20th Century Abstract Drawings and Watercolors

Black and white abstract charcoal drawing by Houston artist Paul Forsythe. The work features a large, abstract, organic shape in the upper right corner of the composition. Currently ...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Cubist Composition Year: circa 1945 Medium: Gouache on Board, signed Size: 29 in. x 40 in. (73.66 cm x 101.6 cm) Frame S...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9 x 9 inches condition: very good and impressive provenance: all the paint...

This striking vintage pen-and-ink drawing, Untitled (Two Figures), was created in the 1970s by acclaimed American modernist artist Edgar Britton (1901–1982). Rendered in bold black i...

Provenance: Virginia Field, arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Bernard Childs, John Ford and Andy War...

Ink and pastel on paper Signed by the artist in ink lower left; titled in pencil verso From the Estate of the artist

Mid-Century Modern abstracted landscape watercolor painting by American artist Toma Tovanovich (1931- 2016). Tovanovich's work is found in many public and private collections all...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6A Year: 1984 Medium: Tempera on Paper, sig...

Untitled (Yellow, Gray and Pink) Pastel on paper, 1981 Signed and dated lower right Condition: Excellent Sheet size: 12 x 18 inches Frame size: 15 x 21 inches Provenance: Jan Cowles ...

Bruno Lassalle Untitled, 1993 18.75 x 15.75 inches; framed in natural wood color 21.6 x 19.6 inches oil pastels on board signed 'LASSALLE' and dated recto; stamped verso Bruno Lassa...

Sunil Das - Untitled - 13.5 x 9 inches (unframed size) Ink on paper It will be delivered without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extreme...

Whimsical and enchanting French abstract drawing of tree, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arch...

Abstract charcoal drawing of figure, path and landscape by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a...

Seymour Lipton (American, 1903-1986), Abstract Expressionist Sculpture Study, Oil Crayon on Paper, 1977, signed and dated mid-left, unframed. Provenance: From a Brooklyn collection. ...

Bright abstract ink drawing of cityscape by French artist Isabelle Troquet, circa 1985. Signed lower left. Original artwork on paper displayed on a white mat with a gold border. A...

"Your New Home" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. It features abstract, surreal, and biomorphic obj...

French watercolor abstract in soothing hues of light yellow, blue and black by Eric Brault, circa 1990. Original artwork on paper displayed on a white mat with a gold border. Archiv...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Untitled 2 Artist: William Schwedler, A...

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

"The Nature of Things" is an original oil pastel drawing on paper by Reginald K. Gee. The artist initialed the piece on the back. This work features a variety of abstract techniques-...

This unique abstract work is a watercolor by American artist Chris Ritter. The use of broad gestural movement and bold colors creates an engaging composit...

Pierre MONTHEILLET (1923-2011) Composition in yellow Watercolor and gouache on paper Signed lower left Dimensions of the work: 50 x 65 cm Dimensions of the frame: 60 x 80 cm Pierre ...

Modern grey and white geometric abstract leaf pattern composition with orange accents by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 27.13 in. x W 31.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

This unique abstract work is a watercolor by American artist Chris Ritter. The use of broad gestural movement and bold colors creates an engaging composit...

Charcoal and pastel on paper by Mario Guglielmotti, realized in 1973. Hand signed and dated. Includes a coeval wooden frame. Very good condition.

This soft toned abstract expressionist watercolor painting, created by Charles Ragland Bunnell (1897-1968), is an exceptional example of his evolution as an artist. Featuring bold sw...

Unsigned Authenticated verso by the artist's nephew, Andrew Lowe Provenance: Estate of the Artist

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Untitled 1 Artist: William Schwedler, A...

Charcoal, 1930 Handsigned by the artist in pencil LCD4087

Frame measures 13.5 X 11.5 Paper measures 6.5 X 5 inches Hand signed lower right Watercolor painting of prophet or Rabbi, Judaica artwork Born in 1897, Ben-Zion Weinman celebrated h...

We acquired a series of paintings from Clifford and Rosemary Ellis's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." C...

Norman Adams "Study at Resipole" Original Watercolor c.1968 Original watercolor on paper Dimensions 9.75" wide x 8.25" high The lightly distressed chro...

Dimensions: 25.5 X 20.5 Frame. Artwork measures 23.25 X 18.25 Tempera painting Signed by the artist, lower right corner Ksenia Vladimirovna Ender ( Russian Ксения Владимировна Эндер , also Xenia Ender and Kseniia Ender. born 1895 in Sluzk , died 1955...

Erwin Pfrang, German (b. 1951) Graphite, Colored Pencil on paper Framed 20.5/8 X 16.5/8 sheet 6 X 7.75 Erwin Pfrang (born 1951, in Munich) is a German painter and printmaker. Pfra...

He was born in Paris, the son of a conversation though open-minded middle-class family. His father runs the family business of optical equipment but he's also a theatre lover, an author and a poet. He gives his son a strict education and the boy will feel closer to his mother. Pierre De Maria will become a honest, straightforward man, uncompromising to himself and the others. He is very particular about his appearance and, as a child of the "Belle époque" takes up to a kind of dandysm. A cousin of his, Jacques Camoreyt (a pupil of Albert Maignan) teaches him how to master pictorial techniques along with the rather academic education in Arts he is going through. From 1907 to 1914 he is a student at the Lycée Condorcet, first graduates in science and languages, then at the Engineering College just before World War 1. The sight of atrocities will leave a deep scar in his memory. He has a miraculous escape from the war and finds a job in the family firm. He soon realizes he hates everything related to engineering and decides to launch on into painting. He works as a scene painter with Ronsin and Laverdet workshop and on stage with "avant-garde" drama companies. In the same time, he shows his work at the "Salon d'Automne" in 1923 an gets a honour prize in the modern painting department. In 1925 he takes up to boxing and creates some polychromatic facades with Djo Bourgeois, then gets into the Art Deco trend as an architect and a decorator. Henri-Pierre Roché, a writer (Jules et Jim) a painter and an art collector close to the cubists has already discovered talents ( Brancusi, Wols…) and takes an in interest in Pierre De Maria. Autoportrait Environ 1960 In 1926 (the "Années Folles "in Paris) Pierre De Maria meets Marcel Duchamp, Brancusi and the surrealist gang he enjoys but never joins. « They were friends and I was curious but I never liked the hint of complaisance I saw in their work. » He then starts some technical research an collages as shown in his first exhibition of "pasted gouaches" in Princess'Murat 's gallery in Paris. (« Fermé la nuit ») « I never thought I'd make money with my paintings. I took to painting as I would have taken holy orders » He works as a journalist for Marianne and Vu magazines (1932-1933) and writes a detailed report about the Maelström in Norway and the soviet Movies. He has the opportunity to meet Eisenstein and Poudovkine in Sovietic Russia and thinks of making a name for himself in the Movie industry. In 1939 Pierre De Maria meets Germaine Pellegrino who becomes his wife a year later. They'll have two sons : Jacques born 1942 and François born 1943. The family settle in Geneva at the end of 1943. During those years he writes an unpublished autobiographical novel («Tir à volonté») as well as a collection of thoughts about various topics such as war. He also writes poems and a play (as his father had done) «Cornelius'death», in a rather humorous manner. « He who conveys the opinion of fools makes certain to get the majority of votes ». In 1944 he is back in Paris, leaving his wife. He'll settle in Nice in 1953 and starts there his mechanical period with the recurrent theme of machinery in his painting. In 1958 he has his second exhibition in Paris (JC de Chaudun's gallery) and shows a series of lino-engravings done after some drawings of his: he then begins being acknowledged by his contemporaries, his fellow-painters and the Parisian artistic circle. Jacques Prévert even dedicated him a poem. («Les Machinoutis») Henri Pierre Roché, Henri-Pieyre de Mandiargues, Yves Taillandier contribute to the catalogue, well received by the press. In the meantime, he has his works exhibited at the Salon d'Automne, the Salon de Mai, and the Salon Comparaison. In 1963, Flemish wood-engraver Frans Masereel, and Professor Gowa, the curator of the Offenbach Fine Arts, both introduce Pierre De Maria successfully in Germany, allowing him to become famous abroad. The Homo Atomicus Exhibition gathers 45 paintings, recounting the artist'progress over the past ten years. He's then nicknamed the «Atomic age Hyperonymus Bosch» ! In 1964, Greek gallery owner Iris Clert finds him out and helps him into a new career. He is then 68. Iris Clert, as a specialist in Contemporary Art has contributed to the coming out of the New Realism movement through her most spectacular and mediatical exhibitions. She takes a fancy to Pierre De Maria 's work : « The visit of his studio turned my love at first sight into a cutainty : he uses the technique from the Ancients to express Future. » Afterwards, both get into intense collaboration so that the painter is allowed to use the gallery owner's european and international net. In 1966, his work's dedicated a research published in Connaissance des Arts Magazine n° 70 : » A foreground study of Pierre De Maria in this month issue ». Later an article in International Art. In 1969 he turns 73 and he can see his first retrospective exhibition in Nice at the Ponchettes Gallery (about 60 paintings). At 76, he meets artist Hélène Bottet, from then on allowing humour to take over violence in his art. Machines don't frighten him anymore, he's now able to mock them even through they remain at the core of his paintings, in spite of the mechanical Art...

Composition with figures. 1968. Paper, pencil, 35x24.5 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Landscape with barbecue grill in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...

Artist: Karl Fred Dahmen Title: Tagebuch August Year: 1980 Medium: Drawing with Mixed Media on Paper, signed Size: 31 x 24.5 in. (78.74 x 62.23 cm)

From a series of paintings and drawings by Clifford Ellis and his wife Rosemary. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it clic...

Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...

An original compact mid century watercolor in its original frame presentation. The work is signed "Schwab" with an illegible first initial.

Jack Roth "Firenzie" Original Abstract Watercolor c.1981 Jack Roth 1927-2004 Original abstract watercolor. Dimensions 15" wide x 11" high. The simple frame measures 15.75" wide x...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 24680 Co...

Oscar Reutersvard Original Op Art Pen, Ink & Watercolor Drawing C.1990 Dimensions 8" wide x 11" high Housed in a simple frame - Dimensions 15" wide...

Gouache on paper, signed lower right (1914 – 2004) Né à Paris, Pierre DE BERROETA entre à l’Ecole Nationale Supérieure des Beaux-Arts de Paris en 1933. Ses œuvres s’inscrivent alors...

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo)No. 26190 Con...

This soft and inviting work is the first in a series of abstractions. Walkowitz utilises innovative drawing techniques, the side of the pencil becomes a valuable tool in creating a b...

Artist: Susan Michod, American Title: Untitled Year: 1977 Medium: Watercolor on Paper, signed and dated Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

Spray paint on paper. Stamped and framed. Frame dimensions: 68x85 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in ...

"Star Lake Reflections - Autumn" is an original watercolor painting on antique Whatman watercolor paper by David Barnett, signed in the lower right corner. The image is an abstract r...

CURT STENVERT (1920 - 1992) Pesce (fish), 1972, Pastel on paper, 62 x 48 cm, signed and dated lower left PROVENANCE: Galleria d'Arte Narciso, Turin (label on the reverse) Private col...

Modern abstract figurative charcoal drawing of a woman by Texas-born artist Eugene Massin. The work features a central loosely rendered female figure seated in a high-backed peacock ...

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4

Signed and dated center right edge; Annotated "48" lower left Provenance: Estate of the artist One of a suite of 120 drawings that the artist did in 1 month. Most were sold thro...

Drawing on paper without frame Size A4

Drawing on paper without frame Size A4