20th Century Animal Drawings and Watercolors

Highly detailed depiction of a country kitchen by Alice Shaw (American, b. 1943). Full of details and vibrancy, this piece shows a vintage kitchen with a 19...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Etude de Chiens by Paulémile Pissarro (1884 - 1972) Ink on paper 23 x 31 cm (9 x 12 ¹/₄ inches) S...

Sleeping Cats is an original carbon pencil drawing realized by Giselle Halff (1899-1971) in 1957. Not signed, is dated on the lower right margin" 7-12-57 " Good conditions. Giselle...

Portrait of Dog is an original pencil drawing realized by an artist of the mid 20th Century. Good condition, no signature. On a white cardboard.

Tiger is a beautiful original drawing in pencil on ivory-colored paper realized in 1958 by the German artist Wilhelm Lorenz, also known as Willi Lorenz. Hand-signed and dated in pe...

Delicate and detailed drawing of a harvester in the field by an unknown artist. A team of horses is pulling a large harvester, controlled by four people riding on the machine. To the...

A fine watercolour study of two dead pheasants. With delicate brushstrokes and fine pen and ink detail, Charballard captures the detailed features of the birds. Signed to the lower l...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Etude de Poules by Paulémile Pissarro (1884 - 1972) Ink on paper 23 x 31 cm (9" x 12 ¹/₄ inches) ...

Felines is an original drawing in Pencil attribute to Norbert Meyre, on creamy-colored paper and realized in the early 20th Century. Good conditions. The artwork is depicted throug...

Original 1933 drawing, "Pinto" by New Mexico modernist, Hilaire Hiler (1898-1966), black and white line drawing of a Native American Indian figure wearing a feather bonnet headdress on horseback. Ink on vellum, signed lower right. Custom framing is available. Expedited and international shipping is available - please contact us for a quote. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and was raised in Providence, Rhode Island. Hiler took art classes as a child at the Rhode Island School of Design. When he was older, Hiler studied at the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and William Server’s studio. He also studied at the University of Pennsylvania, the University of Denver, Golden State University, and National College in Ontario, Canada. He continued on to France, studying at the University of Paris in 1919. Hiler lived in Paris from 1919-1934, supporting himself as a jazz musician and a piano player for The Jockey Club. Hiler moved back to America in 1934, settling in San Francisco. He was commissioned by the Works Progress Administration to paint murals in the Aquatic Park...

Cats is an original pencil drawing realized by Giselle Halff (1899-1971). Not signed and dated 1965 on the lower right margin. The artist want to define a well-balanced composition...

"The Chicken", is ink on paper by Denver artist Edward Marecak (1919-1993) from the 1940's of an abstract depiction of a chicken in black and red. Presented in a custom black frame, outer dimensions measure 23 ¾ x 19 ¾ inches. Image size measures 15 ¾ x 11 ½ inches. Drawing is clean and in very good condition - please contact us for a detailed condition report. Provenance: Estate of the Artist, Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Original Pastel of Mallards flying over Wetlands in the English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 20 x 14 inches F...

Buon 1954 is an Original Drawing in tempera on cream-colored paper realized by Mino Maccari in the mid-20th century. Ir represents the popular mascotte of the ENI logo. Hand-signed ...

Ernest Howard Shephard (British, 1879 – 1976) The land of the lost toys – ‘Oh that’s you is it’ Inscribed with title (lower edge), and further inscribed ...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card/ thick paper, unframed size: 11.25 x 15.5 overall size: 12....

Jeune Femme de Dos au Zèbre by Georges Manzana Pissarro (1871-1961) Charcoal on paper 66 x 49 cm (26 x 19 ¼ inches) Signed lower right, Manzana Executed circa 1915 This work is acc...

Cats and Riders is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil, pen, and ink. Good conditions. The artwork is re...

Barking at Tower is an Original Drawing in tempera on cream-colored paper realized by Mino Maccari in the mid-20th century. It represents the popular mascotte of the ENI logo. Inclu...

Yellow Canary is an Original Watercolor realized by an unkonw artist in late-20th century. The little artwork is a very beautiful canary on a branch. Signature on the lower right c...

This sexy joke cartoon with thought balloons and some bathroom humor was done by the brilliant humorist cartoonist for Mad Magazine, Al Jaffee. The joke's...

Original Pastel Drawing on Paper of Horse Race at Royal Ascot 2002 with Golan & Nayef Art measures 25 x 18 inches Frame measures 33 x 26 inches Nayef was pipped by Golan in the 2...

This framed 16.25" x 30.25" watercolor painting by Charles E. Burdick depicts a possible interpretation of Noah's Ark. A nude female figure sits on coastal rocks next to a waterscape with a boat with sail in the distance. She is surrounded by five prominent animals including a tiger, lion and zebra which she playfully entertains. The painting is In a darker palette of blues, browns, white, and black. The painting is framed and matted. Charles Edward Burdick...

Robert W. Milliken (Irish, 1920-2014). White Fronts Along the Coast, ca. 1960. Watercolor on paper, image measures 14.5 x 19.5 inches; 21.5 x 26.5 inches framed. Signed lower right. ...

"Country Farmhouse" is a 9 x 10.5 inches, watercolor on paper painting by American illustrator, Henry James Soulen. The landscape is signed "H J Soulen" in the lower left, it is newl...

A charming watercolour study attributed to the well-listed artist John Murray Thomson RSA RSW (1885-1974). Well presented in a simple wood frame. On watercolour paper.

Sleeping Cat is a carbon pencil and watercolor drawing realized by Giselle Halff (1899-1971). Good conditions. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. M...

Cat is an Original Drawing in watercolorl realized in the Mid-20th Century by Giselle Halff (1899-1971). Good conditions. Giselle Halff (1899-1971) born in Hanoi, student of R.X. P...

Work on paper Golden wooden frame with glass pane 51 x 60 x 1.5 cm

Image Sz: 8 1/8"H x 7"W Sheet Sz: 12 3/8"H x 9 1/2"W *Vertical crease over plate*

A drawing by Keith Haring. ""Untitled (Queen of Hearts with Dog on Leash)"" is a figurative drawing, ink on illustration board by American Pop Artist Keith Haring. The artwork is uns...

Abstract expressionist CoBrA style chalk on paper of an imaginary bird by French artist, A Nuchy. Signed to the bottom right. Highly colourful and inventi...

Cat is an Original Drawing in Charcoal realized by Giselle Halff (1899-1971). Good conditions. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. Ménard, L. Simon,...

Puppies is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Not signed. Good conditions. Pierre-Georges Jeanniot (1848–193...

Birds is an Original Watercolour realized by an unknown artist in 1970s. Good condition on a little cardboard. Signature on the lower right corner.

Farmhand in a Cowshed by Yvon Pissarro (b. 1937) Graphite on paper 56 x 76 cm (22 x 30 inches) Signed lower left Yvon Vey Provenance Studio of the arti...

Cat is a charcoal drawing realized by Giselle Halff (1899-1971). Good conditions. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. Ménard, L. Simon, B. Boutet de...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in black folder/ thick paper, unframed drawing: 11.75 x 18 inches overall size: 19.75 x 13 in...

Edward Julius Detmold (British, 1883 – 1957) Hornbill Pen and ink on paper Signed with initials’ ED’ (lower right) 16.3 x 15.8 cm. Edward Julius Detmold (21 November 1883 Putney, Wandsworth, Surrey - 1 July 1957 Montgomery) and his twin brother Charles Maurice Detmold (1883-1908) were prolific Victorian book illustrators. Their parents were Edward Detmold and Mary Agnes Luck. Their father, an electrical engineer was chronically ill, and they lived with their uncle and guardian, Dr Edward Barton Shuldham, who saw to their tuition and was a noted collector of porcelain and Japanese woodprints of plants and animals. Dr Shuldham occupied a house in Upper Richmond Road, Putney, where the twins had been born. He ensured their interest in natural history and art, and created a nurturing environment for their precocious talents. They also spent time with another uncle, the painter Henry E. Detmold, who encouraged them in their art. Most of their prodigious energy was expended on depicting animal subjects and their work showed great influence from traditional Japanese art, Albrecht Dürer and later the Art Nouveau movement. They were exhibiting watercolours at the Royal Academy and the Royal Institute of Painters in Water Colours at the age of 13. Edward Burne-Jones praised their work and warned against the dangers of uniformity inherent in art schools. The twins subsequently mastered the techniques of watercolour etching and of colour printing with copper plates, buying a printing press and producing their own proofs at home. In 1898 they compiled a portfolio of colour etchings of animals and flowering plants done in the Japanese style. These were much sought after and were rapidly sold out. They collaborated on the etchings and illustrations for their first book Pictures From Birdland published in 1899. This book resulted from a number of drawings being shown in the autumn of 1897, to the publisher J. M. Dent, who was so impressed that the two brothers were asked to provide coloured illustrations for a book of his. The first title mooted was Alphabet of Birds, eventually becoming Pictures from Birdland. "Particularly noticeable are the early influences in the paintings, Edward's design for an osprey, with its unusual water effects, testifying to a Japanese contribution. Already apparent is that style in which a searching study of natural forms, especially bird plumage, is subordinated to decorative arrangement" - David Larkin (The Fantastic Creatures of Edward Julius Detmold) This was followed in 1900, by an exhibition at the Fine Art Society's Gallery in London. Their next joint project was to produce a set of 16 watercolours for Rudyard Kipling's The Jungle Book published in 1903, by Macmillan. The success of their painting careers seemed assured, but Maurice ended his life by inhaling chloroform in April 1908, shortly before they were due to leave for a holiday in Sussex with Dr Shuldham, who had arranged that Maurice put down the household cats using the anaesthetic. Although stunned by the death of Maurice, Edward threw himself into his work. The recognition accorded the twins' illustrations of Kipling's classic tale was extraordinary. Consequently, in 1909 Edward illustrated The Fables of Aesop, producing 23 colour plates and a host of pen & ink drawings. This proved so popular that in 2006 The Folio Society of London published a facsimile of the original Hodder & Stoughton edition. In 1911, Detmold worked on illustrations for Maurice Maeterlinck's The Life of the Bee, Camille Lemonnier's Birds and Beasts and Florence Dugdale's Book of Baby Beasts. In the following year he worked on Maeterlinck's Hours of Gladness, in 1913, on Florence Dugdale's Book of Baby Birds and in 1919, on W. H. Hudson's Birds in Town and Village In 1919, he also produced a portfolio of Twenty Four Nature Pictures and, in 1921, on Our Little Neighbours and Jean-Henri...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed size: 14.5 x 9.25 ove...

Frank Adams (British,1871-1944) “Pray, Mistress Mouse, / will you give us some beer?”/Heigho! Says Rowley, / “For Froggy and I are/fond of good cheer”. / With a rowley powley/Heigho!...

Sleeping Cats is an original pencil drawing realized by Giselle Halff (1899-1971). Not signed and dated on 1965 on the lower right margin. Good conditions. Giselle Halff (1899-1971...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed top drawing: 7.25 x 9...

Sleeping Cat is an original pencil drawing realized by Giselle Halff (1899-1971). Not signed and dated 1965 on the lower right margin. The artwork is depicted skillfully through co...

Image Sz: 5 7/8" x 15 3/4" Sheet Sz: 12 1/2" x 19 1/8"

Bird is an original charcoal drawing realized by Giselle Halff (1899-1971) in 1959. Hand signed and dated on the lower right margin. Good conditions. Giselle Halff (1899-1971) was ...

This Drawing has a sketch on the reverse as well as handwritten notes, one of which reads "On loan from the Freddy Wittop's private collection." Costume designer Freddy Wittop won a Tony Award for his work on "Hello, Dolly!" and was also the recipient of a TDF Irene Sharaff...

Image Sz: 5 7/8" x 7 7/8" Sheet Sz: 9 3/4" x 12 1/2"

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. However, there are su...

VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...

Judy the charming Yellow Labrador is drawn in fine pastel detail by well-listed artist Marjorie Cox. With a masterful technique, Cox captures the adora...

A charming watercolour study attributed to the well-listed artist John Murray Thomson RSA RSW (1885-1974). Well presented in a simple wood frame. On watercolour paper.

Eileen Soper, RMS SWLA (British, 1905 – 1990) Rabbit was in one of his dreamy moods Signed ,inscribed with title (below mount) Pen and ink 3.1/4 x 5.1/4 in. (9 x 16.2 cm.) Provenanc...

A fine watercolour depiction of a cattle drover on horseback moving a herd of cows along a woodland path. Signed to the lower right. On wove.

Scottish Cats Playing Golf Midcentury Watercolor with Signed Initials Watercolor The original has been stuck to an old Print, not related ! Will be deliv...

'Reindeer' is an original watercolor painting, signed by the artist in the lower right corner. As the sun rises over a blue and green mountain range, a reindeer scans the snow-covered horizon of the tundra. Barnett's use of watercolor is minimalistic, allowing the untouched areas of the canvas to imitate snow and the reindeer's stark and branching antlers to mimic leafless trees during the winter months. When color does appear, it is used to depict the reflection of the sun's light off of a frozen river. Watercolor painting 18.75 x 16.375 inches, artwork 19.75 x 17.25 inches, frame Signed in lower right Framed to conservation standards using archival materials including 100 percent rag mounting materials, plexiglass to inhibit fading, and housed in a silver finish wood moulding. David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Since its opening in 1966, The David Barnett Gallery has flourished to become Wisconsin's premier gallery and has the most diverse range of art available in any Wisconsin gallery, including works of art that represent more than 600 artists. The gallery also offers custom framing, art appraisals...

Cats is an original pencil drawing realized by Giselle Halff (1899-1971). Not signed and dated 1965 on the lower right margin. Good conditions. Giselle Halff (1899-1971) born in H...

Image Sz: 10 3/4"H x 6 3/4"W Sheet Sz: 19 1/4"H x 12 1/2"W