Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

William Zorach
Watercolor Painting by William Zorach, Titled "Redwoods, Yosemite Valley", 1920

1920

About the Item

William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted mostly in the country, and also while vacationing in the mountains of New Hampshire, Provincetown, Massachusetts, and Yosemite National Park. Both artists used these excursions to collaborate and experiment with new mediums, often using the various landscapes as inspiration. Of his works in watercolor, Zorach once said, “there are things one does for the pure love of form and color, in the easy abandonment to the moods and the fancies of the moment. These are my watercolors.” 2 Zorach’s watercolors of Yosemite National Park are thought to be some of his finest works, and representative of the collaboration between William and Marguerite. In Redwoods, Yosemite Valley, William Zorach’s landscape takes on a flattened, one dimensional style with very little shading and tonal variation, similar to Marguerite’s character study Indian Family. In the center of the composition is a teal evergreen tree placed slightly ahead of the rest, though all take on the same teardrop shape. The rolling, royal blue mountains in the background loom precariously over the forest, appearing almost as if they are intermixed between the trees. The shapes are firmly outlined, and smaller brushstrokes give Redwoods, Yosemite Valley a more confined, finished look. 1 William Zorach, Art is My Life (New York and Cleveland: The World Publishing Company, 1967), Page 22 2 Ibid, 14. Bibliography: J.I.H. Baur, William Zorach, (New York, 1959) Roberta Tarbell, Catalogue Raisonne of William Zorach’s Carved Sculpture, (diss., Newark, University of Delaware, 1976) William Zorach, Art is My Life (New York and Cleveland: The World Publishing Company, 1967)
  • Creator:
    William Zorach (1887 - 1966, American)
  • Creation Year:
    1920
  • Dimensions:
    Height: 15.75 in (40.01 cm)Width: 13.75 in (34.93 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU2157212441142
More From This SellerView All
You May Also Like
  • Early English watercolor, Fordland, Devon
    By John White Abbott
    Located in Harkstead, GB
    A most attractive watercolor by one of the forefathers of British watercolour painting. John White Abbott (1763-1851) A figure on horseback in a river landscape, Fordland, Devon Pen, ink, traces of pencil and wash 4¼ x 6 inches without frame 11½ x 12¾ inches with frame John White Abbott (13 May 1763 – 1851) was an English surgeon and apothecary in Exeter, remembered as a keen amateur painter in both watercolour and oils. His watercolours are close in style to those of his teacher, Francis Towne.
    Category

    Early 19th Century Victorian Landscape Drawings and Watercolors

    Materials

    Ink, Pen, Paper, Watercolor, Pencil

  • Cotman marine watercolor of fishermen's baskets on the beach
    By Frederick George Cotman
    Located in Harkstead, GB
    Frederick George Cotman (1850-1920) Fishing baskets on the shore Watercolour with trace of pencil 6 x 8 inches Provenance: Cotman family collection Frederick George Cotman was born in Ipswich on 14 August 1850. His uncle, John Sell Cotman, was one of the cornerstones of the Norwich school and a very influential watercolourist. Frederick's first tuition came from William Griffiths...
    Category

    19th Century Victorian Landscape Drawings and Watercolors

    Materials

    Paper, Watercolor, Pencil

  • Cotman marine watercolor of sailing boat on the beach
    By Frederick George Cotman
    Located in Harkstead, GB
    Frederick George Cotman (1850-1920) Lugger on the shore Watercolour with trace of pencil 9 x 10 inches Provenance: Cotman family collection Frederick George Cotman was born in Ipswich on 14 August 1850. His uncle, John Sell Cotman, was one of the cornerstones of the Norwich school and a very influential watercolourist. Frederick's first tuition came from William Griffiths...
    Category

    19th Century Victorian Landscape Drawings and Watercolors

    Materials

    Paper, Watercolor, Pencil

  • View of Dunoon on the Clyde
    Located in Hillsborough, NC
    Scottish artist Robert Carrick (1829-1904) is renowned for his landscape and figurative paintings in oil and watercolor. This painting features detailed drawings of figures in the foreground with wagon, and the town and scenery in the background, painted over in watercolor in rich raw umber and red-brown tones in the foreground and blue green tones in the background. Carrick showed promise at a young age, exhibiting his work at the Royal Academy age 16. He was a member of the Royal Institute. This two-toned watercolor work has detailed figures, wagon with hay in the forefront above a view of Dunoon town near Glasgow as it was long ago. Signed by the artist, lower left with an inscription that reads: 'View of Dunoon, Argyllshire drawn by Robert Carrick, Glasgow, for David Allan'. Verso includes a copy of the same inscription. Saltire Gallerie replaced the cracked and dirty plain glass with art glass and added an acid-free paper behind the work. While doing this work we found an art giclee, included with the painting. Presented in a patterned wooden frame with art glass. Dunoon was a thriving town on the river at the time of this work, and later became part of Glasgow. The view from above the town is a popular one, as Saltire Gallerie has another view of Dunoon from above by Scottish artist Patrick Downie...
    Category

    19th Century Impressionist Landscape Drawings and Watercolors

    Materials

    Watercolor, Board, Pencil

  • Landscape - Original Pencil and Watercolor by E.C. Jodelet - Mid 20th Century
    By Emmanuel Charles Jodelet
    Located in Roma, IT
    Landscape is an original artwork realized by Emmanuel Charles Jodelet in the half of the XXCentury. Original watercolor with pencil. Hand-signed on the lower left corner: Jodelet. The original stamp of Emmanuel Jodelet Vente is present on the back of the sheet. Very good conditions. Beautiful fresh artwork representing a landscape with a building in the center of the composition and two figures on the foreground. The colors are very soft and realized with strokes of very light watercolor. The artwork has been realized by Emmanuel Charles Jodelet (Augerans, 1883 - Paris, 1973) was a French painter that realized portraits, landscapes and still life paintings. He was an illustrator and a watercolorist that study with Bernard Naudin and Charles Guérin...
    Category

    Mid-20th Century Contemporary Landscape Drawings and Watercolors

    Materials

    Watercolor, Pencil

  • Greek Islands - Mixed Media by Robert Sauterne - 20th Century
    Located in Roma, IT
    Greek Islands is a drawing in mixed media (pencil, ink and watercolor) on cardboard realized by Robert Sauterne. The State of preservation is good, with a small stain along the left...
    Category

    20th Century Modern Figurative Drawings and Watercolors

    Materials

    Ink, Watercolor, Pencil, Mixed Media

Recently Viewed

View All