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19th Century Chinese school'Peacock Among Magnolia', Chinese Painting in Period Gilt Frame19th Century
19th Century
$1,852.50
$2,85035% Off
£1,416.33
£2,178.9835% Off
€1,631.33
€2,509.7435% Off
CA$2,595.92
CA$3,993.7235% Off
A$2,898.10
A$4,458.6235% Off
CHF 1,518.56
CHF 2,336.2535% Off
MX$35,475.60
MX$54,577.8535% Off
NOK 19,285.74
NOK 29,670.3835% Off
SEK 18,184.01
SEK 27,975.4035% Off
DKK 12,174.80
DKK 18,730.4635% Off
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About the Item
Framed dimensions: 15.5 H x 13 W x 1.75 D inches
An elegant, 19th-century Chinese School gouache scroll painting fragment showing a richly-plumed peacock standing among magnolia and peony blossoms amid lush foliage and contrasted against a deep ebony background.
- Creator:19th Century Chinese school (1775 - 1900, Chinese)
- Creation Year:19th Century
- Dimensions:Height: 10 in (25.4 cm)Width: 7.75 in (19.69 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Painting: Minor surface marks, minor restoration; frame: minor restoration, minor marks, minor shrinkage to corners; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34410377752
19th Century Chinese school
Paintings from the China Trade Beginning in the late 1700s, an increasing number of international merchant vessels began bringing back to their respective ports cargos of exotic objects from China which found ready markets in America and Europe. An insatiable interest in Asian things resulted in a range of exquisite objects created by Chinese artisans specifically for the western markets. Among the items that filled the holds of the sailing ships were furniture, silk embroideries, lacquerware, ivory carvings, fans, and a fascinating variety of paintings. These paintings offered first hand documentation of the ships that plied the Far East Trade and the exotic ports they visited. These early ‘China Trade’ paintings are considered to be some of the finest harbor views and ship portraits ever produced. They usually have no signatures or labels and offer little or no indication of who the artist was. Only a score or so names from the period are even known and these may be positively identified with only a very few paintings.
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