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Larry Rivers
Untitled (Joe and Patsy LoGuidice at the Casa Luna)
1970-1975

Name: Untitled (Joe and Patsy LoGuidice at the Casa Luna)
Brand: Larry Rivers
Price: 70400.41 AUD
Availability: InStock
Rating: 5 (102 reviews)

$45,000

£34,053.39

€39,274.24

CA$62,839.40

A$70,400.41

CHF 36,643.35

MX$857,342.23

NOK 466,787.39

SEK 439,582.01

DKK 293,177.21

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About the Item

Untitled (Joe and Patsy LoGuidice at the Casa Luna) Pastel, charcoal and colored pencil on paper, 1970-1975 Signed lower right in pencil: Larry Rivers Inscribed on the rabbit of the original white frame: LOGUIDICE in ink Provenance: Private Collection, New York (Westchester County) Condition: Excellent Image size: 31 1/2 x 24 1/2 inches Frame size: 39 1/2 x 32 1/2 inches The authenticity of this work was confirmed by the sitter, Patsy LoGuidice. It came from her personal collection. Note: The image depicts Ciprian “Joe” LoGuidice (d. 2008) and his wife Patsy with their dog (Golden Retriever?) in their famous house Casa Luna, located in Zihautenajo, Mexico. Joe LoGuidice had a most colorful life as stated in his memorial posting by Pam Barkentin: Ciprian "Joe" LoGiudice, of Los Angeles and Zihautanejo, Mexico Art Dealer, Political Activist, Environmentalist, Film Producer, and Executor of the Terry Southern Estate died at home in Los Angeles on September 3, 2008. A major benefactor of the Chicago Seven, he hosted a benefit for the anti-war activists at his Ontario Street Gallery in Chicago and later harbored the fugitive Abbie Hoffman in Zihautenajo where Joe designed and built the famous Casa Luna, the house without walls, in a compound that included Larry River's Studio as well as the garden where Julian Schnabel painted with the assistance of Ramon Pedrazo, Joe's gardener and the husband of his faithful housekeeper, Concha Pedrazo. Here at Casa Luna, from the early seventies on, Joe and his wife, Patsy, generously hosted friends and enemies alike with great enthusiasm and humor.Most recently, through his participation in "Save the Bay", Joe was instrumental in preventing cruise ships from anchoring in the Bay of Zihautanejo. He was also producing "Five Easy Steps to Metaphysical Fitness", a documentary about the philosopher/comic, Emily Levine. Christo's first wrapping of a building in the United States, the Chicago Museum of Art, was produced by LoGiudice. Other artists he represented, in both his Chicago and New York Galleries, included John Chamberlin, Larry Poons, Mark de Suvero, Leon Golub and Jules Olitski. Joe is survived by his wife of 25 years, Patsy Cummings. An important work by Rivers showing his friend and art dealer in their famous house, Casa Luna, in Mexico. The cultural import of LoGuidice cannot be understated. He was a major figure in the New York, Chicago, and Los Angeles art cultures. The artist’s who were his friends and guests were many of the leading icons of late 20th century art. Larry Rivers Larry Rivers in 1961 Born Yitzroch Loiza Grossberg August 17, 1923 Bronx, New York, U.S. Died August 14, 2002 (aged 78) Southampton, New York, U.S. Nationality American Education Hans Hofmann School Known for Painting, sculpture Movement East Coast figurative painting, new realism, pop art Spouse(s) Augusta Berger (m. 1945; div. 1946) Clarice Price (m. 1961; sep. 1967) Larry Rivers (born Yitzroch Loiza Grossberg, August 17, 1923 – August 14, 2002) was an American artist, musician, filmmaker and occasional actor. Rivers resided and maintained studios in New York City, Southampton, Long Island, and Zihuatanejo, Mexico. Early life Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Training and career Larry Rivers in 1961 Rivers is considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, because he was one of the first artists to really merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955. During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo, Daniel Spoerri or Alain Jacquet, several of whom left, like him, some pieces of art in the lobby of the hotel for payment of their rooms. In 1965 Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. During 1967 he was in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries.[citation needed] During the 1970s Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. Personal life Rivers married Augusta Berger in 1945, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. He married Clarice Price in 1961, a Welsh school teacher who cared for his two sons. Rivers and Clarice Price had two daughters, Gwynne and Emma. After six years, they separated. Shortly after, he lived and collaborated with Diana Molinari, who featured in many of his works of the 1970s. After that Rivers lived with Sheila Lanham, a Baltimore artist and poet. In the early 1980s, Rivers and East Village figurative painter Daria Deshuk lived together and in 1985 they had a son, Sam Deshuk Rivers (now Sam D. Rivers). At the time of his death in 2002, poet Jeni Olin was his companion. Rivers also maintained a relationship with poet Frank O'Hara in the late 1950s and delivered the eulogy at O'Hara's funeral in 1966. Paintings Washington Crossing the Delaware is a 1953 painting by Rivers. Made of charcoal, oil paint, and linen, it is painted on linen and is in the collection of the Museum of Modern Art in New York City. In 1958 it was damaged by fire. Legacy His primary gallery being the Marlborough Gallery in New York City. In 2002 a major retrospective of Rivers' work was held at the Corcoran Gallery of Art in Washington, D.C. New York University bought correspondences and other documents from the Larry Rivers Foundation to house in their archive. However, his daughters Gwynne and Emma objected to one particular film being displayed, as it depicts them naked as young children. The film's purpose is supposedly to be a documentation on their growth through puberty, but it was made without their consent. The matter was addressed in the December 2010 issue of the magazine Vanity Fair, and the October 2010 issue of Grazia. The film will never be publicly displayed as requested by both children. Courtesy Wikipedia

Creator:
Larry Rivers (1923 - 2002, American)
Creation Year:
1970-1975
Dimensions:
Height: 31.5 in (80.01 cm)Width: 24.5 in (62.23 cm)
Medium:
Pastel
Movement & Style:
Contemporary
Period:
1970-1979
Condition:
Gallery Location:
Fairlawn, OH
Reference Number:
Seller: FA107181stDibs: LU14016450122

Shop All Larry Rivers

Larry Rivers

Figurative artist Larry Rivers was born in the Bronx in 1923 to Ukrainian Jewish parents, and was named Yitzak Loiza Grossberg. Rivers belonged to the second generation of the New York School of painters, although unlike most of his contemporaries he stayed away from abstraction instead preferring narrative paintings. He began his artistic career playing the jazz saxophone, and when one night his group was introduced as "Larry Rivers and the Mudcats," he decided to keep the name.

After a brief period in the army during World War II, Rivers attended Juilliard School of Music for one year before returning to the jazz saxophone. After he met the painter Jane Freilicher, he decided to devote himself to painting. Rivers attended Hans Hofmann's school for nearly two years. In 1949, he had his first solo show at the Jane Street Gallery, an artist's co-op in the Village. Rivers received favorable reviews and was invited to join the Tibor de Nagy Gallery uptown.

Rivers continued to show annually at the Tibor de Nagy Gallery from 1952 to 1962. In 1963, he joined the Marlborough Gallery, where he stayed until his death. In 1955, The New York Museum of Modern Art acquired his painting Washington Crossing the Delaware, and in 1956 the Whitney Museum purchased Double Portrait of Berdie, two of his more famous paintings. He had periodic museum shows in Europe and the United States throughout his career.

Rivers had two sons, Joseph and Steven, by his first wife, Augusta. In 1961 he married Clarice Price and had two more children, Gwynne and Emma. In the 1970s he had another son with the painter Daria Deshuk.

The subjects of River's figurative paintings were family, history, politics, religion and sex. His work done in oils often included the use of stencils, cutouts, blank canvas and image reversals. He often painted family members including his mother in law, his sons and his ex-wife. Rivers favored historical subjects such as History of Matzah: The Story of the Jews (1984-85), History of the Russian Revolution (1965) and often painted parodies including his Washington Crossing the Delaware. He enjoyed controversial subjects and shocking the public. Lapman Loves It (1966) is a nine-foot electrified assemblage complete with strategically located light bulbs. French Vocabulary Lesson (1961-62) is a nude with body parts labeled in French.

Rivers was also a writer. In 1979 he published Drawings and Digressions with Carol Brightman. In 1992 he published What Did I Do? The Unauthorized Autobiography with Arnold Weinstein.

Materials

Lithograph

Larry Rivers
Diana Raised 1, 1970

$3,000

Self Portrait with Arms Over Head, vignette on Paul Cadmus on left

Located in Fairlawn, OH

Self Portrait with Arms Over Head, vignette on Paul Cadmus on left Graphite drawing on thin wove paper, c. 1940's Unsigned Provenance: Paull Cadmus Jon F. Anderson (1937-2018) Condition: Sheet size: 15 x 10 1/4 inches Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...

Category

1940s American Modern Portrait Drawings and Watercolors

Materials

Graphite

Margaret Hoening French
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left, 1940's

$1,500

Las Vegas Date

By Stephen Longstreet

Located in Fairlawn, OH

Las Vegas Date Watercolor, c. 1965 Signed lower right (see photo) Titled in pencil upper left (see photo) Condition: Excellent Image/Sheet size: 17 1/2 x 11 3/8 inches Provenance: Jo...

Category