Masami Teraoka

"McDonald's Hamburgers Invading Japan/Self-Portrait", Watercolor, Figurative

1974

"Spiritual Self-Portrait" is a portrait of the artist by the artist. She has presented herself nude gazing boldly and directly at the viewer not so much challenging, but inviting dia...

"Marlowe and the s. o. raincloud" etching and aquatint is a complicated mixture of Native American head dress, notes by the artist, comic super he...

This is one of Stanley's exquisite watercolors of the women he painted: friends, students, family, colleagues, models surrounded by their specific interest, their line of work, their area of expertise. Only upon close inspection can the detail and introspection of the artist in relation to his subject be appreciated. Stanley's work is of the quality that can be enjoyed and lived with forever. These women may be specific, but they are also every woman, strong women, and the care and tenderness with which he has rendered them comes through with great power. Stanley Rosenthal...

SALE ONE WEEK ONLY “Sunday Dinner for a Soldier”, is from Ten Lithographs by Ten Artists and is based on the World War II-era poems of Keith Douglas. It is laid with heavy sarcasm a...

"Wave Series/Tattooed Woman at Sunset Beach" is a unique watercolor by Masami Teraoka. The framed artwork measures 22 1/2 x 17 1/2 x 1 in. “Mere depiction of social and cultural issues is not enough. My work has to create something that goes beyond simple perception. To make a strong statement, art needs timeless aesthetic qualities. These can take any subject matter to a higher level of experience. That is the essence of what I am pursuing.” – Masami Teraoka Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints...

A large and wonderfully detailed lithograph print by Asian/ Japanese American artist Masami Teraoka titled "Namiyo at Hanauma Bay". Teraoka conceived of this image in the 1980s while working on his New Wave series and Hawaii Snorkel series which featured snorkeling pearl divers, based on Utamaro's "Pearl Diver." In this image, the nude geisha...

LOVE FOR A STREET-WALKER Crayon, graphite, pencil on paper. Measurements: (H) 76 x (W) 56 cm. Attractive portrait of an Edo prostitute hurrying through the streets. She wears a black kimono over layers of colored kimono, tucking her hand into the "obi" at her waist. A white scarf is draped over her head, the edge caught between her teeth, and loose wisps of hair framed her face. There is an impressive contrast between the black kimono and the yellow-orange of collars, sleeves and "obi", balancing the composition the pastel pink of the scarf that covers her head. This image is part of the "bijin-ga" series, Pretty Women, drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print "Love for a street-walker" (1795), 37,2 x 24,6 cm. The British Musem. London, UK. The artist reproduces the seal of the censor (Kiwame) and from the original publisher ("Tsutaya", climbing leaf)), between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014). The mesaurements of the drawing are 76 x 56 cm. (29,92 x 22,05 in.), with a painted surface of 67 x 49,5 cm. With his work on the "bijing-ga" series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the family business, away from commercial art galleries. In 2012, a deep interest in oriental art was awakened in him and he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late 19th century. The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...

Bijing-Ga Series XII (Nº 12) Title: Reflective Love. Lovely portrait of a beauty looking over her shoulder. In Reflective Love (from the Utamaro...