People Portrait Drawings and Watercolors

Antoniucci Volti (French, 1915-1989) Untitled (Double Sided Portrait), 1969 Red chalk on paper 14 3/4 x 11 in. Each side signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Modern...

"Portrait" is an original drawing in pencil on paper, realized by Marie Louise Lenoir (1883-?) The state of preservation of the artwork is very good. Sheet dimension:19.4 x13 cm. T...

Self Portrait with Arms Over Head, vignette on Paul Cadmus on left Graphite drawing on thin wove paper, c. 1940's Unsigned Provenance: Paull Cadmus Jon F. Anderson (1937-2018) Condition: Sheet size: 15 x 10 1/4 inches Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...

Breastfeeding the Baby is an original drawing in pencil, realized by Luigi Galli in the 19th Century. The status of preservation is Good except for diffused foxings. The artwork is...

'Talia in Fruitvale' , head study of a young woman in a hat in mainly yellow and red, is created with mixed media on paper, including stabilo pencil, gouache, ink, dry point pigment,...

The X Ray is a china ink Drawing realized by Mino Maccari in 1965s. Hand-signed in the lower margin. Good condition on a little cream colored cardboard. Mino Maccari (Siena, 1924...

Seascape of waves crashing against a large rock by Joseph Yeager (early-mid 20th Century) on heavy bond watercolor paper with ragged edges. Signed "Joe Yeager...

'Infanta Suculentas,' features the face of a young woman with succulents and skulls in an intricately patterned and complex graphite drawing on Kent paper. from Japanese artist Chika...

Big Baloo / Head Study No. 86 , drawing / painting featuring the head portrait of a young woman. in blue, pink, gold and white. The work is created with mixed media on Bristol paper,...

This is a drawing by James Childs (1945-2020) offered by CLAMP in New York City. Nick Xylouris 2004 Signed and titled, recto Graphite and Conté crayon on paper 12 x 8.25 inches

Portrait is an original pen drawing realized by Georges Vernotte. Good condition on yellowed paper. Hand-signed by the artist on the lower right corner.

Portrait is an original artwork realized in 1965 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original charcoal drawing on ivory-colored paper, glued on cardboard. ...

Sunil Das - Untitled - 9 x 7 inches (unframed size) Pen and Ink on Paper Inclusive of shipment in ready to hang form. The exceptions are the faces such as the profiles of bearded men in which the content is a mere excuse for the lines to create a pattern of untrammeled playfulness. Of course the Japanese face...

Peter Collins ARCA - Framed Original c.1970s Pastel. Presented in a card mount and gold frame. Unsigned. On wove. Some surface marks to the mount but generally condition is fine. Pet...

Chaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Thieves is an original drawing in watercolor, white lead and pencil artwork on greenish cardboard realized by an Anonymous artist of the XIX century. The State of preservation is g...

A fine oval portrait of a well groomed Victorian gentleman with handsome features and piercing blue eyes. The artist has used directional hatching and fine line to create plumpness i...

Presented in an ornate gilt effect frame and washline mount. Signed. On watercolour paper.

Artist: Ian Hornak (1944-2002) Title: Untitled (My Mother and Her Sister as Children), State I Year: 1973 Medium: Pencil on heavy archival pap...

Original gouache and watercolor on archival paper of an Indian prince holding a pink rose. The pink rose signifies love and appreciation. No visible signature. Artist unknown. The ...

Sketch in The Garden is an original drawing in Ink, Watercolor, and pastel by an anonymous artist in the first half of the 20th Century. Good conditions. The artwork is depicted th...

'Infanta Soledad,' features the face of a young woman with succulents and skulls in an intricately patterned and complex graphite drawing on Kent paper. from Japanese artist Chikako ...

Female portrait is an artwork realized by an artist of XX century.  L 55 x 64 with frame; image 23 x 32 cm.  Ink and watercolour on paper. Unreadable signature in the lower margin...

A delicate portrait miniature of a Victorian girl wearing a puffed blouse and beaded red necklace. The girl stands with her back to the viewer, peering ...

A finely detailed and expertly executed sanguine portrait of a characterful woman in a high-necked, Edwardian dress. The artist has captured the intensity of the sitter's personality...

A charming portrait depicting a young girl holding a white dove close. The artist captures the girl in a vibrant blue shawl that matches the colour of her eyes. The romantic style of...

A fine late 19th-century portrait of a young boy, wearing a tartan skirt, black jacket and bowtie, holding a fishing rod. The portrait has been well presented in a glazed gilt frame ...

A fine oval portrait by the listed British artist Richard Hollingdale (1850-1899). The composition depicts an elderly Victorian lady in a flamboyant lace cap and collar. Hollingdale ...

A striking Victorian portrait in an unusual mix of watercolour and graphite, finished with delicate scraffito work, giving a hazy, almost ghostly appearance to the sitter. The artist...

Woman's Portrait in shadow is an original drawing in ink and pen realized by Bruno Saetti in 1940. Hand-signed on the lower right margin. Titled on the lower in pencil, with the des...

Artist: Ian Hornak (1944-2002) Title: Untitled (My Mother and Her Sister as Children), State II Year: 1973 Medium: Pencil on heavy archival pa...

The Crucifixion is an original etching on paper realized by Gian Paolo Berto, in 1975. Good conditions. Hand-signed and numbered, rare edition: 2/3. Sheet dimension:50 x 70 The a...

Le marbre amoureux is an original artwork realized by the French artist Paul Conte . Mixed media on paper (china ink and tempera). Hand-signed and titled in china ink on the lower ...

Original oil pastel on archival paper of a young girl in a blue blouse. Signed lower right and dated 1971. Condition is very good; no issues. Anton Sipos was living in the United S...

I work in oils, goauche, charcoal, pencil, pen and ink, and less frequently, in acrylic and watercolour. My work takes a figurative approach to space and tends to revolve around the ...

Portrait is an original Charcoal Drawing realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino Maccari (189...

Portrait is an original Contemporary artwork realized in 1963 by the italian Contemporary artist Leo Guida (1992 - 2017). Original ink and watercolor drawing on ivory-colored pa...

A wonderful 19th century watercolor by Italian artist Achille Buzzi, depicting a woman resting on stone steps after an impressive morning harvest. The wome...

Portrait is an original Pen Drawing realized by an unknown artist in 1929. Good condition on a yellowed paper, another sketch of a nude woman on the...

Samuel Wood Gaylor (American, 1883 - 1957) Untitled (Woman in Mirror), 1930 Watercolor on paper Sight size: 14 1/4 x 10 1/4 in. Framed: 20 3/4 x 16 1/4 in...

Unique set of expressive portrait studies in watercolor and ink by Santa Cruz artist Bob Newick (American, 20th Century). Signed "To Wendy / In Friendsh...

Bondage is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in Black Marker pen Watercolor on paper. Good c...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a young woman Pastel on paper 38 x 28 cm (oval) Framed under glass in a vintage framing : 45 x 35 cm A label on the back "1928 Portrait de femme Etude au pastel de Guirand de Scévola" (see photographs please) This pastel study is of course not signed, as the label on the back of the frame gives its attribution to Guirand de Scévola and, equally interestingly, the date 1928, but in fact the artist's style and execution are immediately recognisable without the need for a signature. This type of woman with a bun is typical of the models the artist loved. Her mysterious air recalls his Symbolist period, and pastel is hisr preferred medium because it lends itself to all the characteristics typical of his art. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Portrait is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white sheet of a notebook. No signature. Reynold Arnould was bo...

The Arrest is a Drawing in black marker on creamy-colored paper realized by Mino Maccari in 1948. Hand-signed on the lower left. Good conditions with minor folding on the lower mar...

A detailed graphite and watercolour portrait of a 19th century gentleman, seated at a writing desk with an open book and inkwell. The gentleman can be seen wearing a black tailored s...

Study of Figures is a Pencil Drawing realized in the early 19th Century by Hortense Haudebort-Lescot (1784-1845). Good condition with foxing on the margins. Stamped on the lower left corner. Antoinette-Cécile-Hortense Haudebourt-Lescot (14 December 1784 – 2 January 1845) was a French...

The Horseman is an original drawing realized by Mino Maccari in the 1960s. Ink and watercolor on paper. Monogrammed in the lower left margin and numbered edition above , 33. Fre...

Cyclop is an artwork realized by Ferdinando Codognotto in 2023. Black marker on paper. Handsigned and dated in the lower right part. 33x24 cm, no frame. Excellent conditions.

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

Study of Figures is a Pencil Drawing realized by Hortense Haudebort-Lescot (1784-1845). Good condition on a yellowed paper. No signature, but stamped on the lower left corner. Ant...

Sketch for a Portrait is a drawing on paper realized in the Mid-20th Century by Flor David. Good conditions. Flor David (1891-1958) ): pseudonym of David Florence. Pastel painter....

"The Secretary" Minimalist Illustrative Portrait in Ink on Paper This charming portrait by Jerry O'Day (American, 1912), depicts a tight-lipped woman with stern eyebrows in a fun and simplistic style. Her lips pop in red and the fine line detail of her hair gives texture and movement to the piece. Her rounded figure is created using basic shapes cleverly placed, dressed in a turtleneck with dangling earrings. She is looking sideways, drawing the viewer's eyes in that direction. Unsigned, but was acquired with a collection of the artist's work. Presented in a new blue mat. Mat size: 32"H x 26"W Paper size: 28.5"H x 22.5"W Image size: 15.5"H x 11.5"W Jerry O'Day is also known as Geraldine Heib. Born in Oakland, California, on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. O'Day wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time, the couple moved to a houseboat in Sausalito, where she remained until her demise on March 30, 1986. Post War California artist, Jerry O'Day studied at the Cornish School of Fine Arts in Seattle; studied with Beniamino Bufano for two years. She lived in the artist's colony at the Cod fishery with artist David Lemon on Belvedere Island in the San Francisco Bay Area from 1942 - 1963. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo, 1955; Marin Art Gallery, Sausalito, 1956; Palace of The Legion of Honor, San Francisco, 1962; East & West Gallery, Fillmore Street, San Francisco; Landmarks Gallery, Marin County, 1991. Selected Group Exhibitions: 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Source: David J Carlson...

Regiment Provisoire Croate is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through strong lines in well-balanced conditions. Herbert Knotel was a german artist, son and pupil of the famous uniformologist and military historian Richard Knotel. He served as officer under Marshal Hindenburg in the Prussian Army...

Female Face is an Pencil Drawing realized by Henri Epstein (1892-1944). Good condition on a yellowed paper, included a white cardboard (50x35 cm). Hand-signed by the artist on the lower right corner. Henri Epstein born in Lódz ( Russian Empire ) on January 14 , 1891 where theJune 20 , 18922 , 3 and died in deportation to Auschwitz ( Third Reich...

Colorful watercolor of Reverend Gary Davis (aka "Blind Gary Davis") by Santa Cruz artist Brian Rounds (b. 1968). Set against a bright orange background, Dav...

Figure of Man is an Original Pencil Drawing realized by Augustin de Saint-Aubin (1736-1807). Good condition included a green and white cardboard passpartout (65x48 cm). No signatur...

Figure is an artwork realized by Michel Cadoret in 1956. Pencil drawing on paper. Hand-signed. The artwork id depicted through soft strokes in a well...