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Ward Lockwood Art

1894-1963

Born in Kansas, Ward Lockwood studied at the University of Kansas from 1912–14. Following that, he attended the Pennsylvania Academy of the Fine Arts until 1916. Like many other artists at the time, he took a brief hiatus from his studies to begin a two-year enlistment in the Army during World War I. His time in the service allowed him to experience European cultures first hand. Lockwood was deeply impacted in France by the works of artists Paul Cezanne and Vincent Van Gogh. In 1921, after his release from the service, he returned to Paris to study at the Académie Ranson. In Paris, he met fellow Kansan, Kenneth Adams. The two artists then traveled the French countryside, practising their craft. In 1922, Lockwood's fascination with French culture was satiated as he returned to Kansas to work as a commercial artist.

By 1926, Lockwood had married Clyde Bonebrake. The newlyweds quickly settled in Taos, New Mexico, due to the encouragement of Kenneth Adams. Lockwood soon established himself as a member of the Taos Society of Artists. To generate greater financial stability, Lockwood did a variety of murals for the Federal Arts Project and went on to teach at the Broadmoor Academy in Colorado Springs. At this time, he taught painting and lithography and worked on Works Progress Administration murals with his mentor, Andrew Dasburg. In 1938, due to his continuous development as an artist and professor, he was awarded the chair of the department of art at the University of Texas in Austin. During the 1950s, he taught at the University of California at Berkeley and the University of Kansas at Lawrence. In 1940, he moved to San Francisco and experimented with abstraction and assemblage but was again in the Army during World War II, advancing to the rank of colonel. After he completed his time in the service, he returned to California where he resumed teaching. Although he was highly involved in the art circles of California, Lockwood made frequent trips to Taos and finally settled there in his later years.

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Artist: Ward Lockwood
Ward Lockwood “Web” 1950s Abstract Mixed Media Painting, Taos Modernist
Ward Lockwood “Web” 1950s Abstract Mixed Media Painting, Taos Modernist

Ward Lockwood “Web” 1950s Abstract Mixed Media Painting, Taos Modernist

By Ward Lockwood

Located in Denver, CO

“Web” is an original 1950s abstract mixed media painting by important American modernist and New Mexico artist Ward Lockwood (1894–1963). Signed by the artist at the lower right, the composition combines casein and India ink in a sophisticated palette of brown, blue, white, and black. Interwoven lines, organic forms, and layered shapes create a dynamic, web-like structure that reflects Lockwood’s interest in abstraction, experimentation, and modernist design. Lockwood’s work bridges the traditions of American Regionalism, Taos Modernism, and postwar abstraction. His experience in Europe, exposure to Paul Cézanne and Vincent van Gogh, and later involvement with the Taos art community and Federal Art Project helped shape a career defined by continual artistic exploration. The painting is presented in a substantial custom frame, making it an excellent statement piece for a modern, contemporary, or Southwestern interior. It is particularly appealing to collectors seeking historically significant American modernist painting associated with Taos and New Mexico. Frame Dimensions: 29 ¾ x 23 x 2 inches Image Size: 26 x 20 inches About the Artist Born in Kansas in 1894, Ward Lockwood studied at the University of Kansas and the Pennsylvania Academy of the Fine Arts before serving in the U.S. Army during World War I. His military service brought him to France, where he encountered European modernism and was strongly influenced by Cézanne and van Gogh. He later returned to Paris to study at the Académie Ranson. In 1926, Lockwood settled in Taos, New Mexico, where he became closely associated with the Taos art community and the Taos Society...

Category

1950s Abstract Ward Lockwood Art

Materials

Mixed Media, Casein, Paper, Ink

Ward Lockwood Abstract Gouache on Paper, New Mexico, c. 1960
Ward Lockwood Abstract Gouache on Paper, New Mexico, c. 1960

Ward Lockwood Abstract Gouache on Paper, New Mexico, c. 1960

By Ward Lockwood

Located in Denver, CO

A striking abstract gouache and ink on paper by acclaimed American modernist Ward Lockwood (1894–1963), created circa 1960 during the artist’s later period. Richly layered in yellow,...

Category

1960s Abstract Expressionist Ward Lockwood Art

Materials

Mixed Media, Ink, Gouache

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2010s Abstract Ward Lockwood Art

Materials

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Untitled (PPR386) - Original Colorful Abstract Mixed Media Artwork on Paper
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Located in Los Angeles, CA

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. 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Category

2010s Abstract Ward Lockwood Art

Materials

Paper, Ink, Mixed Media, Acrylic, Watercolor, Gouache

Untitled (SF64-121)

Sam FrancisUntitled (SF64-121), 1964

$400,000

H 27.56 in W 40.95 in

Untitled (SF64-121)

By Sam Francis

Located in London, GB

Sam Francis Untitled (SF64-121) 1964 Gouache and oil on paper 69.9 x 104.4 cms (27 1/2 x 41 1/8 ins) SF14605 Exhibited: New York, 'Chamberlain/Francis', Van Doren Waxter, July 11- ...

Category

1960s Abstract Expressionist Ward Lockwood Art

Materials

Gouache

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Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism

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Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism Vaclav Vytacil (1892 - 1984) Abstract Construction #2 Caesin on board collage 11 x 13 1/2 th inches S...

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Untitled (#2 Pri-Rain) (SF64-592)

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Sam Francis Untitled (#2 Pri-Rain) (SF64-592) 1964 Gouache on paper 57.2 x 75.6 cms (22 1/2 x 29 3/4 ins) Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins) SF14652 $300,000 Exhibit...

Category

1960s Abstract Expressionist Ward Lockwood Art

Materials

Gouache

Untitled (PPR487) - Original Colorful Warm Tone Abstract Mixed Media Artwork
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By Max Manning

Located in Los Angeles, CA

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

Category

2010s Abstract Ward Lockwood Art

Materials

Paper, Ink, Mixed Media, Acrylic, Watercolor, Gouache

Ward Lockwood art for sale on 1stDibs.

Find a wide variety of authentic Ward Lockwood art available for sale on 1stDibs. You can also browse by medium to find art by Ward Lockwood in lithograph and more. Not every interior allows for large Ward Lockwood art, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the work of Georges Schreiber, Louis Orr, and Joseph Hirsch. Ward Lockwood art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,295 and tops out at $1,295, while the average work can sell for $1,295.

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