Mixed Media Drawings and Watercolor Paintings

Portrait of Paris is a colorful mixed-media painting on paper, an homage to Greek mythology. Portrait of Paris, 2019 by a.muse is a 15" x 11" brightly colored work on paper: acrylic...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

Cyclone is a unique mixed technique, pigments and charcoal fixed on canvas painting by contemporary artist Franco Salas Borquez, dimensions are 210 × 150 cm (82.7 × 59.1 in). The ar...

Alma is a unique mixed technique, pigments and charcoal fixed on canvas, painting by contemporary artist Franco Salas Borquez, dimensions are 160 × 245 cm (63 × 96.5 in). The artwor...

Jeremy Moon Drawing 73/13 (20/5/73), 1973 Pastel on paper Hand-signed by artist, Signed and dated 20/5/73 in graphite on the lower front; the back of the v...

This watercolor is a wonderful example of of an abstract southwestern landscape. The colors used in this piece evoke the warmth of the desert it depicts, consisting of a wide range o...

Tutto sospeso is a beautiful artwork realized by  Maurizio Gracceva  in the 2021. Ink on paper.  Hand signed by the artist. Title, date, techinique on the back. Author of numerou...

Elizabeth Murray Crossing, 1999 Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum support board Signed and dated in pencil 19 1/2 × 30 × 4 inches Framed: held in acrylic shadow box frame Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum board support, signed and dated in pencil. This mixed media paper construction with hand coloring is housed in an acrylic box shadow frame, part of the "Crossing Series" of 33 works, each entirely unique, published by Gemini G.E.L., Catalogue Reference: Gemini 1776 Provenance: the Family Collection of Harry W. and Mary M. Anderson Artist Biography: Elizabeth Murray (b. 1940, Chicago, IL—d. 2007, Granville, NY) was an artist at the forefront of American painting for five decades and is considered one of the most important postmodern abstract artists of her time. Her drive and determination produced a singularly innovative body of work characterized by a Cubist-informed Minimalism and streetwise Surrealism. Throughout her career, she reveled in the physicality of paint and approached her work through the constructive vocabulary of sculpture, warping, twisting, splintering, and knotting her canvases. In her innovative and deeply imaginative body of work, Murray not only reclaimed the medium of paint as her own but shared personal evocations of birth and death, laughter and confusion, fullness and loss. From an early age, Murray wanted to be an artist—a cartoonist actually. With the support of her high-school art teacher, Elizabeth Stein, Murray enrolled at the School of the Art Institute of Chicago with the aim of becoming a commercial artist. However, she would spend more time learning from the works on view in the museum than in the classroom, gravitating toward the paintings of El Greco, Francisco de Zurbarán, Georges Seurat, Henri Matisse, and Pablo Picasso. Above all, it was the work of Paul Cézanne and Willem de Kooning that fueled her commitment to becoming a painter. After graduating in 1962, she went on to continue her studies at Mills College in Oakland, California. In 1967, she moved to New York City, where she would live and work until her death in 2007. Murray’s works from the 1960s reflect an irreverent embrace of the materiality of paint. Here, the artist experimented with elements of sculpture while maintaining allusions to the figure informed by her long-standing affinity for cartooning. Murray’s childhood love of Walt Disney and comics would underpin many aspects of her art throughout her career. During the 1970s, Murray dismantled—then rebuilt—many of the compositional strategies and theories associated with Minimalism. Using curved lines and complex shapes loosely informed by mathematical ideas, she introduced geometries that transform scale, shape, and form to her thickly painted and layered compositions. In the following decade, Murray introduced three-dimensionality to her canvases, bringing about a complete break from traditional, flat, rectilinear compositions. Muddied, moody, and gestural, the paintings of the 1980s blazed a course of international recognition and notoriety. In these works, interiors, tables, coffee cups, shoes, and other signature themes emerge from skeins of spray paint and graffiti-like markings. During the 1990s, Murray’s works became flatter while retaining a high degree of compositional elaboration and chromatic exuberance. In the final years of her career, the artist offered new visions of her characteristic motifs in vibrantly painted, multipaneled paintings. Throughout her stellar career, Murray was a much sought-after instructor, visiting artist, and lecturer. Appointments include instructor at Rosary Hill College (1965–67), visiting artist at Wayne State University and the School of the Art Institute of Chicago (1973), instructor at Bard College (1974–77), visiting instructor at California Institute of the Arts (1975–76), lecturer at Princeton University (1977), instructor at Yale University (1977–80), instructor at School of Visual Arts in New York (1978–80), lecturer at Skowhegan School of Painting and Sculpture (1979, 1985, and 1992), lecturer at Maryland Institute College of Art (1981), lecturer at New York Studio School of Drawing, Painting and Sculpture (1987), guest curator of Artist’s Choice: Elizabeth Murray at The Museum of Modern Art, New York (1995), visiting professor of studio arts at Bard College (1999–2003), and instructor at Brooklyn College (2003–07). Murray received numerous honors in recognition of her work, including the Walter M. Campana Award from The Art Institute of Chicago (1982), an award from American Academy of Arts and Letters (1984), Medal for Painting from Skowhegan School of Painting and Sculpture (1986), an honorary doctorate from School of the Art Institute of Chicago (1992), induction as an elected member of the American Academy of Arts and Letters, New York (1992), Larry Aldrich Award (1993), an honorary degree from Rhode Island School of Design (1993), MacArthur Fellowship (1999), an honorary doctorate from The New School (2001), National Artist Award from Anderson Ranch Art Center (2002), Distinguished Artist Award for Lifetime Achievement from College Art Association (2007), and an award from CITYarts (2007). Significant public commissions include two New York City Transit mural projects: Blooming (1996) at Lexington Avenue/59th Street and Stream (2001) at 23rd Street/Ely Avenue. Monographic institutional presentations include Elizabeth Murray: Drawings 1980–1986 at Carnegie Mellon University Art Gallery (1986), Elizabeth Murray: Paintings and Drawings at Dallas Museum of Art (1987, traveled to List Visual Arts Center at MIT; Museum of Fine Arts, Boston; Museum of Contemporary Art, Los Angeles; Des Moines Art Center; Walker Art Center; and Whitney Museum of American Art), Elizabeth Murray: New Work at San Francisco Museum of Modern Art (1988), Elizabeth Murray Prints: 1979–1990 at Barbara Krakow Gallery (1990, traveled to Bates College Museum of Art, David Winton Bell Gallery at Brown University, Davison Art Center at Wesleyan University, and Florida Gulf Coast Art Center), Elizabeth Murray: Recent Work at Wexner Center for the Arts at The Ohio State University (1991), Elizabeth Murray at Nerman Museum of Contemporary Art at Johnson County Community College (1993), and Elizabeth Murray: Works on Paper, Virginia Commonwealth University (1998). In 2005, Murray earned the distinction of becoming only the fifth woman to receive a career retrospective at The Museum of Modern Art, New York, following Louise Bourgeois, Lee Krasner, Helen Frankenthaler, and Jackie Winsor...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Abstract White Daisy Flowers on Turquoise Background by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in the ...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Paradise Island, 148x111.5cm, ink, acrylic paint and mixed media on paper, 2013 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Paradise island It truly was paradise on paradise island. No plastic bottles touched these shores, no human hand had exploited the rich minerals and resources of the land, no complicated administrative tasks affected the residents. The birdmen who lived there were united in one common purpose, and that was to wait for The Egg. They waited day and night in a fever of excitement, hours and days and sometimes weeks went past and they did not grow weary, this only increased their anticipation. They stretched their arms to the sky and called for The Egg to bless them by falling. Deep in the hearts of the birdmen was a thing never spoken of and rarely even aknowledged to themselves, a common secret, that when The Egg actually fell it was not as good as the anticipation of it. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel’s hair brush that gives incredible fine lines and was purchased on her travels in India. Born in Hammersmith, London in 1981, Rock knew her destiny was to be an artist. Studying Fine Art Printmaking at The University of Brighton and graduating with First Class Honours in 2004 she went on to do a Masters Degree at The Royal College of Art in London, continuing her studies in printmaking and drawing, graduating in 2008. Her first solo show at Bearspace Gallery in Deptford, London in April 2009 sold out and was the beginning of a career that continues to rise. Rock participated in the first ever India Art Fair represented by Art 1821...

Robert Natkin Lyrical Abstraction for the Sonoma Mission Inn, Sonoma, California, 1990 Acrylic on paper painting with collaged element Signed twice by the ...

Abstract Lilac Turquoise Red Pink & Green Canvas Art by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in the ...

Nam June Paik Untitled, Plate Six from Novecento, 1992 Mixed Media: Color offset lithograph with unique chalk pastel drawing 13 3/10 × 18 inches Edition 104/130 Pencil numbered 104/130, hand signed in pastel chalk on the front Edizioni Carte Segrete, Rome, Italy Excellent condition; held in matting which can be easily removed The matting measures 18" x 21" This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche. This is one of the editions which bears unique hand coloring with pastel chalk. A comparable work sold at auction in 2015 for US $12,583. (see details below): Nam June Paik Title Novecento Description Nam June PAI K Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo Medium pastel Year of Work 1992 Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm. Misc. Signed Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090] Design Sold For 11,057 EUR Hammer (12,583 USD) Nam June Paik Biography Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume. In 1964 Paik traveled to the US. He quickly settled in New York and became a leading innovator among an emerging generation of artists seeking new modes of artistic expression and distribution. That same year, Paik collaborated with Shuya Abe to create Robot K-456 (1964), a remote controlled robot that played audiotaped speeches by John F. Kennedy and defecated beans in Paik's Robot Opera (1964). In the interactive work Magnet TV (1965), Paik invited viewers to modify the television's output into swerving abstract lines through the movement of a magnet over the TV. In 1967 Paik and frequent collaborator Charlotte Moorman were arrested when Moorman performed Paik's Opera Sextronique (1967), a striptease as she played the cello at the Filmmakers' Cinematheque in New York. Paik's TV Bra for Living Sculpture (1969), which Moorman wore in performances, featured two television tubes...

Espandersi is a beautiful artwork realized by  Maurizio Gracceva   in the 2023. Colored mixed media on paper.  Hand signed by the artist. Title, date, techinique and sign on the b...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Abstract White & Turquoise Flowers on Pink Background by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in a h...

"Abstract 62," is a contemporary Abstract painting by San Jose-based artist Helen Bellaver. In this work, Helen layers a medium onto her paper to create a subtle texture, which she t...

Jene Highstein Untitled, 1982 Pastel and Chalk on Paper Hand signed and dated by artist on the front 32 × 40 inches Frame included Original hand signed pastel and chalk drawing, with...

Affiorare is a beautiful artwork realized by  Maurizio Gracceva in the 2023. Colored mixed media on paper.  Hand signed by the artist. Title, date, techinique and sign on the back...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...

WILLIAM T. WILEY Victory at See, 2001 Watercolor, Graphite and Hand Coloring Signed, titled and dated on the front Unframed (ships flat) A fantastic unique work on paper by the lege...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and that that you decide to follow. Shipping: Please note this artwork will be shipped in a professional, wide art tube and will be sent rolled. The cost for shipping will therefore be considerably cheaper than that quoted Artwork Details: Isabel Rock, The Dancing Horse of the Day, mixed media on archival paper , 153cm x 122cm, unframed, 2013 The Long Story of the Dancing Horse of the Day In Rock's own words, 'With seven long strides I traversed a might ocean, the salt spray dried my throat and crusted my lips with crystals. With eight huge hops I vaulted a vast desert of sand dunes, hot sand blew in my eyes, blocked my nostrils and burnt my hooves. With nine large leaps I scaled a stone wall that stretched to the skies, the cold grey lumps seemed to penetrate my heart with their silent indifference. I had come to dance before the Queen who had heard rumours of my beauty. I knelt before her in the great long throne room. 'Your majesty,' I said, 'I will dance for you but you must know that this comes with a price. How great the price will be I cannot tell, it will depend on your deepest heart.' 'Dance,' she commanded, 'I care not for such things. There is no price, I am the Queen.' So I tapped my hooves and jiggled my legs, I tossed my mane and I shook my head. I danced and I danced. My body shimmered and shone, radiant in the light of the chandeliers. As I danced a rumble began, it got louder and louder as the walls of the castle crumbled and fell around me. I carried on dancing until nothing was left and the Queen was nowhere to be seen. I assumed she was crushed under the rocks, but I had given her fair warning...

Larry Zox (1937-2006) was a central figure in the evolution of 20th century abstraction in America. Raised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went o...

Figurative abstract collage with goats and other media layered to form an interesting visual texture by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Pres...

Astract composition is an artwork realized by Paolo Pasotto in 1986.  50 x 35 cm. Hand signed bottom right.  Mixed techinique on paper. Good conditions!

Original mixed media on paper. Center square is gold and reflects light in prismatic pattern. Hand signed by the artist. Artwork is in excellent condition. Certificate of authentic...

"Grant Me Speed" is a contemporary abstraction with mixed media such as textile by artist Vivian Liddell. This is one of her smaller and more simplistic compositions but an impactful...

Margie Hughto Orchid & Red, 1983 Dyed Handmade paper Hand signed and dated by the artist on the lower right front. Titled on the back. Unique Frame Inclu...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Senza Titolo 2 Mixed Media on Paper behind Glass Without Title Mythology In Stock - Size 32 x 40 cm. Size with Frame: 51 x 61 cm Giovanni Tommasi Ferroni (1967, Rome) descended from...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Eva Magill-Oliver is a visual artist creating delicate, meditative collages, drawings, and paintings that reflect and explore different elements of the natural world. Currently living and working in Greenville, South Carolina, Magill-Oliver received her B.F.A. from the University of Georgia in Athens. She worked as an in-house artist and designer at a publishing company in Atlanta before pursuing a career as an independent artist. She is the author of Paint Alchemy: Exploring Process-Driven Techniques through Design, Pattern, Color, Abstraction, Acrylic, and Mixed Media, published by Quarry Books in 2018. While she has worked primarily on paper over the past several years, Magill-Olliver has recently expanded her work to include mixed media abstract paintings on canvas. In March 2019, Nike announced its partnership with Magill-Oliver, whose artwork was chosen to be featured on a new collection of running apparel and accessories for women. She intends for this collection to connect runners with the environment around them. The result is a dynamic collection of printed...

Aprender a caminar y salir del pozo gravitacional. #3 by Ivan Castiblanco From the series aprender a caminar y salir del pozo gravitacional Mixed media on paper book Image size: 93 H...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Susan Brown " Late Night Arrivals, St Pancras, London" is a framed watercolour and mixed media art work. Susan Brown depicts a snowy night, with St Pancras in the background glowing ...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Marine Landscape is a beautiful original mixed media, ink and watercolor on paper, realized in 1960s by the Italian artist Enrico Paulucci. Hand Signed in pencil on the lower right ...

Abstract Lilac Turquoise Red Pink & Green Canvas Art by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in a hi...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Eva Magill-Oliver is a visual artist creating delicate, meditative collages, drawings, and paintings that reflect and explore different elements of the natural world. Currently living and working in Greenville, South Carolina, Magill-Oliver received her B.F.A. from the University of Georgia in Athens. She worked as an in-house artist and designer at a publishing company in Atlanta before pursuing a career as an independent artist. She is the author of Paint Alchemy: Exploring Process-Driven Techniques through Design, Pattern, Color, Abstraction, Acrylic, and Mixed Media, published by Quarry Books in 2018. While she has worked primarily on paper over the past several years, Magill-Olliver has recently expanded her work to include mixed media abstract paintings on canvas. In March 2019, Nike announced its partnership with Magill-Oliver, whose artwork was chosen to be featured on a new collection of running apparel and accessories for women. She intends for this collection to connect runners with the environment around them. The result is a dynamic collection of printed...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as ...

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1986 Medium: Acrylic and Mixed Media on Paper, signed and dated l.r. Size: 40 x 30 inches

Original mixed media on paper. Center square is silver and reflects light in prismatic pattern. Hand signed by the artist. Artwork is in excellent condition. Certificate of authent...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Mixed media on handmade paper Framed 28 x 22 x 3 cm Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since child...

Mixed media on handmade paper Framed, 28 x 22 x 3 cm Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since chil...

'Ribbons in the Wind'. Original Artwork. Framed ready to hang _________________ Reeds dance in the morning light, momentarily casting shadows on tide and weather softened stones. Exp...

Walter Darby Bannard Ammersee #2, 1975 Watercolor and acrylic painting on paper Signed, titled and dated lower recto This is a unique work Frame included: elegantly floated and frame...

'Raven's Feast'. Original Artwork. Framed ready to hang _________________ Winter has cast Upon lichened stones, Like driftwood, The whale's bones: The raven's feast Exploring the fl...

Abstract composition is an artwork realized by Paolo Pasotto in 1996.  50 x 35 cm. Hand signed on both short sides. Mixed techinique on paper. Good conditions. 

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Contemporary with Jean Cocteau, Miro, René Magritte, Marc Chagall, Pierre Alechinsky, Karel Appel, Paul Delvaux, Alberto Magnelli etc ... In his drawings there is a great aesthetic sobriety. Individual exhibition at the Galerie Sisley (Brussels) in 1958, gallery La Proue in 1960, La Galerie 081 in 1977 beside Marc Chagall, Pierre Alechinsky, Karel Appel, Fini, Spiliaert, Yvaral etc. This abstract piece was created using...

John Bolam was born in 1922 in Amersham, Buckinghamshire. He originally studied painting at Hornsey School of Art and furniture design at High Wycombe School of Art. He subsequently ...