Women Animal Drawings and Watercolors

British, December 1879 After John Tenniel (1820-1914) A philatelic cover depicting Alice, the White King and his messenger, with a ham sandwich An adaption of the illustration to Le...

Classic horse racing watercolour & gouache by S.J. Anderton 1921 depicting Mr C.L. Appleton (jockey) in the salmon & black colours of Mrs Payne Whitney's Greentree Stables up on 'Web Carter' Art Sz: 14"H x 20 3/4"W Frame Sz: 21 1/2"H x 28"W Whitney was a major figure in thoroughbred horse racing and in 2018 he was voted one of the National Museum of Racing and Hall of Fame's most prestigious honors as an Exemplar of Racing. Harry Whitney inherited a large stable from his father (including the great filly Artful and her sire Hamburg, and in 1915 established a horse breeding farm in Lexington, Kentucky where he developed the American polo pony by breeding American Quarter Horse stallions with his thoroughbred mares. He was thoroughbred racing's leading owner of the year in the United States on eight occasions and the breeder of almost two hundred stakes race winners. His leading sire was first Hamburg and then the great sire Broomstick, by Ben Brush. His Kentucky-bred horse Whisk Broom...

Drawing based on natural pigments from leaves, flowers and bark and Pastel, Pencil, flower petals, Color and Ink on Paper. In my work there is a cross with the gaze of animals, a rem...

"Arabian Dressage" (double face) Painting 14" x 18" inch (1956) by Ragheb Ayad signed & dated Ink on Paper Ragheb Ayad was born in Cairo on the 10th of March 1892 and inscribed himself in the School of Fine Arts since its opening in 1908. After graduation, he taught art in the high Coptic school and made several trips on his own to France and Italy to complete his artistic education. He was the first to obtain a governmental scholarship to Rome, where he stayed for five years studying art at the Superior Institute of Fine Arts. Since his return to Cairo in 1930, he was assigned as director of the decorative section of the Faculty of Applied Arts. In 1937, he was named professor at the Faculty of Fine Arts and director of its free section. He was in charge of reorganizing the Coptic museum, and since 1950 became head of the Museum of Modern Art, where he made a special section in it for the great sculpture Mahmoud Mokhtar. Since 1924 and for half a century, he participated in most of the exhibitions of the ‘Cairo Salon’ plus organizing 40 solo exhibitions. Ragheb Ayad is considered one of the pioneers of Egyptian art in the 20th century alongside Mahmoud Mokhtar, Youssef Kamel, Mohamed Hassan, Mahmoud Said, and Mohamed Naghy. Ragheb Ayad is the first to get rid of the western influences and to create Egyptian art with its own solid identity. For the rest of his life, Ragheb Ayad was dedicated to the popular themes of Egyptian life, whether it is the cosmopolitan Cairo or the upper Egyptian villages and the small towns. He visited all these places, recording the pulsating life of the soaks, the moulids, the cafes, and the men and women dancers. Ragheb Ayad remained forever the painter of this true Egyptian universe. Ragheb Ayad is considered to be the first expressionistic painter who influenced the second and third generation of artists. Aside from the popular Ayad was attracted to the religious themes where he portrayed the flight of the holly family in Egypt and the birth of Jesus. Moreover, Ayad is known to be the first Egyptian artist to be influenced by ancient Egyptian art...

A stunning ensemble of fiour original mid century illustrations for Herman Melville's "Moby Dick" . Whilst sharing the modernist, stylis...

The Crow is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Hand-signed and dated in pencil on the lower right corner: Leo Guida '72. Original P...

The Dog is a drawing on paper realized by an anonymous artist in the 1950s. Pen Drawing Good conditions and aged.

Post Modern experimental artwork of watercolor on handmade paper by the well known Russian/American artist, Nahum Tschacbasov. Signed lower left and dated 1961. Condition is very go...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

"Dog & Horse in Landscape on Mountain Top" is an original ink drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower right. This piece features...

This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and princes. We propose to link this drawing to the work of Alessandro Mauro, an artist who specialized in this type of composition, as illustrated by a drawing from him at the Metropolitan Museum. 1. Description of the boat The greatest decorative fantasy reigns in this preparatory study, which blends mythological and exotic elements with references to ancient Egypt. Our drawing is probably an initial thought, destined to be refined and clarified later in pen and ink (as evidenced by the ink stain in the lower right). A quadriga of seahorses guided by Neptune stands at the stern of the boat, shown well above the waterline (perhaps to outline its empty volume). One of the seahorses is ridden by a newt, while Amphitrite lies at the feet of the sea god. The center of the boat is occupied by a vast baldachin resting on four atlantes and surmounted by a figure riding an animal (a dragon?). Three figures sit beneath the canopy, one of them on a griffin-shaped seat. This allusion to Egyptian antiquity echoes the winged sun (sometimes a symbol of the god Horus, as in the temple of Edfu in Egypt) that adorns the sides of the promontory on which this baldachin rests. Another flag-bearer figure crouches at the stern of the boat on a raised seat, on the reverse of which is a crowned mermaid whose arm, extended backwards, rests on a mascaron decorated with a radiant face (Helios?) and whose torso surmounts an elephant's head. The heads of the rowers and their oars are sketched all along the boat, whose sides are embellished with elongated naiads. 2. The Venetian regatta boats An exhibition held in 2013 at the Ca' Rezzonico (the Venetian eighteenth-century museum) paid tribute to these regatta boats through studies and prints depicting them. The regattas organized by the Serenissima in honor of visiting princes and sovereigns were among the most spectacular ceremonies in Venice. Some important artists of the 18th century contributed to the creation of these extravagant boats which were given exotic names such as bissona, malgarota or peota. The specialists in this field were Andrea Urbani and the brothers Alessandro and Romualdo Mauro. They were born into a family of theater decorators in Piedmont, but little is known about their detailed biography. Alessandro was the architect of the Dresden opera house and of the St. Samuel Theater in Venice (in collaboration with his brother Romualdo), but also worked as stagehand and set designer in Vienna, Rome and Turin. A drawing produced around 1737 from the Metropolitan Museum (7th photo in the gallery) bears witness to his activity as a regatta boat designer. This drawing is a much more elaborate version than the one presented here, having been entirely reworked in brown ink. However, a figure at the bow of the boat, executed solely in black chalk, still bears witness to a technique similar to that of our drawing. It is difficult to know whether the boat depicted in our drawing was a project for an actual boat or whether it remained in the planning stage, but the front of our boat (Neptune and the quadriga of seahorses ridden by a newt) bears several similarities to that of a parade boat depicted in the print published by Michele Marieschi entitled Regatta on the Grand Canal, between the Foscari and Balbi Palaces (last photo in the gallery). This print is dated 1741, which could confirm that our work dates from around 1740. The area between Neptune and the quadriga that precedes him on this strange paddle-boat appears to be partially submerged, confirming that the waterline of our boat was probably intended to be much lower than the one shown in our drawing. The Correr Museum’s collection holds one of the most important collection of engravings and drawings devoted to these specifically Venetian Baroque productions. These boats were intended to last the duration of a festival. Today, they are only documented by preparatory drawings or prints that testify to the sumptuousness of their decoration. This taste for regatta boats lasted throughout the Venetian eighteenth century, and the conception of regatta boats also attracted great masters such as Giambattista Tiepolo, Francesco Guardi or Giambattista Piranesi...

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...

Walasse Ting 丁雄泉 CAT (original drawing), 1985 Original Ink and Marker on offset lithograph held in hardback monograph Hand signed and inscribed by the artist This is an absolutely gorgeous drawing of a cat by the pioneering Chinese-American-European artist Walasse Ting, who famously collaborated with Sam Francis and many other Ab Ex, Pop and COBRA artists. (He was the brainchild behind the legendary One Cent Life portfolio). Ting was also, famously, a cat lover, and is renowned for his expressive, colorful and gorgeous drawings of cats...

Mother Goose is a French fairy tale and later of English nursery rhyme. In this illustration, we see an oversized Goose in a yellow bonnet elevated on a step and engaging with an attentively curious young girl and young boy. Large vases of flowers frame them. Titled in pencil center bottom: "Goosey, Goosey Gander. Where do you wander? Signed Margaret Evans Price...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Norman Meredith was British painter and illustrator, born in Liverpool (1909 - 1985) England. He studied at the Liverpool College of Art. He subsequently won a scholarship to the Ro...

Famed Art Deco Sculptor Boris Lovet-Lorski depicts his signature "Stallion." in this stunningly elegant drawing. It features a nude female that is c...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. However, there are su...

Michele Bajona's (Mexico based) "Lion" is an Watercolor painting that depicts a closeup of a male Lion with a white background. The painting is ...

Paraguayan Ink Drawings from the Chaco #16 Paper Indigenous Osvaldo Pitoe Cecilia Brunson Projects presents Towards the Past: Memories of the Gran Chaco, the first UK exhibition by...

Little Deer, work on paper by Rick Bartow, red, white, pink, blue, black, green,

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Cavallo e Cavaliere by Marini Marino (1901-1980) Watercolour on paper 41.8 x 29.6 cm (16 ¹...

Gahan Wilson's artistic output of original ideas, masterfully executed, seems endless. He has a conceptual style that, like Charles Addams, delves into the macabre. Yet, one immedia...

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

Allegory of a Bird is an original artwork, pencil, pastel, gouache and watercolor on paper. Is not signed and dated but we can attribute the period late 19th Century. The artist p...

The Bull V - expressive line drawing on 140lb paper. The work is size 12x8 inches framed (black) with a styrene face on a double mat board in grey-beige or white-beige color with siz...

22"x30" Watercolor and ink on paper Available unframed Born and raised in Austria, Sascha Mallon studied Art Therapy in Vienna and received her Bachelor of Arts from the University ...

John Fincher (American, b. 1941) Physical Activities, c. Late 20th Century Watercolor and collage on paper Sight: 16 1/4 x 23 3/4 in. Framed: 22 x 30 1/4 x 1 3/8 in. Provenance: Th...

Title: Original French Anatomical Pencil Study of Horse’s Limb Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 20 (Height) x 13 (Width) Signed: No Condition: G...

The artwork is in simple black frames behind glass. The full signature is on the back of the drawing, on the front is a dated monogram. Hanna Banaszczyk is a graduate of the Facul...

Signed lower right, “Ch. Henrida” for Charles Henrida (French, 1854-1924) and painted circa 1900. Unframed and displayed in a beveled, ivory mat with gilt inner slip. Matted dimens...

This piece titled "Tigress in Transition" is a one-of-a-kind original piece by James Oliver and is made from acrylic paint on canvas. This piece measures 24"h x 30"w, and is hand sig...

Horse's Head is an original pencil drawing on paper, attributed to Luigi Galli and realized in the late 19th Century. With another drawing of hands...

Kate Greenaway (British, 1846 – 1901) ‘Prince Finikin and his Mamma sat sipping their bohea..’; and ‘You see, merry Phyllis, that dear little maid, Has invited Belinda to tea..’ Penc...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

The Bull II - expressive line drawing on 140lb paper. Part of the triptych. His artistic style is rather difficult to describe, it can be named as "expressive...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed top drawing: 7.25 x 9...

Giorgia Oldano is a young Italian artist specialized in wildlife. She masters drawing and monotype. In order to construct her paintings, the artist travels a lot around Italy and the...

Title: Study of the Movement of a Horses Head by Robert Ladou Artist: Robert Ladou (French, 1929-2014) Medium: Charcoal on blue paper Size: 20 (Height) x 13.75 (Width) Signed: No Co...

Signed, verso, on original backing, 'Shannon Bickford' (American, 20th century) with artist information, titled, 'Window Series III' and painted circa 1990. Sheet dimensions: 14.75 ...

'The Final Stretch', pastel on weighted art paper, by Maurice Empi (circa 1980s). One can almost feel the excitement of the horse race from this exuberant and colourful work of art. ...

Title: Original French Anatomical Pencil Study of a Horse Being Fitted with a Bridle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Watercolor on Paper Size: 18.75 (Heig...

Title: Anatomical Study of Horse Legs Artist: Robert Ladou (French, 1929-2014) Medium: Coloured Pencil and pen on paper Size: 20 (Height) x 13.75 (Width) Signed: No Condition: Good ...

Quang Ho's "Untitled" (2023) is an original handmade charcoal drawing done on paper. This piece depicts an abstracted portrait of nude women. Artist's Statement "Realism and abstrac...

Pencil drawing of horse with harness by French artist Jean-Baptiste Grancher, circa 1950. Original artwork on paper displayed on a white ...

French Expressionist by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 12.5 x 9.5 inches provenance: artists estate, France condition: very good and ...

Title: Original French Anatomical Study of Horse's Skull and Cervical Vertebrae Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 19.75 (Height) x 12.75 (Width) Signed: No Condition: Good, with some minor signs of aging. Provenance: From the artist's estate Description: This pencil anatomical study features the horse's skull and cervical vertebrae, emphasizing the structure and relationships of the bones and muscles in the neck and skull area. The skeletal anatomy of the horse is drawn with fine attention to the structure of the vertebrae and the attachment points of the neck ligaments. Clear lines show the defined contours of the bones. This piece would appeal to both horse anatomy enthusiasts and art collectors who appreciate the detailed study of equine physiology. Perfect for educational purposes or as part of a veterinary or anatomical art...

Title: Original French Anatomical Pencil Study of a Horse's Eye's and Nose Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 20 (Height) x 13.75 (Width) Signed: ...

Title: Original French Anatomical Study of a Horse's Shoulder Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 20 (Height) x 13.5 ...

Title: Original French Anatomical Study of a Horse's Hind Legs Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 20 (Height) x 13.5 (Width) Signed: No Condition:...

Horse II, 2014 Colored Pencil on Paper 28.74 H x 40.15 W in. 73 H x 102 W cm Dinu Rădulescu's drawings illustrate, in their majority, the Horse, like a...

Woman and Horse is an original Contemporary artwork realized in the 1960s by the Italian artist Angelo Savelli (Pizzo, 1911 - Dello, 1995). Original ink and watercolor on Ivory Pape...

"Minaret (The Mastery of the Cathedral Termite)" is an original 14in x 10in biro and watercolor painting by Jeremy Hush in a 27in x 22in antique gilded frame.

Jalal Gharbi, Tunisian/American (1920 - 2005) - Camels, Medium: Gouache On Paper, signed lower left, Size: 17 x 24 in. (43.18 x 60.96 cm), Description: A gouache painting by Jalal...