Art by Medium: Dye

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Kissing Booth, Fright Nights, West Palm Beach, 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Arti...

"Coyote Wreath" By Johanna Mueller is a unique and detailed piece which depicts a coyote, curled among iconography of the forest, structured in a Native American style flat ink style...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Medium: Dyedwood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The ...

"Lobster Girl. Fright Nights, West Palm Beach. 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artis...

Cotton fabric hand dyed with natural dyes including barberry and avocado.

The Bait Shop, West Palm Beach, 2015 - Florida Landscape Nighttime Photography by Rachel Louise Brown "The Bait Shop, West Palm Beach, 2015" is a Dye Sublimation Print on Aluminium....

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Medium: Dyed and Lacquered Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vi...

Medium: dyed wood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass, silk) painting depicting beautiful yellow Gingko leaves against abstract background by Calif...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) painting depicting beautiful gold gingko leaves against abstract background by California ar...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against abstract background by Californi...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) abstract painting depicting beautiful monarch butterflies by California artist an...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

This is the unframed price listed. Inquire about our framing. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...

"Mixed Amps" Dye sublimation on aluminium, flush mounted 32 x 40 inches / 81 x 102 cm Mixed Amps from Scott McDermott’s Backline series transforms the familiar sight of stacked guit...

These are the unframed prices. Please inquire about the framed prices in the current edition. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition b...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

The Street, West Palm Beach, 2014 - Florida Palm Beach Evening Sunset Photograph by Rachel Louise Brown "The Street, West Palm Beach, 2014" is a Dye Sublimation Print on Aluminium. ...

"Ice Cream Stand. Stuart. 2015." is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Proofs. Brown complete...

Dye Sublimation Print Surfboard, Edition 5 of 5 + 2 Artist Prints

Dye Sublimation Print Surfboard, Edition 5 of 5 + 2 Artist Prints

"Carnival of Creeps, Fright Nights. West Palm Beach. 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist ...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Resin cast geodes in cracked marble in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Medium: Charred and dyed basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...

Lila de Magalhaes (Brazilian, b. 1986), "I Love My Garden and My Garden Hates Me", Mixed Media Dyed Fabric, 2022, signed, titled, and dated verso, unframed. 59" H x 48" W x 1" D. P...

"The Carousel. Palm Beach Zoo. West Palm Beach. 2015" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Pro...

Sohan Qadri Vana, 2007 Ink and dye on paper 39 x 27 inches 99.1 x 68.6 cm The late artist, poet and Tantric guru Sohan Qadri was one of the few modern painters of note deeply engage...

The work "Hummingbird and Hibiscus" was made on atlas. Cold batik. “Thin brush” or “graceful drawing” technique. "...When the heat of the day has already subsided, you can enjoy the...

Eye Above III, 2021, embroidery and crystals on hand dyed canvas, eye, yellow, blue, red, and orange. Hand signed by artist Certificate of Authenticity in...

Jean-Marie Guyaux’s artworks are unique for their blend of digital capture and non-photographic software. In the “Redux” series, he reinterprets classic masterpieces, projecting thes...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Red Rabbit Wreath" By Johanna Mueller is a unique and detailed piece which depicts a jumping desert rabbit, surrounded by iconography of the plains desert, structured in a Native Am...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Gibson SG – Buckle Rash" Dye sublimation on aluminium, flush mounted 37.5 x 30 inches / 95 x 76 cm Gibson SG – Buckle Rash is part of Scott McDermott’s acclaimed Backline series, a...

This piece titled "The Mother" is an original print by Annalise Gratovich and is made from woodcut with hand dyed paper. This piece measures 71"h x 39.5"w unframed. Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...

This piece titled "The Undertaker" is an original print by Annalise Gratovich and is made by woodcut on hand-dyed paper. This piece measures 71.5"h x 38.75"w unframed. Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) abstract painting depicting beautiful monarch butterflies and gold leaves by California arti...

Silent Forms 130, 210 & 240 is a set of photographs by contemporary artist Bruno Fontana. This set was created in the dye-sublimation printing on brushed aluminium technique. Th...

Silent Forms 140 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph was created in the dye-sublimation printing on brushed aluminium technique. Th...

Mixed media (linen, light sensitive dye, polyfil, dryer lint, thread)

Silent Forms 150 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph was created in the dye-sublimation printing on brushed aluminium technique. Th...

Silent Forms 120 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph was created in the dye-sublimation printing on brushed aluminium technique. Th...

Silent Forms 270 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph was created in the dye-sublimation printing on brushed aluminium technique. Th...

PedalBoard Grid, Backline Series Dye sublimation on aluminium, flush mounted 36.5 x 40 inches / 93 x 102 cm Edition of 12 Scott McDermott’s PedalBoard Grid transforms the raw energy...

"Veiled Knots" (2019) by Jacie Jane Embroidery and fabric dye on embroidery canvas Snakes intertwined and palm leaves in earth tones, neo-folk Whimsical Design / Embroidery / Earth Tones / Biomorphic / Sustainable Design

Scott McDermott – “Single Ampeg” From the Backline series, 2023 Dye sublimation on aluminum, flush mounted 40h x 40w x 2d inches (102h x 102w x 5d cm) ...

Woodland Blooms No. 1 is a botanical collage artwork created with Hand Cut dyed and painted paper by Deborah Weiss. The artwork is 28 x 22. It is framed to 29x23. It is a one of...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”. Landscape, Ocean, Water, Beach, Color, Aerial, Seascape, Green, Sand, Vacation, Waves, Siesta Key...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...