Crowd Scene

Edward Quigley Crowd Scene, 1931 Vintage gelatin silver print Artist's stamp on the back of the photograph Frame Included Frame bears labels from: Joel Soroka Gallery, Co Ota House,...

Title: French Impressionist Oil Painting of a Nighttime Crowd Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 2.25 inches (...

A project that documents tourism and commodity culture at The Holy Land Experience Christian Theme Park in Orlando, Florida. Humor and irony are combined within a documentary approac...

Antique Flemish (17th Century) rectangular woven tapestry depicting a tumultuous crowd scene of Greek militia bordered by a dense floral decoration, titled "The Assassination of Alex...

Italian Neo-Classic-style print of a realistically rendered bacchanalian crowd scene depicting a horned figure seated in a pensive position, writing notations at the upper center.

impressionist painting, market scene, village square, church painting, European street scene, crowd scene painting, early 20th century art, figurative impressionism, lively market ar...

Carducci, Carducci painting, night fair painting, fairground painting, funfair painting, amusement park painting, evening promenade, nighttime scene, night scene painting, figures at...

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Home life is a microcosm, a base from which we continue to participate in the broader communal social fabric of society.  The crowd scenes reflect the other end of the spectrum. 

Known for his vibrant Impressionistic crowd scenes, this particular work captures the sharper, more structured side of Adrion’s artistry.

STREET SCENE, NYC Crowd, is an original, hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker.

Fine English School Ink & Watercolor Military Street Scene with Soldiers and Crowd Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on ...

Neveu, celebrated for his lively street scenes and architectural compositions, frequently painted markets across France—sites of daily life filled with vendors, umbrellas, and crowds.

Signed and numbered print, completed at Self Help Graphics in Los Angeles. JOSE LOZANO received his Master of Fine Arts from California State University, Fullerton. His drawings and...

All the individuals depicted are focused on their own worlds, they are sketch-like silhouettes seen from a considerable distance: archetypes almost of crowd scenes. They are always ...

In CITY GROUP, a gathering of women and men crowded together on a city street, their faces looking outward and away, not at each other, posed with bent arms and necks; each appears d...

He was equally at ease with aerial views, landscapes, seascapes and cityscapes, and was a master of crowd scenes. His work as an Official War Artist has never received the attention ...

Artistically, the sheet is a strong example of Georg Philipp Rugendas’ mature battle style, with confident line work, carefully modelled horses, and dense, energetic crowd scenes. Th...

Both prints are engraved in steel, a technique that allows for incredibly fine detail and subtle shading—evident in the rendering of vaulted ceilings, stone tracery, and crowd scenes...

He was equally at ease with aerial views, landscapes, seascapes and cityscapes, and was a master of crowd scenes. His work as an Official War Artist has never received the attention ...

The vibrant colors, lively crowd scene, and expert lithography make this a standout example of French graphic art.

The Venice Carnival cover — a full-color crowd scene of masked figures on the Piazza San Marco — is among the most festive and visually striking covers in the Tout l'Univers run; Ven...

He was particularly admired for his high-angle perspectives and his crowd scenes. The war, during which he was severely wounded, inspired paintings on that theme but did not halt the...

This finely painted painting captures striking views of a busy harbour scene with a crowd of locals in period dress, with sailing boats and a light house in the distance.

The sheet is composed of multiple finely engraved panels, each illustrating a distinct moment: figures canoeing among lotus lakes, a Chinese sampan navigating open water, a lively ev...

Unlike Bellows's celebrated Ashcan scenes filled with crowds, athletic contests, and urban energy, Matinicus is notable for its restraint.

The interior also carries the concluding episode of a 19th century historical adventure strip — a full double-page color sequence set in 1870s France or Italy, with period costumes, ...

A dramatic and animated oil painting of a crowd scene showing the feared, mounted police of Mexico City in action against the students in the demonstrations of October 2nd that prece...

This dynamic early 19th-century composition captures the excitement and spectacle of an English horse race at full speed, with elegantly mounted jockeys charging across the course be...

This atmospheric work by Swiss artist Urs Heinrich Otto Waser (1913-2008) depicts a bustling port scene with crowds queuing for the next ferry crossing.

Interesting long mid-century modern oil on masonite board painting depicting an impressionist style panorama landscape with figures. The busy, intricate scene is typical of his style...

The artist specialised in lively genre scenes populated by crowds, markets, village fairs and festivities, combining his romantic sensibility with a modern pictorial technique inspir...

Unlike the explosive energy characterizing his boxing scenes or urban crowds, this portrait depends upon stability and repose.

The composition is a dense and dynamic collage of images, texts, and documents recounting key moments of the Russian Revolution of 1917 and the rise of the Bolsheviks. Photographs of...

Joan Lowndes in 1963 noted fewer flower pieces and more bustling cityscapes, outdoor activities and scenes with crowds of people in her work and linked her in this way to Pegi Nicol ...

Opening of the Vienna Water Supply – Schwarzenbergplatz Fountain Celebration, 1873 Description: A striking hand-colored engraving depicting the grand public celebration for the Eröf...

Active in the San Francisco Bay Area during the Beat era and of Italian descent, Cucaro often focused on "people-people" paintings, capturing scenes of crowds, street life, coffee sh...

This impressive large-format wood engraving by Daniel Urrabieta Vierge, one of the most innovative Spanish illustrators of the late 19th century, presents a lively open-air concert s...

In the foreground, a bright yellow race car—bearing the number 2—sits alongside a gleaming red American luxury car, while jubilant drivers and photographers crowd the scene. Flashbul...

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.