Stephen Forbes

Passage Study III

2024

Carrowteige I Mixed Media on Board 54.6 x 75.9 cm 21 1/2 x 29 7/8 in "I want to celebrate the subtlety and nuance, the sense of timelessness, strength and fragility, and to convey t...

Casilda Oil on Canvas 39 3/8 x 39 3/8 in 100 x 100 cm "My work involves creating large-scale, abstract paintings that aim to convey my emotions through colour and create a personal ...

Under Your Skin, 2019 Signed Oil on Linen 24 x 24 in 61 x 61 cm "Nigel Cox's sparse scenes pit realistic figures against vague or turbulent backdrops. The solitude exhibited in thes...

Far Horizons Oil on Canvas 39 3/8 x 47 1/4 in 100 x 120 cm "Paul's paintings are abstract and expressionistic his paintings are refreshingly individual and unique. We can see the brushstrokes, the palette knife, and the paint - which, combined with his rich palette, result in stunning semi-abstract paintings." Jo Baring - Curator of the Ingram Collection. UK artist Paul Bennett...

In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

We are all searching for something, sometimes it is right in front of us. Acrylic painting on Watercolour paper. :: Painting :: Abstract :: This piece comes with an official certific...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the human form, whilst port...