Tree Figurative Drawings and Watercolors

Beaches in Cap Skiring No.2 is a unique oil pencil on cardboard, glued on wooden frame drawing by contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × 54.7 × 1....

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

Colorful figurative landscape watercolor painting of Columbia, California, showing two men in cowboy hats. By Lillie Eesther (Hillman) Heebner, a Monterey Bay area artist. Signed "L....

Stanislas Warnie (1879-1958), Summer Forest Landscape, 1915. Watercolor, 31.5 cm x 45 cm (passepartout), 50.5 cm x 63.5 cm (frame), signed "S. Warnie" at lower left and dated "1915"....

Sole Tree is an original drawing in pencil on paper realized by an Anonymous artist of the XX century. The State of preservation is very good with the traces of time and some small...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Framed. Katherine Curci began this series of charcoal drawings, premiered in This L...

The Forest is a drawing realized by an anonymous french artist in the 1950s. Watercolor on paper. Good condition.  Poetic and beautiful drawing with harmonious colors.

An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with the Blue Ridge Mountains in the distance. Watercolor on board with...

Fontainebleau #15 is an India ink and salt on paper drawing by the French contemporary artist Yann Bagot, dimensions are 70 × 100 cm (27.6 × 39.4 in). The artwork is signed, sold un...

French Impressionist pastel on paper of a Provençal lunch. Signed bottom right but as yet not deciphered. Presented in a white frame under perspex. A charming, highly colourful and ...

"Where the River Runs" (2024) by Mo Myra is a watercolor painting on paper that depicts a dead tree next to a creek on a stormy day. Mo Myra, born in 1990, is a Connecticut-based ar...

"Meeting Place" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape with tall trees and a river running through it. Mo Myra, born in 1990, is a Connecticut-...

Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and again, later, alone in the stu...

Work : New Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Soft Pastel on ARCHES paper 300Gsm, 100%...

Sole Tree is a drawing realized by Mareal Abougit (1903-1985) in 1974. Pencil, pastel and watercolor on paper. Hand-signed and dated on the lower left. Good conditions with slight...

A charming 19th century view of a figure on the shore of a mountain lake, framed by the foliage of a birch tree. Circle of John Varley (1778-1842) Figure on the shore of a mountain ...

This artwork "Winter Landscape " c.1930 is a watercolor by noted American artist Raphael Senseman, 1870-1966 It is signed at the lower left corner by the artist. The artwork size is ...

Forest is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork has been realized in Ink, Charcoal and Watercolor on paper. Good conditions and ...

The Forest is an Original ink drawing realized by Robert Fonténé. The artwork is in good condition glued on cream-colored cardboard. Hand-signed on th...

Mountains is an original artwork realized in the end of 19th century by Friedrich Paul Nerly. Pencil drawing and watercolor. The artwork is hand signed on the lower left margin. T...

Titled "The remote", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remains unfra...

Trees is an original watercolor drawing, realized by André Roland Brudieux in 1950s. The state of preservation of the artwork is very good and aged. Sheet dimension: 37.5 x 32.5 cm....

Compelling figurative nude with a surrealist feel by Ken Bower (American, 20th-C) a San Francisco Bay area artist. Pastel chalk color on paper created in 1980. Signed “Ken Bower 80' ...

"Fear Not; Only Believe" is an original watercolor and gouache painting by Reginald K. Gee. The artist signed and dated the artwork lower right. It depicts two people walking through...

Art: 19"x 26" Original color lithograph. Signed in pencil in the lower margin. Harold Altman was born in New York City in 1924. He attended the Art S...

Landscape in Lagny is an Original Pastel and Watercolour realized by Paul Alouard-Carny (1884-1961) in 1936. Good condition on a yellowed paper. Hand-signed by the artist on the lo...

Rare and finely painted view of Saint Moritz, watercolor on paper realized by Hans Beatus Wieland between 1890 and 1920. Very good conditions. Wieland was...

Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting trees from pines woods. Artwork's style is sketch-like but realistic ...

"Landscape" is a drawing in watercolor on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is very good. Sheet dimension: 15 x 23.5 cm. The ar...

Autumn is an original is an original drawing in watercolor on cardboard realized by Jean-Raymond Delpech (1916-1988) in 1958. Hand-signed and dated on the lower right. The state of...

Landscape is an original drawing in china ink realized by Eugen Drăguțescu. Hand-signed Good conditions with some stains. The artwork represents a landscape in a well-balanced com...

Landscape is an original drawing in china ink, watercolor and white lead on paper realized by an Anonymous artist of XX century. In good condition with the trace of time. Sheet dimension:19x25 cm. Included a green passepartout...

"Landscape" is an original drawing in watercolor on cardboard, realized in 1942 by Jean Delpech (1916-1988). The state of preservation of the artwork is good with some ripping on l...

"Landscape" is an original drawing in watercolor on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is very good. Sheet dimension: 14.8 x 23.4...

Artist: Arnold Grossman (American, 1923-2016) Title: The Old Factory Year: c.1980 Medium: Watercolor Paper: Watercolor paper Size image: 16 x 21 in...

Artist: Arnold Grossman (American, 1923-2016) Title: Cadillac Corner, Venice CA Year: 1983 Medium: Watercolor Paper: Watercolor paper Size image: 1...

Paper paint color pencil ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Fontainebleau Forest, summer, #24.01 is an India ink and salt on paper drawing by the French contemporary artist Yann Bagot, dimensions are 76 × 56 cm (29.9 × 22 in). The artwork is...

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...

Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting view from woods with . Artwork's style is sketch-like but realistic a...

This artwork "Landscape" is a watercolor on heavy rag paper by noted Arkansas artist Bruce Roy Anderson, 1907-1985. It is signed at the lower left corner ...

Magazine story illustration for “Hero Come Home” by Ruth Burr Sanborn for The Saturday Evening Post, published September 12, 1942, page 24. This sentimental illustration, accompany...

Grand Arbre dans la Sente by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 28 x 38 cm (11 x 15 inches) Signed lower right, Ludovic Rodo Inscribed lower left, Grand A...

Les Jardins de Monte-Carlo by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a ce...

Clarence Holbrook Carter (American, 1904-2000) Snow in the Forest, 1945 Watercolor on paper Signed and dated lower right 19 x 23.75 inches 24 x 29 inches, framed Clarence Holbrook C...

The artwork is in simple black wood frames behind glass. The full signature is on the back of the drawing. Hanna Banaszczyk is a graduate of the Faculty of Painting and Drawing at ...

"Path Forward" (2024) by Mo Myra is a watercolor painting on paper that depicts a snowy pathway going through a calm forest. Mo Myra, born in 1990, is a Connecticut-based artist cel...

Titled "The faraway forest", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remai...

Contemporary acrylic painting on paper by Polish artist Wlodzimierz Karczmarzyk. The title is 'Alhambra gardens in Granada'. Main colors are blue and green. Artwork's style is sketch...

Lloyd was born in Alsager, Cheshire, the son of a policeman who had taken up farming. He had worked on his father's farm until the age of 19, when he too joined the police force. Llo...

This original watercolor painting on paper by Katie DeGroot features a multitude of tree trunks bedecked in blue, brown, and green mosses and fungi against a white background. The ar...

The artwork is in simple white wood frames behind glass. At the right site there is a monogram with date. The full signature is on the back of the drawing. Hanna Banaszczyk is a gr...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Barrage du Vey (Clécy) by H. CLAUDE PISSARRO (b. 1935) Pastel on card 37 x 51 cm (14 ⅝ x 20 ⅛ inches) Signe...

Contemporary watercolor and tempera painting on paper by Polish artist Wlodzimierz Karczmarzyk. The title is 'Above all- pines'. Main colour is green. Artwork's style is sketch-like ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19 x 10.5 inches condition: very good and ready to be enjoyed provenance: the artists atel...

The artwork is in simple black frames behind plexi. The full signature is on the back of the drawing Hanna Banaszczyk is a graduate of the Faculty of Painting and Drawing at the Un...

Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Artwork depicts some kind of a river or different water body with trees reflecting on its surface....

This artwork "Yosemite Falls" c.1970 is a watercolor on paper by American impressionist artist Jane Burnham, 1926-2016. It is signed at the lower right co...