20th Century Landscape Drawings and Watercolors

Work on paper by Isaac Charles Goetz

This artwork "Landscape with Trees" 1909 is a watercolor on paper by noted American artist Frederick Leo Hunter, 1858-1943 It is signed and dated at the lower right corner by the artist. The artwork size is 9.5 x 14 inches, framed is 18.5 x 22.35 inches. It is framed in a custom wooden gold frame, with gold color spacer and fabric matting. It is in very good condition. About the artist. Frederick Leo Hunter was born in New York City in 1858. He was known for street scene paintings and etchings of...

Villa is an original ink drawing, hand-colored in pastel, on paper realized by Gabriele Galantara, the state of preservation of the artwork is good. On the back of the drawing there...

Dreamy watercolor landscape of a figure heading to the shore to fetch water under a dazzling sky, circa 1910. Original artwork on paper displa...

Warmly hued watercolor landscape of a old church perched atop a rural hillside by French artist R.D. Flament, 1940. Signed lower left and titled and dated lower right. Original art...

Belgium. Antwerp, a Double Sided Painting of a Busy Square by Leonard Machin Rowe (1880-1968) signed and dated lower left on both sides watercolour painting on artist's paper, unframed Image 9.75 x 13.75 inches, sheet 11.x 15 inches Tweo paintings, one on each side of this sheet, by Leon. Rowe. Both sides are signed and dated '50. The scenes are almost idential, with small differences to the figures, so you may choose which version you wish to frame. The Cathedral of our Lady is seen in the background, with a square in the foreground - busy with colourful figures going about their daily business, and some vehicles. Belgium and Luxembourg were two of Rowe's favourite destinations for his painting trips overseas. Often incorporating figures into his work, his style is very similar to Thomas Morley's paintings of French and Belgian market town scenes. Signed front lower right on each side, dated '50. Inscribed as Antwerp. This work forms part of a watercolour collection we currently hold by Rowe. Known as Leon Rowe, the artist was born in central England...

Remarkable and vivid watercolor of the rocky red cliffs of the Esterel overlooking the emerald colored French Riviera coast by French artist Stephane Magnard (1917-2010), 1955. Ori...

Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

JOSEPH PENNELL (1857 - 1926) STREET ACAPULCO 1901-08. Color pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image, 10 x 14 inches to j...

Work on paper by Isaac Charles Goetz

French Landscape by Bernard Labbe (French mid 20th century) original biro on artist paper, unframed stamped verso size: 8.25 x 11.75 inches condition: very good and ready to be enjoy...

This artwork "Landscape with House" is a watercolor by noted California artist Earl Thollander, 1923-2001. It is signed at the lower right corner by th...

Haystacks, Oil on Canvas Board by John Guthrie Spence Smith Additional information: Medium: Oil on Canvas Board 32 x 42 cm 12 5/8 x 16 1/2 in Signed

A fresh and dynamic watercolor showing a view of the eternal rendezvous of rocks and water on California's Northern Pacific coast. Signed lower right "Art Riley" for Arthur Irwin Riley (American, 1911-1998), a listed artist and painted circa 1960. Art Riley first studied at the Art Center School in Los Angeles and, later, with Barse Miller. He exhibited widely and with success from the 1930's through the 1960's and was the recipient of numerous prizes, medals and juried awards. Riley was a long-time member of both the California Water Color Society and the American Watercolor...

Palace in the Park is a beautiful watercolour on cream-colored paper, realized by the artist Pierre Segogne. Hand-signed on the lower right. The state of preservation is good, exce...

Work on paper

William Heath Robinson (British, 1872-1944) East coast sea sketch, circa 1930 Pencil and watercolour 8.1/2 x 12.3/4 in. (21.7 x 32.3 cm.) There is an extensive passage regarding the ...

Raoul DUFY Normandy : Animated Beach and Sailboats in Saint Address Original pencil drawing Signed with the artist's stamp On paper 30 x 42 cm at sight Presented in a golden baguett...

Beautiful watercolor landscape in a palette of deep greens and blues, of a boat pulled up on a lake shore with layered tree lines in the background Signed "E. P. Blackburn" lower ri...

Charming watercolor landscape of an old stone bridge spanning a small reflective creek by Tae, circa 1960. Original one-of-a-kind artwork on paper dis...

Striking watercolor seascape of a rocky inlet circling an island lush with dense foliage by French artist Stephane Magnard, circa 1950. Original one-of-a-kind artwork on paper disp...

Title: Historic Miniature Watercolor of the Theatre Royal in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3.75 inches (width) Condition: Very good and highly presentable Provenance: from a large private collection of this artists work in Bristol, England. Description: This charming watercolor painting by Jack Grunwell captures the Theatre Royal in Bristol, one of the oldest continuously operating theaters in England. Built in 1766, this magnificent Georgian landmark has hosted centuries of performances and remains a cornerstone of British theatre history. Grunwell’s delicate brushwork brings the scene to life, depicting the theatre’s grand façade with its classical columns and intricate architectural details. The lively foreground features horse-drawn carriages and elegantly dressed figures, evoking the atmosphere of a bustling 19th-century theatre...

Impressionist style watercolor of a early evening scene along the canals of Venice, Italy, circa 1990. Signed lower right. Original one-of-a-kind artwork on paper displayed on a w...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 12.5 x 9.5 inches condition: very good and ready to be enjoyed. pro...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 12.5 x 9.5 inches condition: very good and ready to be enjoyed. pro...

This artwork 'Landscape" c.1950, is a watercolor on paper by noted British/Canadian artist Hilda Stewart, 1892-1978. It is signed at the lower right corner by the artist. The artwork...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 9.5 x 12.5 inches condition: very good and ready to be enjoyed. pro...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

Work on Paper by Isaac Charles Goetz

Paris street view. Charcoal drawing. Signed and dated 1928. This drawing is from the best period of this interesting artist. Roger van Gindertael was a...

Early 20th-century watercolor landscape of a water hole beside a monolith under a stormy sky, oasis-like in the arid setting of Monument Rock, Kansas by an unknown artist (American, ...

Wonderful mid-century watercolor seascape of the Carmel coast by California artist John O'Shea (American, 1876-1956), c.1940s. Signed "John O'Shea" lower left corner. Exhibition label on verso from 1993 Carmel Art Association Exhibition, John O'Shea and Friends, with artist name and title "Coastal Scene". Displayed in custom giltwood frame. Image, 18.50"L x 24"W. Provenance: John O'Shea estate; Gerry Byrne Collection; Steven Hawk Gallery Collection; Robert Azensky Fine Art Collection. This piece is listed in the 1993 exhibition catalog, "John O'Shea and Friends" (not pictured) and will be included gratis in purchase. (A note about the catalog: there is a typo in the catalog which in error states the size of the piece is 16" x 20"). Artist Bio: John O’Shea was born in Ireland and immigrated to New York at the age of 16 where he studied at the Adelphi Academy and the Art Students League. O’Shea moved to the Monterey Peninsula circa 1917 where he was busy in the local art community, serving as the President of the Carmel Art Association. O'Shea was a versatile artist painting in oil, watercolor and charcoal, his bold, vibrant paintings...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

Sir Albert Richardson PRA Architectural Study of the Cathedral of Our Lady, Antwerp Watercolour 33 x 20 cm Signed and dated 1963. Sir Albert Edward Richardson (1880–1964) was a d...

Belgium. Gent - A Morning Market by Leonard Machin Rowe (1880-1968) signed and inscribed front lower right corner, inscribed and signed to the back watercolour painting on artist's ...

An original watercolour by Robert Charles Goff (1837-1922). The Portiuncula, a historic chapel in the town of Santa Maria degli Angeli, near Assisi, Italy. Inscribed in pencil to the...

Here for your consideration is a well executed watercolor and gouache painting by the American artist, James Milton Sessions. Signed lower right. Circa 1955. The landscape is of a Novia Scotia pastoral landscape. Here you see horses grazing and two men fishing nearby. The watercolor is in excellent original condition and is beautifully double matted and framed in a thin gold leaf gallery frame in fine condition. Overall framed measurement 16 by 18.25 inches. James Milton Sessions (born September 20, 1882 in Rome, NY) received his initial exposure to art from his mother, who was an accomplished artist. He trained at the Art Institute of Chicago from 1903–1906 and initially supported himself as a wheelsman aboard Great Lakes ships from 1906–1914, later serving in the Illinois Naval Reserve during World War I. He also worked as a commercial illustrator. He was a master watercolorist of marine, sporting, and military World War II scenes. He developed a love of the sea and is probably best known as a painter of marine subjects. Sessions painted images of numerous locations, from the Bahamas to New England's busy fishing harbors, north to the raw fishing grounds of Nova Scotia, and ultimately to the Navajo reservations in New Mexico. Not only do his works document important World War II historical events, they visually portray and convey the spirit of the American fighting forces in both the Pacific and European campaigns, commencing with the bombing of Pearl Harbor, followed by D-Day Europe through to the final phases of the Pacific war, such as Jimmy Doolittle's daylight bombing raids of the Japanese mainland to the unconditional surrender of the Japanese military. The Chicago Tribune newspaper utilized his talents and Sessions is considered to be the greatest "brush reporter" of World War II. His works can be found in Presidential collections, numerous important corporate collections and military establishments throughout the country. Sessions created numerous wartime advertisements. Examples are a 1943 Willys Jeep ad showing the Coast Guard at Guadalcanal, and a Borg-Warner ad in 1945 showing the mass production of radiators and clutches for motorized warfare manufactured in Detroit. His work is highly collectible in the field of Militaria/WWII/1939-1945. In 1962 the New York Graphic Society commissioned him to make four paintings, reproductions of which were distributed as part of the Society's Works of Masters Group. Many of his other paintings have been reproduced over the years, issued as posters and as high quality reprints on watercolor paper. Sessions was married in Chicago, Illinois in 1946 to Chrysanthy G. Deamanthopulos. Although very prolific in the style of John Whorf and Ogden Pleissner...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 15.5 x 21 inches condition: very good and ready to be enjoye...

Interior Scene by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache on artist paper, unframed size: 12 x 9 inches...

Roman Countryside is an original Contemporary artwork realized by Nazareno Gattamelata in the 1970s. Original colored oil pastels on paper. Hand signed by the artist on the lower ...

As Goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the...

Robert Littleford. English ( b.1940 – d.2023 ). Oldham From The Surrounding Hills, 1984. Watercolor. Signed & Dated Upper Left. Image size 14 inches x 21.3 inches ( 35.5cm x 54cm )...

Landscape is a Pastel and Watercolor drawing realized by Pierre Courtois in the 1960s. Hand-signed. The Artwork id represented through strong strokes. Good conditions with slight ...

Abstract Landscape Mid 20th Century Work on Paper Hamptons, NY Drawing Pastel. Signed and dated '62 lower right. 9 x 12 inches (sight) and 15. 1/2 x 18 1/2 inches framed. BIO Robert Dash is known for his Hamptons paintings...

French Buildings by Bernard Labbe (French mid 20th century), signed, stamped verso original watercolour/ gouache painting on paper , overall size: 19.5 x 25.5 inches condition: very...

Bold abstract geometric landscape, an expressive black and white line drawing done in pastel, by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the artist's estate. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

Gaston COPPENS (1909 - 2002) Etretat Cliff, Normandy Original charcoal drawing Signed with the artist stamp on the bottom right of the sheet Stamp of the artist's workshop on the ba...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #2. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...

French Buildings by Bernard Labbe (French mid 20th century), signed, stamped verso original watercolour/ gouache painting on paper , overall size: 19.75 x 16.5 inches condition: ver...

A large, fresh and vibrant watercolour view of Warwick Castle which was painted in 1917. The view is captured in detail by Henry Charles Brewer RI who travelled widely and who exhib...

Annotated with title under the landscape Provenance: James Bakker, Boston James Bergquist, Boston Two images on one sheet: horizontal "Hair Pin" Road; vertical: studies

This artwork "California Landscape with Farm" 1943 is a watercolor on paper by noted California (German/American) artist Ernst Stolz, 1901-1989. It is signed and dated at the lower r...

Nude figure by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper board, unframed size: 9.75 x 12.75 inches condition: very good and ready...

The Roadside Tavern by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper board, unframed size: 11 x 13.75 inches condition: very good and...

Belgium. Brussels - A Market Lottery Seller by Leonard Machin Rowe (1880-1968) signed, dated and inscribed front lower left corner, inscribed and signed to the back watercolour paint...

André LHOTE (1885-1962) Provence: the shepherds' refuge, c. 1925 Original drawing in brown ink Signed in the bottom right corner On paper 16 x 26 cm at sight Presented in a lacquere...

Landscape with a Village is an original artwork realized in 1939 by Charlotte Jamois in the first half of the 20th century. Watercolor on paper. Hand-signed by the artist on the low...