Archival Paper Figurative Drawings and Watercolors

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

House of Bernard Founded 1905. Watercolor over pencil. Some with gold or silver leaf highlights Paris, France. Coats, 1923. Evening dresses, 1926. French fashion has influe...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

"Caught" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measur...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...

"Dead King 11 [12th Century Polish Lord]" is an original ink drawing on archival paper by Kate Glasheen measuring 20.75”h x 16.75”w when framed. The piece sh...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

60 x 48 inches black ballpoint pen drawing on cotton Arches paper. Hung with two dark red powder coated aluminum bars. This large, vertical black and white ballpoint pen drawing was made by Linda Newman Boughton in 2011. The dramatic yet modern drawing on strong cotton Arches paper is a depiction of a notorious photograph taken by Mathew Brady of Nimrod Burke, an African American solider who was born into a slavery and went on to fight in the American Civil War as First Sergeant of the 36th Ohio Infantry. The extremely detailed portrait is made solely with black ballpoint pen. Under close inspection one can see the multitude of sweeping and crosshatching lines the artist used to create the portrait. The work is signed in the lower right corner. It is installed with two dark red powder coated aluminum bars so one can suspend the work from a wall without having it framed behind glass. There is a traction strip to grip the paper along the inside of each aluminum bar. About the work: Linda Newman Boughton’s life-sized ballpoint pen drawings of notorious Civil War soldiers...

Charming figurative landscape in a British town, with taxis pulling up to a hotel or apartment building to pick up and drop off passengers by B. Cook (English, 20th Century). Signed ...

Figurative, Polaroid transfer of a young boy in vintage cowboy costume against an orange background PT 25, Made in 1998 Edition 1 of 6 9 x 7 in...

"Faded" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measure...

This is a beautiful and unique charcoal on paper drawing. The Fabriano paper is a high quality watercolour grade set in a custom white wood frame, all archival materials. Scottish ...

Rich rainbow of saturated color in this study of a nude figure by listed California artist M. E. "Mike" Bailey (American, 1943). Signed by the artist, lower right. Presented in a fro...

David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

"Dead King 13 [5th Century Korean Lord]" is an original ink drawing on archival paper by Kate Glasheen measuring 20.75”h x 16.75”w when framed. The piece shi...

"Bask" by Garek is a portrait of an older woman who has truly experienced life. All the moments, both joyous and sorrowful are expressed on her face and worn on her body. Her eyes ...

This black and white figurative drawing "Dead King 17 [10th Century Norwegian Lord]" is an original ink drawing on archival paper by Kate Glasheen measuring 20.75”h x 16.75”w when fr...

"Taxi Driver, June 13th" by Celso Castro-Daza One of a kind Watercolor and ink on and archival paper. Sheet Size: 13.75 in. H x 9.75 in. W 2018 Unframed Drawing on paper is his basi...

"Pedro" by Celso Castro-Daza One of a kind Watercolor and ink on and archival paper. Sheet Size: 13.75 in. H x 9.75 in. W 2018 Unframed Drawing on paper is his basic work tool, som...

Watercolor on paper, signed in the lower right corner, signed verso, in decorative frame, overall 21" x 25".

Patrick Proctor at Le Nid Du Duc, 2018 by Manuel Santelices One of a kind, ink on paper Signed by the artist. Image size: 12 in. H x 9 in. W Unframed ...

This miniature drawing may be displayed on a wall or worn on a chain. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

Duchándome and Pity June 4th, by Celso Castro-Daza From the Duchándome Series Watercolor, ink, and pastel on archival paper. NUDES 2D Overall image size: 19.5 i...

House of Bernard Founded 1905. Watercolor over pencil. Some with gold or silver leaf highlights Paris, France. Coats, 1923. Evening dresses, 1926. French fashion has influe...

A pair of exquisite drawings by American Ashcan School artist Alexander Oscar Levy.

"Jeffrey Deitch Protected by His Angels Warhol and Basquiat" Watercolor, ink, gouache on archival paper 16" x 15.25" (Piece) 21" x 21" x 2" (Framed) 201...

Duchándome May 28th and Duchándose May 27th by Celso Castro-Daza From the Duchándome Series Individual size: 19.5 in. H x 13.75 in. W Overall Size: 19.5 in. H x 27.5 in. W 2018 Unfra...

60 x 48 inches black ballpoint pen drawing on cotton Arches paper. Hung with two dark red powder coated aluminum bars. This large, vertical black and white ballpoint pen drawing was made by Linda Newman Boughton in 2011. The dramatic yet modern drawing on strong cotton Arches paper is a depiction of a notorious photograph taken by Mathew Brady of three Civil War soldiers...

"Saturday Night with Karen Kilimnik and Elizabeth Peyton" Watercolor, ink, gouache on archival paper 16.25" x 16" (Piece) 21" x 21" x 2" (Framed) 2017 The worlds of fashion, societ...

Ragazzo for Boys, Boys, Pride Watercolor, pencil and black ink on archival paper by Celso Castro-Daza One of a kind Individual size: 9.75 in. H x 13.5 Overall size: 9.75 H x 40.50 W ...

An Art Deco gouache painting by American artist Anthony Nelle featuring exquisite details and materials to create a fantastic and enchanting scene.

Titled: For All Intents and Purposes Dual Chamber Confinement Study Plot Plan No. 10615, presenting framed in a natural wood shadowbox frame. This is a finely rendered pen and ink ...

Potentially Materialized Hard Shell Confinement Structure (Plot Plan No. 10618) framed, pen and ink with watercolor, signed on reverse by the artist. Beautifully rendered in ink an...

In the series of works called Me(n)tal Perspectives, the visual play of perspective on and behind the surface is emphasized. My works consider such notions as individuality, mass, an...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

"Some far away speech" is an original ink and watercolor work on paper by Brian Spolans. The piece ships framed as pictured and measures 20.5in x 28.5in. Alternative custom framing...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Debabrata Basu - Survival III - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper Style : Debabrata derives his style and theme by introspecting within himself. The fears of...

Plot Plan No. 170519 Full-Dress Protectionist Pad With Knotted Entrance Strategy This ink and watercolor, work on paper is from Patricia Smith's newly released series: "Shelter in P...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

"Tracey Emin Working" Watercolor, ink, gouache on archival paper 15" x 16" (Piece) 21" x 21" x 2" (Framed) 2017 ---------------------------------------------------------------------...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Designated Problem Area Relocation Lasso (Plot Plan No. 170520 ) framed, with signature on reverse This ink and watercolor, work on paper is from Patricia Smith's newly released ser...

In the series of works called Me(n)tal Perspectives, the visual play of perspective on and behind the surface is emphasized. My works consider such notions as individuality, mass, an...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...

Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...