English Pre-Raphaelite

Portrait of a Young Woman, Red Chalk and Graphite Sketch, Pre-Raphaelite

Edwin Long 1829 - 1891 Portrait Studies Graphite on paper Image size: 4 x 8 inches (10 x 20.5 cm) Framed Edwin Longsden Long RA (1829-1891, British) wa...

English School Bernard, Self Portrait 1950s Pencil and sepia chalk on paper Image size: 9 1/2 x 13 1/2 inches (24 x 34.3 cm) Handmade contemporary frame This imaginative self-portra...

After Sir Peter Lely 1618 - 1680 Anne Hyde, Duchess of York; King James II Pencil, ink and white chalk on paper, Image size: 10 x 8 inches (25.5 x 20.5 cm) Original frame This work,...

Pencil and coloured chalk on paper, signed bottom right Image size: 9 3/4 x 7 3/4 inches (3.75 x 3 cm) Mounted and framed Provenance Studio sale, Christies 18th May 1863 The Artis...

Raro studio dell'artista Preraffaellita Frederick Sandys,Studio per l’opera Portrait of a Lady,( Anne Simms Reeve of Brancaster Hall, Norfolk) proprie...

This captivating Victorian sanguine chalk portrait drawing of a young girl is by Pre-Raphaelite British artist Edward Robert Hughes. Signed and dated 1896, Hughes depicts in great detail her sweet young face and beautiful dress which appears to almost glow with light. A full length portrait and a really lovely drawing epitomising childhood innocence. The portrait depicts Elaine Blunt and has an inscription from Edward Hughes verso. Signed and dated lower right. Provenance. Colchester estate. Sotheby Lot 283 29th June 1976 Chapman Bros Condition. Sanguine chalk on paper, 28 inches by 20 inches unframed and in good condition. Housed in a glazed oak frame, 37 inches by 29 inches framed and in good condition. Edward Robert Hughes - Not to be confused with Edward Hughes (1832 - 1908), who specialised in portrait painting. Edward Robert Hughes RWS (1851 – 1914) was an English painter who worked prominently in watercolours, but also produced a number of significant oil paintings. He was influenced by his uncle and eminent artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt. Having settled on his career choice, Edward Robert Hughes attended Heatherley's in London to prepare himself for the chance of auditioning for the Royal Academy School. Hughes became a student at the Royal Academy School in 1868. While Pre-Raphaelitism played an influential part in shaping Hughes work, Aestheticism is also seen in his paintings. E.R. Hughes is widely known for his works Midsummer Eve and Night With Her Train of Stars yet he built a career as a portrait painter to the upper classes. In addition to being an accomplished artist himself, E.R. Hughes was also a studio assistant to the elder artist and Pre-Raphaelite Brotherhood founding member William Holman Hunt when Hunt suffered from glaucoma. Two of the paintings that Hughes worked on with Hunt were The Light of the World, which is displayed in St Paul's Cathedral, and The Lady of Shalott, which is exhibited at the Wadsworth Atheneum. On his own he experimented with ambitious techniques and was a perfectionist; he did numerous studies for many of his paintings, some of which turned out to be good enough for exhibition. Hughes held several important offices within the artistic community over his lifetime such as becoming a member of the Art Workers Guild in 1888, and was on their committee from 1895 to 1897. He was elected to Associate Membership of The Royal Water Colour Society (ARWS) on 18 February 1891, and he chose as his diploma work for election to full membership a mystical piece (Oh, What's That in the Hollow?) inspired by a verse by Christina Rossetti entitled Amor Mundi. His painting A Witch was given by the Royal Watercolour Society to King Edward VII and Queen Alexandra to mark the coronation in 1902. In later years Hughes served as the Vice-President of the RWS before leaving in 1903. Throughout his career, E.R. Hughes exhibited his works in several galleries around London: Dudley Gallery, Grosvenor Gallery, New Gallery, The Royal Academy, and toward the end of his career he exhibited with The Royal Society of Painters in Water Colours (RWS). His works can be seen in public collections including Cartwright Hall, Bradford, Cambridge & County Folk Museum, Maidstone Museum & Art Gallery, Bruce Castle...

This captivating Victorian sanguine portrait drawing of a young girl is by Pre-Raphaelite British artist Edward Robert Hughes. The red chalk portrait dated 1885 is of Mildred, her name inscribed upper left. She is seated, hands in lap, her long hair flowing over her shoulders in typical Pre-Raphaelite manner. Great detail has gone into depicting the smocking on her dress and the artist has perfectly captured her sweet innocent nature. Signed and dated lower left. Provenance. Cambridge collection. Condition. Red chalk on paper, image size 22 inches by 18 inches and in good condition. Housed in a complimentary frame and glazed, 28 inches by 24 inches framed and in very good condition. Edward Robert Hughes - Not to be confused with Edward Hughes (1832 - 1908), who specialised in portrait painting. Edward Robert Hughes RWS (1851 – 1914) was an English painter who worked prominently in watercolours, but also produced a number of significant oil paintings. He was influenced by his uncle and eminent artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt. Having settled on his career choice, Edward Robert Hughes attended Heatherley's in London to prepare himself for the chance of auditioning for the Royal Academy School. Hughes became a student at the Royal Academy School in 1868. While Pre-Raphaelitism played an influential part in shaping Hughes work, Aestheticism is also seen in his paintings. E.R.Hughes is widely known for his works Midsummer Eve and Night With Her Train of Stars yet he built a career as a portrait painter to the upper classes. In addition to being an accomplished artist himself, E.R.Hughes was also a studio assistant to the elder artist and Pre-Raphaelite Brotherhood founding member William Holman Hunt when Hunt suffered from glaucoma. Two of the paintings that Hughes worked on with Hunt were The Light of the World, which is displayed in St Paul's Cathedral, and The Lady of Shalott, which is exhibited at the Wadsworth Atheneum. On his own he experimented with ambitious techniques and was a perfectionist; he did numerous studies for many of his paintings, some of which turned out to be good enough for exhibition. Hughes held several important offices within the artistic community over his lifetime such as becoming a member of the Art Workers Guild in 1888, and was on their committee from 1895 to 1897. He was elected to Associate Membership of The Royal Water Colour Society (ARWS) on 18 February 1891, and he chose as his diploma work for election to full membership a mystical piece (Oh, What's That in the Hollow?) inspired by a verse by Christina Rossetti entitled Amor Mundi. His painting A Witch was given by the Royal Watercolour Society to King Edward VII and Queen Alexandra to mark the coronation in 1902. In later years Hughes served as the Vice-President of the RWS before leaving in 1903. Throughout his career, E.R.Hughes exhibited his works in several galleries around London: Dudley Gallery, Grosvenor Gallery, New Gallery, The Royal Academy, and toward the end of his career he exhibited with The Royal Society of Painters in Water Colours (RWS). His works can be seen in public collections including Cartwright Hall, Bradford, Cambridge & County Folk Museum, Maidstone Museum & Art Gallery, Bruce Castle...

FREDERIC JAMES SHIELDS, ARWS (1833-1911) Ellen, A Greek Model Signed and indistinctly inscribed with the name of the sitter on the reverse Chalks 37 by 28.5 cm., 14 ½ by 11 ¼ in. (frame size 63.5 by 54.5 cm., 25 by 21 ½ in.) Provenance: The Artist’s estate; Private collection. Shields was born in Hartlepool and brought up in extreme poverty with most of his family succumbing to TB. Employed by a commercial engraver he studied at evening classes in London and then in Manchester, where he settled in 1848. He was greatly impressed by the works of the Pre-Raphaelite Brotherhood, which he saw at the Manchester Art Treasures Exhibition in 1857. The quality of his illustrations for Defoe’s History of the Plague (1862) and Bunyan’s Pilgrim’s Progress...