Walton and novelist Danielle Steel.
Category
2010s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
'The Old Man with the Deer', Contemporary Calligraphic Abstract
By Monica Dengo
Located in Santa Cruz, CA
Signed lower right, 'Monica Dengo' and dated 1995.
An elegant and substantial work by this contemporary Italian artist and calligrapher.
An educator and calligrapher, Monica Dengo ...
Category
1990s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
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Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
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“JuxtaPositions”, The Painting Center, New York, NY
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2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
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“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
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“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
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2010
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2009
“Collage”, NY Institute of Technology, New York, NY
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Chashama Gallery, New York, NY
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2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
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Black, Gold & Beige Plan (Abstract Geometric Framed Painting in Neutral Palette)
Located in Hudson, NY
Abstract geometric painting with a neutral palette of black, gold, and beige with sky blue accents against a cream colored, off white acrylic wash background
"Black, Gold, and Beige Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
Excellent condition and ready to hang
This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a neutral toned background of acrylic wash. A grid of box-like patterns in black, gold, beige and sky blue line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Autumn Biogram of the Nelson
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
"Autumn Biogram of the Nelson"
Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...
Category
2010s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Paint, Paper, Conté, Charcoal, Cardboard, India Ink, Newsprint, Acrylic,...
Serie II number 14-combination of minimalism geometric draw and abstract writing
Located in Fort Lee, NJ
Serie II number 14 - combination of minimalism geometric draw and abstract writing (stripes). Made in black and white, beige colors. Gouache on bulky 250g natural colored paper Paint...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Paper, Gouache
Blue & Grey Green Plan: Abstract Geometric Framed Painting in Cool Toned Palette
Located in Hudson, NY
Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background
"Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
Excellent condition and ready to hang
This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Science * Laws of Nature (One of the Arts)
Located in Jersey City, NJ
Science * Laws of Nature (One of the Arts)
Gouache and metallic ink on 1957 Encyclopedia page
Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction ...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Acrylic, Gouache, Magazine Paper
"#56 – BOTH WOUNDED A LITTLE", ink, pencil, gouache, collage, found text, poetry
By Amy Williams
Located in Toronto, Ontario
"#56 – BOTH WOUNDED A LITTLE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 56 of a found copy of Ernest Hemingway's WWII romance...
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Paper, Found Objects, Ink, Gouache, Pencil
Previously Available Items
Original Set Offer-Abstract-Gold leaf -UK Awarded Artist, work on papers-Sunlit
Located in London, GB
Special Set Offer! This is a set of work on paper includes: Three Wisemen ( blue), Across the Universe (orange) -Original on papers
Medium: Gesso, Acrylic , ink, gold leaf on fine ar...
Category
2010s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Free Shipping
H 12.8 in W 19.69 in D 0.04 in
Souffle d'or - round gold textural abstract nature inspired 3D sculpted paper
Located in New York, NY
Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of s...
Category
2010s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Gold bubble 5 - round textural abstract nature inspired 3D sculpted paper
Located in New York, NY
Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of s...
Category
2010s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Maelstrom Drawing 5, Black & White Ink on Paper Drawing, Geometric Abstract
Located in Jersey City, NJ
Ink and gold leaf on paper (framed)
Hand-signed by artist, signed on front
Frame: Included
Certificate of Authenticity Included
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
H 10.75 in W 8.75 in D 1 in
Maelstrom Drawing 6, Black & White Ink on Paper Drawing, Geometric Abstract
Located in Jersey City, NJ
Ink and gold leaf on paper (framed)
Hand-signed by artist, signed on front
Frame: Included
Certificate of Authenticity Included
Category
21st Century and Contemporary Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
H 10.75 in W 8.75 in D 1 in
Representation For All by Cheryl R. Riley, bright red abstract geometric symbols
Located in Jersey City, NJ
Representation For All by Cheryl R. Riley
Metallic abstract geometric symbols
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contemporary Feminist / G...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Dreaming Dreams by Cheryl R. Riley, mint green & red abstract geometric symbols
Located in Jersey City, NJ
Dreaming * Dreams by Cheryl R. Riley
Metallic abstract geometric symbols, mint green and red
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contempora...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Community by Cheryl R. Riley, bright red & orange abstract geometric symbols
Located in Jersey City, NJ
Community by Cheryl R. Riley
Metallic abstract geometric symbols
Gouache and metallic ink on 140# cold press watercolor paper
Feminist Art and Contemporary Feminist / Geometric Abst...
Category
2010s Abstract Geometric Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Homan-Ji III #118
Located in Houston, TX
Jennifer Bartlett
Homan-Ji III #118, 1995
Gouache with gold and silver leaf on handmade Japanese paper
24 x 24 in, 61 x 61 cm
JPHB 2441
Category
Late 20th Century Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Original Drawing Painting Abstract Biomorphic Art Gold Leaf Michele Oka Doner
Located in Surfside, FL
This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right.
It is not titled on it.
Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world.
Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008.
In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. Oka Doner participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. A Death Mask, one of her first works, was selected as the cover of Generation, the University's avant garde journal, as campus unrest over the Vietnam war escalated. Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm... their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young."
Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008). She was awarded the honorary degree, Doctor of Arts (2016).
Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography. Using a krypton laser, they created the first art holograms. One of Oka Doner's sculptures was appropriated for this experiment. The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970. Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971. In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee. It was the first of many installations that shed pedestals and traditional ways of displaying sculpture. A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props. Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating. In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York.
In 1981, Oka Doner moved to New York City and embarked on a series of public art installations. In 1987, she won a national competition sponsored by the MTA's Arts For Transit Program with Radiant Site a 165 ft. long wall for the Herald Square subway station in New York City. The late architect Morris Lapidus said of "Celestial Plaza," "By laying these forms at our feet, she encourages us to stop and search the sparkling expanse for landmarks just as we would search the night sky."
In 2009–2010, Oka Doner installed SoulCatchers, approximately 400 shamanistic sculptures in the kiln room at the Nymphenburg Porcelain Manufactury, Munich, Germany.).
Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck, Diane Brown, Art & Industrie, Willoughby Sharp and Marlborough Gallery in New York, Studio Stefania Miscetti in Rome; and Gloria Luria Gallery in Miami, Florida.
Recent solo exhibitions include, "Close Your Physical Eye," Manitoga Arts Center, Garrison, New York (2019); "New Works on Paper," Marlborough Gallery, New York (2019), " "How I Caught A Swallow in Mid-Air," at the Perez Art Museum Miami PAAM (2016), "Mysterium" at David Gill Gallery, London (2016), "Feasting on Bark," Marlborough Gallery, New York (2015), "The Shaman's Hut," Christie's gallery, New York (2014), "Neuration of the Genus," Dieu Donne Gallery, New York, NY, where she was interviewed by the artist Adam Fuss, and "Exhaling Gnosis" at Miami Biennale (2011). Her first video, A Walk on the Beach premiered at Art Basel Miami Beach (2011) in the public screenings "Art Video" program in SoundScape Park on the 7,000 square foot outdoor projection wall of the New World Center. Oka Doner designed her first sets and costumes for Miami City Ballet's production of George Balanchine's "A Midsummer Nights Dream" (Spring, 2016 and Spring, 2019) Sets and costumes were inspired by images of undersea creatures photographed at the Marine Invertebrate Museum collection at the Rosenstiel School of Marine & Atmospheric Science at the University of Miami, Prof. Nancy Voss, Director Additionally, Michele Oka Doner created a large-scale art installation, “Mangrove Retreat,” in 2015 for Art Basel Miami Beach using Sunbrella fabric. She did a commission for the Jewish Museum in New York. In the 1980s Jewish feminists introduced a new component to the passover seder, honoring the prophet Miriam, sister of Moses, who led women in song and dance after the escape of the Jews from Egypt. A cup named for her is placed on the table beside the traditional cup of wine reserved for the prophet Elijah. The (judaica) Miriam Cup holds water, symbolic of the well of fresh water that accompanied Miriam as the Jews wandered the desert after their flight. Hers was made of Silver, cast and hand-worked.
She was included in the book "50 Contemporary Women Artists" along with notables
Judy Chicago, Kara Walker, Zoe Buckman...
Category
Early 2000s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Small Abstract Modern Blue and Gold Leaf Watercolor Portrait of Two Fish
Located in Houston, TX
Rich blue watercolor and pen painting of a pair of fish accented with bright gold leaf. Signed in lower left corner by the artist. Currently hung in a gold toned frame.
Dimensions W...
Category
1960s Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
H 9.5 in W 11.5 in D 0.5 in
Colorful Modern Metallic Gold & Silver Abstract Mixed Media Watercolor on Paper
Located in Houston, TX
Colorful modern abstract painting with gold and silver accents by Texas artist Wayne Blythe. Sections of the gold leaf are variegated, or have an "oil slick" appearance. The bright c...
Category
Late 20th Century Abstract Gold Leaf Abstract Drawings and Watercolors
Materials
Gold Leaf
Gold Leaf abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Gold Leaf abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Cheryl R. Riley, Michael Davis, Carali McCall, and Michele Oka Doner. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Gold Leaf abstract drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work can sell for $1,500.