Archival Paper Figurative Drawings and Watercolors

Woman with Black Gloves is an eloquent charcoal rendering by Guadalajara native Shuta Ruelas. The subject is gazing down and covering her breasts as if we have walked in on a very private moment. This large scale drawing...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series I See Heroes Everywhere. Addressing the theme of her...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series I See Heroes Everywhere. Addressing the theme of her...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childhood summers were spent on a his grandfather’s commercial fishing boat, navigating the waters along the coast of Vancouver Island. Assu would trace their boat’s movement on the navigational charts - comparing the landscape in front of him with its abstract representations in a spiral bound book. His grandfather had no need for these abstracted images of the land and water around him, he could read these places like the back of his hand. As Assu remembers his childhood on the water, the charts’ demarcations become markers of a deeper loss: of land, resources, trade, communication, and kinship between the Liǥwildaʼx̱w, the Kwakwaka’wakw, and the other Pacific coastal...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series I See Heroes Everywhere. Addressing the theme of her...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve. Sonny Assu’s childho...

Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...

"Pink" is an original oil pastel on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured archival custom white frame. The finished framed dimensions ar...

This male nude charcoal drawing is beautifully rendered in splendid detail, down to the individual hairs on his legs. The viewer begs the question of why the subject is here. We are not given answers yet perhaps something lies just beyond the edge of the frame where an unexplained light source illuminates the subject's feet. This large scale drawing...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “My King...

Paper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...

David Becker b. 1937 David H. Becker, painter, printmaker and educator, was born on August 16, 1937 in Milwaukee, Wisconsin. He studied at the Milwaukee State Teachers College, the Layton School of Art between 1956 and 1958, the University of Wisconsin-Milwaukee, and the University of Wisconsin-Madison where he enrolled in the science curriculum. After a chance meeting with Warrington Colescott, department chair of the art department, Becker decided on a career in art and received his BFA degree in 1961. After graduation he served for two years in the US Army and then entered a graduate studies program at the University of Illinois at Urbana-Champaign and earned his MFA in 1965. ------- Becker moved to Detroit after receiving his degree and joined the faculty at Wayne State University where he taught life drawing. In 1985 he left Detroit to join the faculty of the University of Wisconsin-Madison and he retired from teaching in 2006. His first solo exhibition was mounted in 1968. About 1970 Becker turned most of his attention towards printmaking as he could not paint and create prints during the same period of time and was pulled toward printmaking. He stated that he enjoys “putting images together in an unpredictable fashion.” Becker worked slowly and an etching plate could take up to two years to complete and he ultimately only produced thirteen prints. His etchings were included in the Twenty-fourth National Exhibition of Prints at the Library of Congress in 1975; the Third American Biennial of Graphic Arts at the Museo de Arte Moderno in Cali, Columbia in 1976, winning the gold medal; and Brooklyn Museum National Print Exhibition. His work was included in the Ninth British International Print Biennale in Bradford, England in 1986; the 162nd and 165th Annual at the National Academy of Design in 1987 and 1990. Becker was elected an Associate of the National Academy of Design in 1983 and elevated to full Academician in 1991. He received a Visual Artists Fellowship from the National Endowment for the Arts which helped him transition back into painting. He also received the University of Wisconsin Chancellor’s Faculty Development Award in the Creative Arts in 1996 and 1999. He is a member of and exhibited with the Boston Printmakers, Society of American Graphic Artists, and the Philadelphia Print Club. In the late 1990's and early aughts, Becker returned to painting and drawing full time. David H. Becker is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Detroit Institute of Arts Museum, and the Smithsonian Museum of American Art. Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001 Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000 Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

This drawing of a woman wrapped in a cloak has blue tones with subtle red and white color. The drawing mixes loos sketch technique with high detail. This artwork is unframed. Contact the gallery if you require framing. Bruno Surdo Hidden, 2017 charcoal on prepared paper 15h x 10w in 38.10h x 25.40w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section...

"Dogpatch 2011" is an original graphite on paper drawing by Kevin Cyr. The piece ships ready-to-hang in the pictured wood frame and measures 12”h x 18”w. "In a culture in which pe...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, tearing and pasting images from magazines, various lan...

An original realist pastel drawing by American female artist Catherine Koenig.

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

"Cindy Sherman Discovers Instagram" Watercolor, ink, gouache on archival paper 16" x 16.75" (Piece) 21" x 21" x 2" (Framed) 2017 The worlds of fashion, society and pop culture are ...

"Plunge Series, Study VI," is a dynamic and unique charcoal on paper. McArthur captures the movement of an underwater diver taking a plunge perfectly, and the monochromatic palette m...

"Thylacines with Prickly Pear Cacti" is an original watercolor and ink work by Emily White representing the extinct Tasmanian Tiger. The piece ships i...

House of Bernard Founded 1905. Pen and ink. Paris, France. Coats, 1923. French fashion has influenced men and women, kings and queen, rich and poor throughout time. Tumultuo...

Artist: Darrell Fusaro, American (1962 - ) Title: Animal Farm from Grown-Ups Year: circa 1990 Medium: Pastel on Paper, signed l.l. Size: 22 x 30 in. (55.88 x 76.2 cm)

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

Whether obscured by the smoky nightclub lighting or enlivened by the strong color of the Mardi Gras dancers, David Remfry’s life-size watercolors evoke a kaleidoscope of movement. M...

Artist: Byron Goto Title: Portrait of Herb Tauss Year: circa 1975 Medium: Charcoal on Paper, signed Paper Size: 62 x 42 in. (157.48 x 106.68 cm) Frame Size:...

House of Bernard Founded 1905. Watercolor over pencil. Some with gold or silver leaf highlights Paris, France. Coats, 1923. Evening dresses, 1926. French fashion has influe...

Watercolor on archival paper 23 x 17 inches in white-painted custom wood frame with 8ply mat 19 x 13 inches unframed This whimsical, highly stylized watercolor drawing on archival p...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

"Undulating Flowering Ovum" by Hunter Stabler is an original ink and graphite on hand-cut paper mounted to plexiglass piece of artwork. The piece ships in the pictured wood frame an...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

In the series of works called Me(n)tal Perspectives, the visual play of perspective on and behind the surface is emphasized. My works consider such notions as individuality, mass, an...

In the series of works called Me(n)tal Perspectives, the visual play of perspective on and behind the surface is emphasized. My works consider such notions as individuality, mass, an...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Watercolor on archival paper 23 x 17 inches in white-painted custom wood frame with 8ply mat 19 x 13 inches unframed This whimsical watercolor drawing on archival paper was made by the creative duo Nicholas Kahn & Richard Selesnick as part of their series "Madame Lulu's Book of Fate", wherein the artists celebrate the carnivalesque with a cast of peculiar costumed characters. In this illustration, a humble wagon, humorously dubbed a "chariot", is transporting an assortment of theatrical props and trunks. A close look will reveal yet another curiosity: a pair of bare feet supporting and propelling the chariot. A subdued palette of sienna, beige, rose and umber unifies the composition, and the artists' highly stylized approach adds an almost vintage...