Vertical Landscape Drawings and Watercolors

Jake Lee "Out for Repairs" Original Watercolor C.1987 Original watercolor on paper Dimensions 19" wide x 13" high The distressed period frame is included...

Located in heart of Mayfair, this fine watercolour captures the hustle and bustle of Berkeley Square. Well-presented in a large gilt-effect frame with a wash-line mount. The artist h...

Old town church 2022. Paper/markers, 19.8x19.5 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes...

Early 20th C. Watercolor Portrait of an Elegant Young Woman at Gardens Gate c.1910 Absolutely beautiful watercolor by A.D. Turner. This elegant young woman stands in a country lands...

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Oil based color pencils on Hahnemühle Fine A...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller." V A Hards (British, c. 193...

A fine 19th century watercolour showing figures in the French streets of Rouen. The artist has included many architectural features within the composition, such as a medieval turret and church spire...

Landscape with Figures in the English Countryside Pen, ink and graphite with gray and brown washes on laid watermarked paper, c. 1740 Signed by the artist lower left of image: "Chate...

An original mid-19th-century watercolour by Charlotte Vawser (fl.1837-1875), depicting a landscape view at Virgil's Tomb, Naples. The painting is inscribed to the reverse with the ar...

A bustling street scene outside St Peter's Church in Leuven, Belgium, a Roman Catholic church built in the 15th century in the Brabantine Gothic style. Presented in a substantial dis...

This vintage 1938 ink drawing by Charles Bunnell (1897–1968) captures a stunning scene of a church nestled in the majestic Rocky Mountains of Georgetown, Colorado. Executed in bold black ink on creamy white paper, the piece is signed and dated by the artist in the lower right and titled in the lower left. The image size is 7 ¾ x 5 ¾ inches, and it is framed with archival materials, with outer dimensions measuring 16 ¼ x 14 ½ x 1 ¼ inches. Condition: The drawing is in good vintage condition, with no notable flaws. For a detailed condition report, please contact us directly. Provenance: This artwork comes from the estate of Charles Ragland Bunnell, ensuring its authenticity. About Charles Bunnell: Charles Bunnell was a prominent American artist whose career spanned multiple styles and influences. Born in Kansas City, Missouri, he moved to Colorado Springs around 1915, where he developed a love for art. After serving in World War I, Bunnell studied at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center), where he met his wife, Laura Palmer...

This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...

Alley. 1961. Paper, watercolor, 42x29.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In ...

Montrose Harbour Lock Gates (The Dutch Boat) by Douglas Swan, 1950s Circa Additional information: Medium: Gouache, Ink and Pastel 56.5 x 36.5 cm 22 1/4...

“BY THE BODHI TREE.” WATERCOLOR, PAPER, 40×50 CM. SERIES "MANIFESTATIONS OF DIVINE." In the city of Kalutara, near the majestic Bodhi tree on the island of Sri Lanka, stands the sac...

Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to art and to artists throu...

An interesting late 19th century watercolours study showing an early morning street scene. The artwork has been complete with impressive attention to all architectural details, as we...

Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism Jo Cain (1904 - 2003) Railroad worker 36 ¼ x 27 inches Oil on paper c. 1930s S...

JAMES JOSHUA GUTHRIE (1874-1952) The Sower Signed with monogram l.r., inscribed with title l.c. Watercolour, bodycolour and pen and ink 21 by 15.5 cm., 8 ¼ by 6 in. (frame size 39.5 by 33 cm., 15 ½ by 13 in. Provenanace: Pickford Waller...

Jane Freilicher Untitled I, 1958-59 Signed lower right Charcoal on paper 11 1/2 x 8 3/4 inches Provenance: Tibor de Nagy Gallery, New York Private Collection, New York Jane Freilic...

Art Deco Illustrator Charles Perry Weimer creates a powerfully graphic depiction of a 1930s couple in front of a classic Art Deco building with a...

Landscape watercolor by Allen Tucker of an oak tree. This piece, along with several others, was gifted to Una Brage, a friend of the artist in the 1930s. More about this artist: Allen Tucker, was an architect and painter so influenced by Vincent Van Gogh that he was called "Vincent in America". (Gerdts 291) Robert Henri and Maurice Prendergast were also credited as having an influence on Tucker's brushwork and compositions, the latter decisively. However, as his painting evolved, he did not fit into any tidy slot for description and was known as an individualist not easily categorized in American art history. Tucker was born in Brooklyn in 1866 and graduated from the School of Mines of Columbia University with a degree in architecture and took a job as an architectural draftsman in the architectural firm of McIvaine and Tucker, his fathers business. During that time, he studied painting at the Art Students League with Impressionist John H. Twachtman, but it was not until around 1904, when he was 38, that Tucker became a full-time painter, leaving architecture behind. Many of his early canvases were classically Impressionistic with poplar trees resembling those of Van Gogh and haystacks and corn shocks...

A continental landscape in watercolour showing a church, hidden away in the greenery of lush hills. The artist has signed and dated to the lower left corne...

Milton Glaser creates a brilliant graphic symbolizing a pathway to success and more. Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton ...

Ellen Williams Iris VIII Original Drawing Coloured Pencil on A4 150gsm Paper Image Size: H 29.7cm x W 21cm Signed Sold Unframed This drawing is one in a series of botanical...

An imposing landscape in watercolour showing a river running through a rocky ravine, with meadow either side. The painting has been presented in a gilt frame with beaded strap work a...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Munca...

"Santa Maria della Salute I" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of blue, orange, green and yellow. This piece is 14.5 by 17.75 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Leicester Square, London By Max Panks [2021] original Watercolour on Paper Image size: H:24.5 cm x W:16.5 cm Complete Size of Unframed Work: H:29 cm x W:1...

Steinberg's Holiday Magazine Cover, " The North of Jersey " is similar to his famous New Yorker Cover "View of the World from 9th Avenue”. ...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

American Scene Industrial Modern Lamp Magazine Illustration Mid-Century Antonio Petruccelli (1907 - 1994) Oil Terminal Lamp Magazine, published, c. 1930s. 15 3/4 X 12 inches (image) 18 X 14 inches board Gouache on board Signed lower right unframed BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

An original contemporary graphite drawing by American contemporary female artist Amanda Besl. Diana's Field 2, 2018 Graphite on paper 34 × 24 in 86.4 × 61 cm This work was created ...

"Second Mesa (Hopi Pueblo, Arizona)" is a stunning mixed media artwork by Bert Van Bork (1928-2014), created using watercolor, ink, and charcoal on paper...

A Nestor Fruge watercolor of a French Quarter scene. Born in Bayou Lafourche, Louisiana in 1916, Nestor Hippoyle Fruge spent parts of his painting career ...

Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden, Australi...

Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden, Australia and Germany. He is a member ...

France middle of 19th century A set of 5 drawings Landscapes, farms and ruins Brown ink and brown ink wash on paper, Black ink and black ink wash on paper Dimensions vary : A big fa...

Reflections on St. Martin’s Ln, Charing Cross, London By Max Panks [2021] original Watercolour on Paper Image size: H:24.5 cm x W:16.5 cm Complete Size of...

Aaron Bohrod (1907-1992) Listed Wisconsin WPA American Artist Original Watercolor Painting Hand signed "Load Limit Bridge" Dimensions: 24"x18" inches Aaron Bohrod (1907 – 1992) was an American artist best known for his trompe-l'œil still-life paintings. This one presages Pop Art with its depiction of road signs. Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. He returned to Chicago in 1930 where he painted views of the city and its working class. During the Great Depression, Schwartz became an artist on the Federal Art Project (WPA) payroll painting murals. He was one of the seven WPA artists who contributed to a mural at Riccardo's, Schwartz (Music), Malvin Albright (Sculpture), Ivan Albright (Drama), Aaron Bohrod (Architecture), Rudolph Weisenborn (Literature), Vincent D’Agostino (Painting), and Ric Riccardo (Dance). Many well known Jewish and Immigrant artists worked for the Federal Art's Project (the New Deal) commonly referred to as the WPA, including Berenice Abbott, William Baziotes, William Gropper, Ilya Bolotowsky, Stuart Davis, Adolf Dehn, Ben Shahn and Louis Schanker. In 2002 Chicago philanthropist Seymour H. Persky acquired the murals for his personal collection. He eventually earned a Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' War Art Unit...

Watercolor, Acrylic Painting and Charcoal on paper. Contemporary Painting, Seaside Work Title : Ecueils Artist : Fabien Granet (FR) The work is signed, titled and dated verso. Unique work. Size : H26xW21cm. Museum matting & backing included, framed in a 30x24 cm standard aluminium frame. Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making. Solo exhibitions : 2023 "GRAND ERRE" with Galerie Jean-Louis Ramand, Aix en provence / 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art...

Sandy Litchfield finds the consummate marriage of medium and subject in her latest enchanted landscapes. She narrows her focus to lake scenes, creating an almost palindrome-like comp...

Twilight on the river. Watercolor, paper, 46,5 x 30 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in La...

ALBERT RUTHERSTON, RWS (1881-1953) Rocher St Michel D’Aiguilhe Signed and dated l.l.: Albert R 1914 Watercolour and bodycolour Framed 35.5 by 25 c...

"Whew!" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a man on a motorcycle doing a wheelie on a be...

Title: Historic Miniature Watercolor of Christ Church in Clifton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4.25 inches (h...

Sterndale Bennett Honor 1886-1975 Watercolour artist, born in Watford, she married into the famous family noted for its composers and for its military members. As an army wife she s...

A fantastic industrial drawing dated 1935, which depicts the former Plymouth Motor Company's Powerhouse in Buffalo, NY. Housed in a contemporary frame presentation this unique work ...

Title: Provence Watercolor of Sunlit Village with Bougainvillea & Historic Dome by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: ...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

"Scuola" is a watercolor and ink drawing of a school in Italy featuring hues of blue and red. This piece is 19.5 by 16.25 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

This expressive gouache painting depicts an array of houses surrounded by power lines. The artist Fritz Brunner (1908-1996) uses bold, expressive brushstrokes to capture the scene. W...

Reilly uses a toning technique to endow her graphite works with a smooth, seamless quality. Rather than distinct outlines, her flower petals glide gracefully into the surrounding spa...

The artwork is a 22 x 30 inches, original watercolor painting of a cobblestone passage, adorned by brightly colored, overgrowing flowers. This stunning and charming townscape was painted by Peruvian artist...

"Thomaston, Maine" is a 15 x 13.5 inches, watercolor townscape, signed in the lower left, and framed behind glass. Ranulph Bye was born in 1916 in Princet...

Mill with Masted Ships in a Harbor Original Watercolor Early Watercolor of a coastal Mill with Schooners in a harbor, by an unknown artist. 1890-1915. The image depicts a watercolor...

Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...