Barbara Regina Dietzsch

Barbara Regina Dietzsch Watercolor Painting of White Primrose, ca. 1730

ca. 1730

Lois Field (Am. 1923 - 2010) Untitled Gouache and graphite on board, 1947 11 3/4” x 9” Signed and dated Lois Field ‘47, lower left Provenance The artist, Webster Groves, MO (ca. 200...

Charles Burchfield, 1893-1967 Wallpaper Design No.2, 1922-28 Watercolor and gouache on paper

Atsuko Honda (b.1984, Osaka) utilizes traditional techniques and methods that are increasingly rare among 21st-century practitioners. Honda has been focusing on printmaking since 200...

William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...

Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...

George Cochran Lambdin (American, 1830–1896) Goldenrod in the Sand Watercolor on paper, 19 x 12 inches Framed: 27 x 20 inches (approx.) A son of the portraitist James Reid Lambdin, ...

DEATH VALLEY is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30" and is professionally framed in white with UV protection, anti-glare glass. Framed it m...

HOPE is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". The artist has written that in the spring of 2020, at the height ...