Masami Teraoka Furniture

"Wave Series/Tattooed Woman at Sunset Beach" is a unique watercolor by Masami Teraoka. The framed artwork measures 22 1/2 x 17 1/2 x 1 in. “Mere depiction of social and cultural issues is not enough. My work has to create something that goes beyond simple perception. To make a strong statement, art needs timeless aesthetic qualities. These can take any subject matter to a higher level of experience. That is the essence of what I am pursuing.” – Masami Teraoka Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints...

A rare and engaging vintage Masami Teraoka framed exhibition offset lithograph poster titled "Geisha in Bath" from his Waves and Plagues Aids Series Exhibition at the Contemporary Mu...

A wonderful, brightly colored, large exhibition lithograph print by famed Japanese American artist Masami Teraoka titled "Thanatopsis/Contemplations On Death. (Zen Monk and Ascending...

A wonderful lithograph print by famed Japanese American artist Masami Teraoka titled "McDonald's Hamburgers Invading Japan/Geisha and Tattooed Woman" from his series McDonald's Hambu...

Masami Teraoka (American/Japanese, b. 1936) 'Spring Women II' 1980 Single color screenprint on paper Pencil signed verso Edition 13/74 and embossed copyright stamp to lower left 15 x 22 inches, framed: 16.25 x 23.5 inches Provenance: Space Gallery (Los Angeles, CA), Formerly Morphos Gallery, Catherine Clark Gallery...

A large and wonderfully detailed lithograph print by Asian/ Japanese American artist Masami Teraoka titled "Namiyo at Hanauma Bay". Teraoka conceived of this image in the 1980s while working on his New Wave series and Hawaii Snorkel series which featured snorkeling pearl divers, based on Utamaro's "Pearl Diver." In this image, the nude geisha...

A very large and wonderfully detailed screen print by Asian/ Japanese American artist Masami Teraoka titled "New Views of Mt. Fuji: Sinking Pleasure Boat" is based on his original 1976-77 painting by the same name. The print is numbered in pencil at the lower edge (63/75), blind-stamped and dated (1977) at the upper right, sealed by Teraoka with his personal stamps/seals within the image, and likely hand-signed on verso (we have not removed the artwork from the frame but this is most likely the case). The work was printed on Rives BFK paper by Ron McPherson and Julie McPherson, and published by Space Gallery, Los Angeles, CA. Masami Teraoka has had over 70 solo exhibitions and he has twice been honored by the American Academy of Arts and Letters in New York. He has also received two fellowships from the National Endowment for the Arts. His works can be found in collections and museums around the world including: The Fine Arts Museums of San Francisco; the Asian Art Museum of San Francisco; the Smithsonian American Art Museum, Washington D. C.; the Honolulu Museum of Art, Hawaii; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the National Portrait Gallery, Washington D. C.; Tate Modern, London, England; the Queensland Art Gallery/GOMA, Brisbane, Australia; the Gallery of Modern Art, Glasgow, Scotland and the Singapore Art...

"McDonald's Hamburgers Invading Japan" is a delightfully inventive comic self-portrait by the creative genius Masami Teraoka. He has presented himself dressed in the traditional kimono robe and the artwork is in the famous Ukiyo-e style. Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica and sometimes humorous characters. The term ukiyo-e (浮世絵) translates as "picture[s] of the floating world". This delightful watercolor self-portrait, comments on the problematic relationship between the United States and Japan and the Americanization of his country in the work, utilizing subtle pun humor that is the hallmark of Japanese culture. As Teraoka explains, "the character 'maku; means spread, 'donald; means screaming, 'do' and 'han' mean often, and 'Han' also means obnoxious or annoying. 'Burger' sounds like 'Baka' which means stupidity." This work was originally purchased by filmmaker Eric Saarinen...