Water Landscape Drawings and Watercolors

Idealized landscape painting with a waterfall and mountains fading into the distance. The work is signed by the artist in the bottom corner. It is framed in a wooden frame with black...

Serene seascape of sailboats in the harbor by Pacific Northwest Artist Ramona Hammerly (American, 20th Century). Presented in a giltwood fram...

Franco Alessandrini is a world-renowned sculptor and painter who has worked around the globe, but has spent substantial time in New Orleans. His lo...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. James Greig (1861-1941) Magdalen College...

Original watercolor landscape painting of Niagra falls in the winter and in the spring. The pair of paintings are signed by the artist in the bottom corne...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Muncaster (1903-1974) Liverpool Docks Dated 1928 Inscribed to reverse Watercolour 28x37cm Muncaster's watercolours capture the English countryside feel with great competence and feeling. Here he records the docks at Liverpool, a busy scene with splashes of bright paint enlivening the otherwise dull smoky port. Liverpool Claude Grahame Muncaster, RWS, ROI, RBA, SMA was the son of Oliver Hall RA. At the age of fifteen his career as a landscape painter began, and he soon took to the seas, spending the 1920s and 30s travelling the world with his sketchbook in a series of vessels. With the outbreak of war and he joined the RNVR training as a navigator. Having left school at fifteen his mathematics was very weak and it was a relief for all when his artistic talents meant he was recruited as a camofleur. A master of capturing seascapes he was therefore able to hide huge ships ‘in plain sight’ with clever disguises. After the war he painted for the Royal Family and was a frequent guest at Sandringham. Claude Muncaster was a watercolourist known for his landscapes and maritime scenes. He was born Grahame Hall, the son of the Royal Academician Oliver Hall who taught his son to paint from an early age; Grahame first exhibited his work aged 15 and a few years later was showing at the RA. However, he adopted the name Claude Muncaster in 1922 to dissociate his career from that of his father. Muncaster’s primary choice of subject matter came from a genuine love of the sea. He made several long-distance sea voyages, including one around the Horn...

Signed "Lifschitz 85" at lower right The overall dimensions, including the frame, are 26 1/2 x 32 3/8 inches.

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Paris: Pont Alexandre III and Place de la Concorde by Henri Miloch (1898-1979) signed lower right on Place de la Concorde, the other is unsigned watercolour and gouache painting on a...

Joel Fougman is a French artist born in 1948 who lives & works in Néron, Eure-et-Loire, nearby Chartres in France.

Painter and teacher Jesse France was born in Ohio, and lived and painted along the eastern seaboard in New York City, New Haven, CT and on Higgins Beach, Maine. After studying art at...

This artwork "California Coastal Scene with Figures" c.1970 in a watercolor on paper by noted American artist Wayne Carl Lacom, born 1922. It is signed at he lower right corner by the artist. The artwork size is 14.25 x 21.5 inches, framed is 20.35 x 28.75 inches. It is custom framed in original wooden silver brown frame. It is in very good condition. About the artist: Wayne La Com...

Signed lower right, 'Carl Niederer' (American, 1927-2019) and dated 1965; additionally titled, 'Yerba Buena from Telegraph Hill' verso. Carl Niederer f...

William Thon, although born in New York, painted and lived most of his adult life in coastal Maine. Thon studied at the Arts Student League in New York, and exhibited in the 1930s an...

Signed center right, 'Phyllis McDowell' (British, 20th/21st century) with artist business sticker and title, 'Storm-Folkestone Harbour' on backing. An art teacher and artist, Phylll...

Serene watercolor of a stream by an unknown artist named Stow (20th century). Signed "Stow" in the lower right corner. We sourced a group of watercolors by Stow from the Southwest Fl...

This artwork "Vue of Chiloa Bridge, Japan" c.1950 is an watercolor on paper by noted American artist Joseph Morgan Henninger, 1906-1996 It is signed at the lower left corner by the artist. The artwork size is 21 x 28.65 inches, framed is 28.5 x 35.85 inches. Framed in original wooden gold frame, with fabric liner. It is in very good condition. About the artist: Joseph Morgan Henninger (May 15, 1906 – March 7, 1999) was an American artist and illustrator. He was born in Elwood, Indiana and died In Pacific Palisades, California. Joseph Henninger...

Naturalistic European harbor scene with boats and figures preparing the boats of sailing. The work is signed and dated by the artist in the bottom corner. The paper comes with a blac...

"Sailboat" is a maritime watercolor on prepared board by American artist C.S. Jones, signed in the lower right. The watercolor depicts a seascape...

Delightful watercolor seascape of a sweeping view over a rugged cliff off the English coast by artist Tae, circa 1960. Unsigned. Original artwork on pap...

WŁODZIMIERZ KARCZMARZYK (born in 1930) Painter and an architect. He studied at KUL in Lublin, Academy of Fine Arts and University of Technology in Warsaw. Long-term professor of draw...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Fishing Boats in the Harbor with Monterey Wharf Fish Market, Maritime Landscape Highly detailed watercolor of fishing boats in the harbor along a w...

Nicolino Calyo's career reflects a restless spirit of enterprise and adventure. Descended in the line of the Viscontes di Calyo of Calabria, the artist was the son of a Neapolitan army officer. (For a brief biographical sketch of the artist see Philadelphia Museum of Art, Pennsylvania, Philadelphia: Three Centuries of American Art, exhib. cat. [1976], pp. 299-301 no. 257.) Calyo received formal training in art at the Naples Academy. His career took shape amidst the backdrop of the political turbulence of early nineteenth-century Italy, Spain, and France. He fled Naples after choosing the losing side in struggles of 1820-21, and, by 1829, was part of a community of Italian exiles in Malta. This was the keynote of a peripatetic life that saw the artist travel through Europe, to America, to Europe again, and back to America. Paradoxically, Calyo’s stock-in-trade was close observation of people and places, meticulously rendered in the precise topographical tradition of his fellow countrymen, the eighteenth-century vedute painters Antonio Canale (called Canaletto) and Francesco Guardi. In search of artistic opportunity and in pursuit of a living, Calyo left Malta, and, by 1834, was in Baltimore, Maryland. He advertised his skills in the April 16, 1835 edition of the Baltimore American, offering "remarkable views executed from drawings taken on the spot by himself, . . . in which no pains or any resource of his art has been neglected, to render them accurate in every particular" (as quoted in The Art Gallery and The Gallery of the School of Architecture, University of Maryland, College Park, 350 Years of Art & Architecture in Maryland, exhib. cat. [1984], p. 35). Favoring gouache on paper as his medium, Calyo rendered faithful visual images of familiar locales executed with a degree of skill and polish that was second nature for European academically-trained artists. Indeed, it was the search for this graceful fluency that made American artists eager to travel to Europe and that led American patrons to seek out the works of ambitious newcomers. On June 16, 1835, the Baltimore Republican reported that Calyo was on his way north to Philadelphia and New York to paint views of those cities. Calyo arrived in New York, by way of Philadelphia, just in time for the great fire of December 1835, which destroyed much of the downtown business district. He sketched the fire as it burned, producing a series of gouaches that combined his sophisticated European painting style with the truth and urgency of on-the-spot observation. Two of his images were given broad currency when William James Bennett reproduced them in aquatint. The New-York Historical Society owns two large Calyo gouaches of the fire, and two others, formerly in the Middendorf Collection, are now in the collection of Hirschl & Adler Galleries. From 1838 until 1855, Calyo listed himself variously in the New York City directories as a painter, a portrait painter, and as an art instructor, singly, and in partnership with his sons, John (1818-1893) and later, the younger Hannibal (1835-1883). Calyo also attracted notice for a series of scenes and characters from the streets of New York, called Cries of New York. These works, which were later published as prints, participate in a time-honored European genre tradition. Calyo’s New York home became a gathering place for European exiles, including Napoleon III. Between 1847 and 1852 Calyo exhibited scenes from the Mexican War and traveled from Boston to New Orleans with his forty-foot panorama of the Connecticut River. Later, he spent time in Spain as court painter to Queen Maria Christina, the result of his continuing European connections, but he was back in America by 1874, where he remained until his death. The Passaic River rises in the hills just south of Morristown, New Jersey, marking a serpentine eighty-mile course before it empties into Newark Bay. It flows north-northeast to Paterson, where it falls seventy feet in a spectacular cataract before continuing south through Passaic and Newark. William Gerdts, in Painting and Sculpture in New Jersey (1964, pp. 51-2), describes the falls as: the most important [landscape] subject in New Jersey during the eighteenth and nineteenth centuries. . . . The Passaic Falls remained a popular spot, particularly during the romantic period. Indeed, newspapers, periodicals, and gift books contain many accounts of visits to the Falls, sentimental poems written about them or about a loved one visiting the Falls, or even, occasionally, in memory of one who perished in the waters of the Falls — usually intentionally. . . . Waterfalls . . . were popular among travelers in the period and the Passaic Falls were only surpassed by Niagara Falls and Trenton Falls...

Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...

A precise and exact rendering and meticulous spacial arrangement are on full display in Lewandowski's this later work. The work looks better in person. The artwork is in pristine co...

French School; unsigned and painted circa 1950. A mid-twentieth century, Post Impressionist school pastel showing a group of bathers on a river bank. An elegant and accomplished wo...

Gorgeous mid century watercolor seascape of Near Point, at Mansion Overlook, Carmel, California by Margaret Wherry Ziegler (American, 1909-1989), c.1960. Signed "M.W. Ziegler" lower right. Presented in rustic black frame. Image size, 12"H x 22"L. Margaret Zeigler studied art at the Cincinnati Art Academy, Minneapolis Art...

Derek Buckner is represented by George Billis Gallery NYC and LA. Born in 1970, Derek Buckner lives in Brooklyn, NY, with his wife, novelist Joanna Hershon, their twin sons and daug...

Prakash Karmakar - Landscape - 20 X 30 inches (unframed size) Watercolour, Ink on Paper Delivery of shipment in ready to hang condition. Style : Legendary master artist Lt. Prokash ...

This artwork titled "Taking a Rest" is a watercolor on paper by noted California artist Nat Levy 1896-1984. It is signed at the lower right corner by the artist. The artwork size is ...

Painting, 20th century, charcoal drawing "Venice - Venezia" by Paul Kuhfuss Original drawing. Signed and dated. Title "Venezia". Framed, behind glass. Dimensions with frame 65.5cm x 51cm. Age-related condition. For magazines from the publishers Scherl, Mosse, Ullstein, youth (Munich) he worked as an illustrator. In October 1935, he was denounced to the Gestapo by a member of the artist association "Berlin North" for "expressionist impact" and "resistance to Nazi cultural propaganda" and the defense of Jewish colleagues after an exhibition opening in the castle Niederschönhausen. After that, participation in art exhibitions in Berlin was no longer possible. From 1945 he was until January 1960 lecturer at the Volkshochschule Berlin. From 1949 to 1954 he was in charge of the class "Act, Set Design and Costume Design" at the Textile and Clothing School Berlin. From 1912 to 1960 he participated in 173 exhibitions, in particular the Great Berlin Art Exhibitions...

"Sand, Sea & Sky" is an original watercolor painting by David Barnett. The artist signed the piece in the lower right. This piece features a waterscape in teal with brown sand bars and a deep blue sky...

A delicate watercolor landscape showing a panoramic view of Australia's capital city looking towards Sydney Harbor Bridge from this desirable eastern sub...

Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...

Original watercolor on arches paper in the post modernist style. Signed illegibly lower right. In excellent condition; newly matted with 1 inch natural oak frame with UV protective...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...

"Light 2010 #3" is an original graphite drawing on paper by Bill Teeple, signed in pencil in the lower right. This small image of a sunrise over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 2 3/4" x 1 1/2" Frame size: 11" x 14" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

HARRY LESLIE HOFFMAN (1871-1964) Bermuda, c. 1929 Watercolor on heavy paper 11 ½ x 14 ½ inches Estate stamp verso PROVENANCE The artist’s estate Harry Hoffman, born in Cressona, ...

Gouache on paper Signed and dated in pencil, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at Universi...

A substantial watercolor on Arches paper showing a house nestled on a bluff overlooking the variegated blue-grey waters of the Atlantic Ocean. Signed lower right, "L. Sisson" for Laurence Sisson (American, 1928-2015) and dated 2002. Inscribed lower left with dedication to the artist's son, David Sisson. The youngest artist ever to be elected to membership of the American Watercolor...

Alfred Daniels 1924 - 2015 Crews Training at Hammersmith Mixed Media, signed & dated lower left Image size: 56 x 76 cm Original frame

Dynamic and energetic watercolor of waves crashing into coastal rocks by Joe Yeager (American, 20th Century). Signed in the lower right corner by the ar...

Gouache on paper This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After...

"Wolf Lake A-18" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right corner and titled in the lower left, both in pencil. The piece is framed a...

Watercolor on paper, Diptych Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approac...

This artwork titled "California Landscape" c.1990 is a watercolor on paper by noted California artist Arnold A. Grossman, 1923-2016. It is signed ...

Artist: Gillie Cawthorne (English, 1963-) Title: "Beach House" *Signed and dated by Cawthorne lower right Year: 2008 Medium: Original Watercolor on paper F...

Derek Buckner is represented by George Billis Gallery NYC and LA. Born in 1970, Derek Buckner lives in Brooklyn, NY, with his wife, novelist Joanna Hershon, their twin sons and daughter. The artist graduated from LaGuardia High School of Music and Art, as well as Vassar College, The Art Students League of New York and received a B.F.A. from The School of the Art Institute of Chicago. During his career, Buckner has discovered many different themes, but the one to which he has most often returned is the urban landscape. In these paintings, he allows the viewer a distinctive look into his everyday surroundings, often including factory rooftops, bridges and the rapidly changing Gowanus Canal...

Derek Buckner is represented by George Billis Gallery NYC and LA. Born in 1970, Derek Buckner lives in Brooklyn, NY, with his wife, novelist Joanna Hershon, their twin sons and daug...

John Whorf was one of the most accomplished and esteemed watercolorists of the first half of the twentieth century. Creating realist depictions of urban and rural imagery, he worked ...

Frederick Donald Blake RI, RMSI 1908–1997 Gorleston on Sea, Norfolk Gouache, signed lower right Image size: 6 x 16¼ inches (15 x 41 cm) Hand made gilt frame

Derek Buckner is represented by George Billis Gallery NYC and LA. Born in 1970, Derek Buckner lives in Brooklyn, NY, with his wife, novelist Joanna Hershon, their twin sons and daug...

Watercolor on paper

This artwork titled "Oaxaca Coast" c.1990 is a watercolor on paper by noted California artist Arnold A. Grossman, 1923-2016. It is signed at the lower left corner by the artist. The ...

"Water Garden 13" is an original pastel drawing on paper by Victoria Ryan. The artist signed the piece. It features a variety of pond flowers on a shimmering blue pond. The artist is...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this...

"Looks Like a Nice Getaway Spot" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower left. This piece features a surrealisti...