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Period: 19th Century
Richard Bankes Harraden, 'First Court, Pembroke College, Cambridge' c.1830
Located in London, GB
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Attributed to Richard Bankes Harraden...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
William Roxby Beverley 'Durham Cathedral from the North East' University
Located in London, GB
To see our other views and maps of England - including London, Durham, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" -...
Category
Victorian 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Anon. Wren Bridge St John's College, Cambridge, c.1875 watercolour
Located in London, GB
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Category
Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Pencil
John Fulleylove 'St John's College Cambridge, The Old Library' 1880 watercolour
Located in London, GB
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John Fulleylove (1845-1908)
The Old Library...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Framed English School Late 19th Century Watercolour - Edgbaston Pool
Located in Corsham, GB
An intricate watercolour painting of fields near Edgbaston Pool with rural folk to the foreground. A male figure can be seen holding a sharp scythe, while the female balances a large...
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Dr William Crotch 1832 Eton College Chapel watercolour Public School Windsor
Located in London, GB
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Dr William Crotch (1775-1847)
Eton College Chapel
13x20cm
Pencil and colour wash
Extensively inscribed to reverse
Dated 10.20am August 1 1832
Provenance: Spink, King Street, London
Composer and organist (a child prodigy, playing the organ of the Chapel Royal at the age of three-and-a-half) Crotch is most famous for probably beint the composter of the Westminster Chimes - struck by Big Ben inter alia. In 1797 he became Heatehr Professor of Music at Oxford University, becoming DMus in 1799. John Malchair, the musician and artist, became a friend whilst he was in Oxford, and so with his guidance Crotch took up sketching. He also took Malchair's habit of recording the date and time of his picture passing this habit to John Constable upon meeting him in London in 1805.
He became first Principal of the Royal Academy of Music...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
John Fulleylove Trinity College Great Court, Cambridge 1890 watercolour
Located in London, GB
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Category
Victorian 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Paysage de la Méditerranée - aquarelle, 39x28cm., encadré
By Emmanuel Costa
Located in Nice, FR
Aquarelle par Emmanuel Costa (1833-1921)
Encadré: 41x55 cm
Emmanuel Louis Costa naît à Menton, de Charles et de Hyacinthe Costa le 25 décembre 1833. Il semblerait que son père, scul...
Category
Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
19th century watercolor of a street scene in Tewkesbury, England
Located in Los Angeles, CA
Framed in wood with museum glass to 9" x 11"
One of the watercolors says
Tweksbury, July (?) 1850
Framed by Commonwealth Print Conservation, Boston in 1988
Very nice watercolor. Par...
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Clay jug on a bench - The essence of the clay jar revealed by the sunlight -
By Hans Richard von Volkmann
Located in Berlin, DE
Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V."
- Minimally tanned. Framed behind glass in a passepartout.
About the artwork
Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year.
And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground.
By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow.
The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month.
About the Artist
Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting.
In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892.
In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...
Category
Naturalistic 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Southern Landscape, Ships, Old Master Drawing, 19th Century, by Von Stengel
Located in Greven, DE
Southern Landscape with View of a Castle and Ships passing by
Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm
Plain black moulding with golden pearl ...
Category
Romantic 19th Century Landscape Drawings and Watercolors
Materials
Paper, Gouache
The Lily Pond, English School 19th Century Watercolour Signed
By Lillian Stannard
Located in London, GB
Lillian Stannard
1877 - 1944
The Lily Pond
Watercolour, signed lower left
Image size: 9 ½ x 13 ½ inches
Contemporary gilt frame
Lillian Stannard was a celebrated painter of En...
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Chinese Craft on the Pearl River.
Located in London, GB
[CHINESE SCHOOL].
Chinese Craft on the Pearl River.
Canton, circa 1810.
A pencil, water colour and body colour drawing of craft, heightened with white on paper watermarked ‘J Whatm...
Category
Naturalistic 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Coastal landscape, 1882
Located in PARIS, FR
Frank Charles Peyraud (1858-1948)
Coastal landscape, 1882
Charcoal and shading on paper
Signed "C. Peyraud", dated "82" and dedicated "à l'ami Baradat" ? lower right
29.5 x 56 cm
Slightly oiled
A French-born artist born in Switzerland in 1858, Frank Charles Peyraud showed an early interest in drawing and painting. He grew up in a rural environment before studying architecture at the Swiss Federal Institute of Technology in Zurich, encouraged by his father. In 1877, he entered the École des Beaux-Arts in Paris. In 1881, Frank Peyraud...
Category
Post-Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Charcoal
$614 Sale Price
20% Off
19th Century Warwickshire Country Cottage Watercolour V Jordan
Located in York, GB
V JORDAN (19th Century) A Warwickshire Cottage, watercolour heightened with white, signed, inscribed mounts, size overall 23 x 19 inches approx. painting 9 1/2" x 13 1/2", The waterc...
Category
English School 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
By Stefano Donadoni (Somasca, BG, 1844 - Rome, 1911), View of the Campidoglio
Located in Milan, IT
Stefano Donadoni (Somasca, BG, 1844 - Rome, 1911)
View of the Capitol from the Forum
Watercolor on paper, 27 x 38 cm
Framed, 53 x 64 cm
Signed lower right
Stefano Donadoni was b...
Category
Other Art Style 19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Giant's Head Farm, Cerne Abbas - 1930s British drawing by Randolph Schwabe
Located in London, GB
RANDOLPH SCHWABE, RWS, NEAC
(1885-1948)
Giant’s Head Farm, Cerne Abbas
Signed with initials, inscribed Giant’s Head Farm, Cerne Abbas and dated 193...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Pencil
Figure by the Sea
Located in Wiscasset, ME
A listed 19th century British artist and Barbizon School painter, Thomas W. Morley's Figure by the Sea captures the color, technique, softness of form and tonal qualities indicative ...
Category
Barbizon School 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Unloading on the beach
Located in PARIS, FR
Théodore GUDIN
Paris 1802 - Boulogne Billancourt 1880
Unloading on the beach
Watercolor on paper
Signed and dated "T Gudin 1827" bottom left
15 x 23 cm sheet 31.5 x 38 cm framed
Bea...
Category
French School 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
View of Dunoon on the Clyde
Located in Hillsborough, NC
Scottish artist Robert Carrick (1829-1904) is renowned for his landscape and figurative paintings in oil and watercolor. This painting features detailed drawings of figures in the foreground with wagon, and the town and scenery in the background, painted over in watercolor in rich raw umber and red-brown tones in the foreground and blue green tones in the background.
Carrick showed promise at a young age, exhibiting his work at the Royal Academy age 16. He was a member of the Royal Institute. This two-toned watercolor work has detailed figures, wagon with hay in the forefront above a view of Dunoon town near Glasgow as it was long ago. Signed by the artist, lower left with an inscription that reads: 'View of Dunoon, Argyllshire drawn by Robert Carrick, Glasgow, for David Allan'. Verso includes a copy of the same inscription.
Saltire Gallerie replaced the cracked and dirty plain glass with art glass and added an acid-free paper behind the work. While doing this work we found an art giclee, included with the painting.
Presented in a patterned wooden frame with art glass. Dunoon was a thriving town on the river at the time of this work, and later became part of Glasgow. The view from above the town is a popular one, as Saltire Gallerie has another view of Dunoon from above by Scottish artist Patrick Downie...
Category
Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Board, Pencil
$1,253 Sale Price
30% Off
Edmond Albert Joseph Tyrel de Poix, Landscape With Pub & Signpost
Located in Cheltenham, GB
This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a timber-framed public house, figures, horses and a leaning signpost.
De ...
Category
English School 19th Century Landscape Drawings and Watercolors
Materials
Pencil, Paper
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro
Located in London, GB
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro (1863-1944)
Watercolour on paper
22.5 x 26 cm (8 ⅞ x 10 ¼ inches)
Signed lower left with monogram
This work is accompanied by a letter of authenticity from Colin Harrison, Senior Curator of European Art at the Ashmolean Museum, Oxford.
Provenance
Mr Ian Robertson
Exhibition
London, Leicester Galleries, Memorial Exhibition of Lucien Pissarro's Work, Part II, 1947, No. 60 (catalogued as La Procession)
Artist biography
Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family.
Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist.
Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group.
Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour.
Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.”
It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...
Category
Post-Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Romantic landscape, View of an imaginary palace by the water, Pastel, Signed
Located in PARIS, FR
Camille ROQUEPLAN
Mallemort 1803 - 1855 Paris
Romantic landscape, View of an imaginary palace on the banks of a river
Pastel on strong paper
Signed lower left
26.5 x 38 cm
38 x...
Category
Romantic 19th Century Landscape Drawings and Watercolors
Materials
Pastel
"The Vagabond, " a Watercolor on Paper signed by W. Forester
By W. Forester
Located in Milwaukee, WI
"The Vagabond" is an original watercolor painting on paper signed in the lower left corner in red with 5/89 by the artist W. Forester. It depicts a large ship on a turbulent sea.
2...
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Landscape with cattle in watercolor
Located in DEVENTER, NL
This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...
Category
Romantic 19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Naturalistic Watercolor European Harbor Scene
Located in Houston, TX
Naturalistic European harbor scene with boats and figures preparing the boats of sailing. The work is signed and dated by the artist in the bottom corner. The paper comes with a blac...
Category
Naturalistic 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
19th century watercolor landscape Italian building architectural scene signed
By Gabrielli Carelli
Located in Milwaukee, WI
"Italian Piazza" is an original watercolor painting attributed to Gabrielli Carelli, an Italian artist. This piece is from the Rothschild Collection...
Category
Old Masters 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Last View of a Great Departure - Original whandsigned watercolor - c. 1899
By Edmond Pellisson
Located in Paris, IDF
Edmond PELLISSON
Last View of a Great Departure, c. 1899
Original watercolor painting
Handsigned bottom right
On vellum 18 x 26 cm (c. 7 x 10.5in)
Excell...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Windsor Castle and Eton College with Punting Scholars, 19th Century drawing
Located in London, GB
S.R.E
Windsor Castle and Eton College with a Punt of Scholars Beforehand
Pencil drawing
25 x 42 cm
Signed and dated to the bottom right.
Nineteenth-century pencil drawing of Wind...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Pencil
Landscape by Moonlight, Waterfall, Monthelier, French Romantic Art, Christmas
Located in Greven, DE
Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...
Category
Romantic 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Handmade Paper
El Patio de los Naranjos, Sevilla
Located in Madrid, ES
JAMES UWINS
EL PATIO DE LOS NARANJOS, SEVILLA
titled, located, signed and dated "La Giralda Sevilla. / James Uwins 1882" (lower right)
watercolor on paper on wood panel
37 x 29 inche...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Fernando De Noronha, Brazil.
Located in Douglas, Isle of Man
French School picture circa 1790-1810, the landscape depicts a group of fishermen and appear to be preparing for the journey out to sea, there are fishing boats with nets suggesting ...
Category
19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Apparition des Premiers Habitants by Lucien Pissarro
Located in London, GB
Apparition des Premiers Habitants by Lucien Pissarro
Watercolour on paper
23 x 26.5 cm (9 x 10 ⅜ inches)
Signed with monogram, lower right
Executed mid 1880s – 1890
This work is ac...
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Shady hollow way - Into the heart of the forest -
By Hans Dvoràk
Located in Berlin, DE
Hans Dvořák (19th century). Shady hollow way in a sunny forest. Watercolour and pen-and-ink drawing, 58.5 x 43 cm (visible size), 70 x 55.5 cm (frame), signed and dated "Hans Dvořák ...
Category
Realist 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
$1,323 Sale Price
20% Off
The Man With Turban - Drawing - 1970s
Located in Roma, IT
The Man With Turban is an original drawing in black ink, realized by an Anonymous artist in the 1970s.
Hand-signed on the rear, illegible.
Good condi...
Category
Modern 19th Century Landscape Drawings and Watercolors
Materials
Paper, Ink
Village - Drawing by Nishimura Nantei - Early 19th Century
Located in Roma, IT
Village is a Black Ink Drawing attributed to Nishimura Nantei in the Early 19th Century.
Good conditions.
The artwork is depicted through soft strokes in a well-balanced composition.
Category
Modern 19th Century Landscape Drawings and Watercolors
Materials
Ink
Sydney T. C. Weeks (1878-1945) - Watercolour, Crowds at the Cathedral Market
Located in Corsham, GB
Original watercolour by the listed artist Sydney Thomas Ch. Weeks (1878-1945). A busy market scene before a cathedral. Presented in a gilt-effect frame. Signed and dated. On paper.
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
19th Century Watercolour - View of the Double Rainbow
Located in Corsham, GB
Unsigned. Well presented in a swept gilt frame with foliate corner ornamentation. On paper.
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
$361 Sale Price
20% Off
Meadow Bloom
Located in Como, IT
John Sottocornola (1855 - 1917)
Meadow Bloom
Pastels on paper in gilded frame
Size: 30x45 cm (53x68 cm including frame)
Late 19th century
Giovanni Sottocornola was born in Milan on...
Category
19th Century Landscape Drawings and Watercolors
Materials
Paper, Pastel
Canal in Venice
Located in Como, IT
Andrea Biondetti (1851-1946)
Canal in Venice
Watercolor painting on paper
Size: 24x15 cm (48x39 cm including the frame)
Last Quarter 19th Century
Signed lower right
The painting wa...
Category
19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Frederick E. Valter (1860-1930) - Framed Watercolour, Livestock in a Landscape
Located in Corsham, GB
A particularly fine watercolour by the listed British artist Frederick E Valter. Presented in a simple gilt frame with card mount. Signed to the lower right. On paper.
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
The Cityscape of Ardenza, Livorno - Original Pencil Drawing - 1870
Located in Roma, IT
The cityscape of Ardenza, Livorno is an original drawing in pencil on paper realized in 1870 by an Anonymous artist of the 19th century.
Titled and dated at the top center.
The st...
Category
Naturalistic 19th Century Landscape Drawings and Watercolors
Materials
Pencil
Man in Nature - Original Drawing by Ferdinand Lemud - 19th Century
Located in Roma, IT
Man in nature is an original drawing in black point on paper, realized by Ferdinand Lemud.
Good conditions except for minor cosmetic wear. Image Dimensions: 9.7 x 6.8 cm
This artwo...
Category
Modern 19th Century Landscape Drawings and Watercolors
Materials
Paper
A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER
By Harry Fenn
Located in Portland, ME
Fenn, Harry. A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER. Ink and wash, 1896. Two drawings, the original artwork for illustrations accompanying "Glimpses of Venzuela," an article by W. Nephew King published in Century Magazine, July, 1896, pp. 358-368. Each about 9 x 11 inches, in very good condition, and framed. King is best known for his writings about the Spanish-American War of 1898. Harry Fenn, 1845-1911, was born in England, but worked in the United States. He was a painter, and printmaker, but is known primarily as a book and magazine illustrator. He illustrated books of poetry for John Greenleaf Whittier, and in 1870 was hired to do illustrations for Picturesque America, which was edited by William Cullen Bryant...
Category
19th Century Landscape Drawings and Watercolors
Materials
Acrylic Polymer, Ink
In The Country Side - Original Pencil by Brissot de Warville - 19th Century
Located in Roma, IT
"In The Country Side" is an original pencil drawing on ivory-colorated paper by Brissot de Warville (1818, Vernon - 1892, Wersailles)
In excellent conditions: As good as new.
Sheet ...
Category
Modern 19th Century Landscape Drawings and Watercolors
Materials
Pencil
Fortified Palace - Drawing in Pen - Late 19th Century
Located in Roma, IT
Fortified Palace is a drawing in pen realized by an Anonymous artist of the late XIX century.
Sheet dimension: 37 x 47 cm.
The state of preservation is good.
The artwork presents ...
Category
19th Century Landscape Drawings and Watercolors
Materials
Pen
Alpine Landscape - White Chalk on Brown Paper by M.H. Yvert - Late 1800
Located in Roma, IT
Alpine Landscape is an original artwork realized in the second half of the XIX century by Marie Hector Yvert.
Original pencil and white chalk on brown pap...
Category
Modern 19th Century Landscape Drawings and Watercolors
Materials
Chalk
Arques - Pencil Drawing by Paul Louis Aleandre Wallet
Located in Roma, IT
Arques is an original artwork realized by paul Louis Alexandre Wallet in 1861. Pencil on paper.
Hand-signed by the artist on the lower left; monogramed, titled and dated by the artis...
Category
19th Century Landscape Drawings and Watercolors
Materials
Pencil
French figurative landscape drawing religious architecture of the 19th century
Located in Florence, IT
This small drawing (pencil on paper, 23 x 19 cm) made on paper cut out in the shape of a lunette depicts a view from the apsidal part of the Benedictine abbey church "Saint Ouen Rou...
Category
Other Art Style 19th Century Landscape Drawings and Watercolors
Materials
Paper, Pencil
by Ambrogio Seveso, The Tombs of the Cathedral
Located in Milan, IT
Arch. Ambrose Seveso, 19th Century
Tombs of the Cathedral, 1860
Watercolor on cardboard, 23.5 x 33.5 cm
Signed lower right
On the reverse side stamp and inscription
The item i...
Category
Other Art Style 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Cardboard
Cairo
Located in Bryn Mawr, PA
Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Alber...
Category
Other Art Style 19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
French Late 19th Century Watercolour - Ambient Street with Figures
Located in Corsham, GB
French street scene in watercolours. Mounted in a simple gilt-effect frame. Indistinctly initialled. On paper.
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
$328 Sale Price
20% Off
L. Drayton - 19th Century Watercolour, Shepherd & His Sheep
Located in Corsham, GB
Scenic landscape with shepherd tending to his sheep. Initialled to the lower right. On watercolour.
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
$249 Sale Price
20% Off
Rafael Senet y Perez, Doge's Palace, Venice
Located in Milan, IT
Rafael Senet y Pérez (Seville 1856 - Madrid 1926)
Venice, Doges Palace
watercolor on cardboard, 35 x 50 cm
Signed lower left: Rafael Pérez y Senet
The work, a view of the Doge's ...
Category
Other Art Style 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Jean-Marie Oscar Gue (1809-1877) - 1832 Watercolour, Busy Town Scene
Located in Corsham, GB
Presented in a gilt effect frame. Signed and dated. On paper.
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
$600 Sale Price
20% Off
Follower of Joseph Schranz (1803-c.1866) - Watercolour, View of the Mountain
Located in Corsham, GB
A charming landscape scene in the style of German artist Joseph Schranz (1803-c.1866). The study looks over a sweeping landscape with snow covered mountains to the distance. Unsigned...
Category
19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Gotthardt Kuehl Rathausplatz Bremen Pastel
Located in Astoria, NY
Gotthardt Johann Kuehl (German, 1850-1915), "Rathausplatz, Bremen", Pastel on Paper, signed and titled lower left, wood frame. Image: 19" H x 18" W; frame: 24.5" H x 23.5" W. Provena...
Category
Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Paper, Pastel
On the Hudson Looking North
Located in New York, NY
Signed and dated lower left: J. W. Hill / 1867; on verso: On The Hudson – Looking North
Category
Hudson River School 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Pencil
View Of The Admiralty Of The Port Of Algiers, Large Watercolor Triptych
Located in PARIS, FR
Alphonse REY
Avignon 1864 - Nice 1938
View of the Admiralty of the port of Algiers
Triptych of watercolors
Signed lower right (each)
35 x 124 cm
Very good condition.
Painter, water...
Category
French School 19th Century Landscape Drawings and Watercolors
Materials
Watercolor
Late 19th Century Swiss Farm Scene Landscape
Located in Soquel, CA
Stunning late 19th century landscape watercolor painting of a farm scene by an unknown artist. Presented in a giltwood frame. Image size, 16"H x 20"L.
Category
Impressionist 19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
