Unframed Portrait Drawings and Watercolors

Linda Stein, Profile Flying 446.155 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.155 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Flying 446.030 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.030 is from Linda Stein's Profiles series--drawings, collages and paintin...

Street Costumes by Ruth Kreps. Signed lower right. Most likely for a book published in the 1930's about turn of the century women's fashion. "Costume Design of the Gay Nineties" T...

Linda Stein, Profile Solid 383.077 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.077 is from Linda Stein's Profiles series--drawings, collages an...

Dick Stone was a top mid-century illustrator who worked for the most famous brands. He was an assignment artist hired by such esteemed Ad Agencies as BBDO ...

Linda Stein, Profile Solid 383.062 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.062 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Flying 446.001 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.001 is from Linda Stein's Profiles series--drawings, collages and painting...

Philip Reisman paints the raw street life of New York City. Whether he's painting a barmaid or a street hobo, Reisman is a people painter. He studied at the Art Students League with ...

James Stroudley 1906 -1985 Portrait of a Young Man Graphite on paper Image size: 18 x 16 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay was the co-founder of the Museum...

Il disegno, matita e penna su carta, è firmato a metà sulla destra G. Ceracchini, in grafia corsiva. è un autoritratto dell'artista, come si può notare confrontandolo con le foto e l...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Stolen Moments #2 Watercolor on Twinrocker All Purpose Paper Signed with the artist's initials lower right (see photo) From the series: Stolen Moments Signed with the artist's "Yummy...

Linda Stein, Profile Flying 446.091 - Signed Feminist LGBTQ+ Acrylic Paint on Paper Drawing Profile Flying 446.091 is from Linda Stein's Profiles series--drawings, collages and pai...

Linda Stein, Profile Flying 446.025 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.025 is from Linda Stein's Profiles series--drawings, collages and painting...

Linda Stein, Profile Flying 446.003 - Signed Feminist LGBTQ+ Ink on Paper Drawing Profile Flying 446.003 is from Linda Stein's Profiles series--drawings, collages and paintings of...

Linda Stein, Profile Flying 446.014 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.014 is from Linda Stein's Profiles series--drawings, collages and painting...

Linda Stein, Profile Flying 446.002 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.002 is from Linda Stein's Profiles series--drawings, collages and painting...

Acrylic paint and ink on tracing paper Hand-signed and dated lower left

Mixed media on paper Hand-signed and dated lower left

SOLD UNFRAMED Montagnard des Environs de Szczaronica by Franciszek Tepa (1829-1889) Watercolour 26.3 x 20 cm (10 ⅜ x 7 ⅞ inches) Signed and dated lower right, F. Tepa 1873 Artist ...

Early work when Stuart Davis was an illustrator. Christie's, New York Catalogue Raisonné

Pastel and graphite on paper Image size: 11 x 8 1/2 inches (28 x 21.5 cm) Mounted William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...

SOLD UNFRAMED Jeune Montagnarde des Environs de Truskaniva by Franciszek Tepa (1829-1889) Watercolour 26 x 20.5 cm (10 ¼ x 8 ⅛ inches) Signed and dated lower left, Franciszek Tepa ...

Watercolor, gouache on paper, 1948. Signed and dated left in the top. Framed. Dimensions: 14.96 x 11.81 in ( 38 x 30 cm ), framed: 19.09 x 15.67 in ( 48,5 x 39,8 cm ) Erhard Klepper...

Soggetto del disegno a penna è un ritratto femminile, con aria seria che contrasta con la pettinatura elegante e vaporosa, tipica degli anni '50, periodo a cui può essere datato. Rie...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Oil on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

This original illustration, titled "Cops at Ease in the Muster Room of a Station," accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist.

Original oil pastel character portrait by celebrated, twentieth-century California landscape painter, Ronald Shap. "Ol' California." 17x23 inches....

SOLD UNFRAMED Paysan Centenaire, Soldat de l'Armée du Général Kosenisko by Franciszek Tepa (1829-1889) Watercolour 26.3 x 30 cm (10 ⅜ x 11 ¾ inches) Initialed and dated lower left, ...

Gertrude Braud 19th Century Watercolour on paper, initialled and dated 'Sep 29/69'. Image size: 9 1/2 x 6 3/4 inches (24 x 17 cm)

Watercolor, gouache on paper, 1947. Signed and dated left in the top. Framed. Dimensions: 19.49 x 14.57 in ( 49,5 x 37 cm ), Framed: 23.15 x 18.62 in ( 58,8 x 47,3 cm ) Erhard Klepper ( 1906-1980 ) He was a German painter, draftsman, print maker...

Disegno penna su carta firmato in basso a destra Colacicchi a matita. Raffigura una figura femminile nuda, seduta e piegata su stessa, nell'atto di toccarsi il piede. Figure in quest...

Signature: Published Vogue Italy Client Halston Double Signature Signed lower right Antonio Also signed Halston Graphic remarks were written in pencil by Halston. work is elegantly m...

Pollack, Bob (American, born 1936). TYSON - ANOTHER K.O. Original painting in acrylics on paper, 2023. Signed and dated within the image. 11 X 14 inches. Matted. In excellent condit...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

Graphite on paper, signed and dated '13 Feb (19)19' bottom left Image size: 13 x 8 1/4 inches (33 x 21 cm) This is a portrait of a German airman that was done by the artist at the start of 1919. The artwork has been created on the reverse of a document from Adlershof, a German Air Park. This exact document is from the 'Airman Replacement Department' and is a request form for replacement parts for aircrafts - it asks the writer to specify the type and number of aircrafts, the type of engine and details of its propellers. Adlershof is a place with a long and famous history. Germany's first motorised aircraft took off from here at the beginning of the 20th century and the Wright brothers moved their company to the airfield in 1909 shortly after it was opened. In 1912 German Experimental Institute for Aviation was established and made the location it's headquarters. Indeed, pre-war it was often known as 'The cradle of German Aviation'. During the war the War ministry used the site for extensive military production and it is particularly well known for a series of competitions between various aviation firms' fighter aircraft designs that were held in 1918 and 1919. Even after the War had ended, work continued at Adlershof with the final flight competition being held between February and May 1919 (when this portrait was created). Eventually, the signing of the Versailles Treaty ended all military aircraft work for Germany and led to the dissolution of the Luffstreikrafte in May 1920. Karl Ludwig Nagel...

Sir William Rothenstein 1872 - 1945 Portrait of Cecil Day Lewis Black and white chalk on paper Image size: 13 ½ x 9 inches Period gilt frame

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

Pen drawing, pencil and sanguine elevations on paper. The subject echoes Annibale Carracci's frescoes at the Palazzo Farnese in Rome (1597-1607), specifically the episode in which H...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on v...

Disegno fronte retro matita su carta, 330 x 240 mm. Su un lato, in verticale, è raffigurato un nudo femminile seduto in un ambiente domestico, colto nell'atto di voltarsi verso lo s...

Powerful pencil study of Bachoo, Countess Woronzow. Tchelitchew exaggerates the sitter's features with abnormally large eyes for dramatic effect, Bachoo (Countess Bachoobai Woronzow-...

Graphite on paper, inscribed on original backing Image size: 6 1/2 x 5 1/2 inches (16.5 x 14 cm) Mounted This is a delightful graphite drawing by the artist Joseph Nash that depict...

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

Charcoal and pastel on paper Unique work Hand-signed by the artist

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .

Pencil on paper 32.5 x 23.5 cm. The subject is a double study of a female nude. It's signed at the bottom right, "U. Capocchini". Ugo Capocchini was an Italian artist. He won many ...

French School 19th Century Portrait of a Lady Coloured chalks on paper Image size: 10 x 7 inches Contemporary gilt frame

Pair (Two) of pencil drawings of children playing outside by Charles Serret, 19th century, circa 1870. Both are signed “C. Serret” Each comprising of three or four young different ag...

Mixed media on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo shows...

Hand drawn and painted on digital photo Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured...

James Stroudley 1906-1985 Portrait of the Artist's Wife Graphite on paper Image size: 13 x 10 inches Unframed James Stroudley was born in London on 17 June 1906, the son of James St...

The beauty of the sitter can determine the value of the painting. A charming and lovely sitter is the subject of this work and the reason why the work is so special. This precious...

Watercolor on paper Unique work Hand-signed by the artist Joanna Flatau was born in Varsaw, Poland. She graduated from Varsaw History of Arts University and from the Fine Arts Vars...

Linda Stein, Profile Notation 418.009 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing Profile Notation 418.009 is from Linda Stein's Profiles series--drawings, collages ...

Linda Stein, Profile Landscape 438.028 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.028 is from Linda Stein's Profiles series--drawings, collag...