Art by Medium: Dye

ONCE VERDANT 2024 Paris, France This enchanting painting portrays the artist's vision of an abstracted, organic floral pattern. The floral shapes and shadows allude to traces of a ...

AVEC DES ÉPINES 2024 Paris, France The French title of the work translates in English to "With Thorns". The painting captures the rose’s mysterious allure, balancing beauty with an...

EVE OF PARTING 2025 Paris, France This painting captures a fleeting moment of emergence and disappearance, a pale, flame-like form rising from a field of deep shadow and crimson. Th...

MANY FOR THE EMPATH 2026 Paris, France This complex and layered floral painting of an abundant, overflowing bouquet presents an energetic and mesmerizing subject. This original mixe...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the bibli...

I'M SORRY TOO 2024 Paris, France This abstract flora painting portrays two roses seemingly merging in harmonious synchronization, evoking a sense of beauty intertwined with a poigna...

SAECULUM OBSCURUM 2024 Paris, France This painting seeks to evoke the layers of time and excess, capturing the hollow aftermath of decayed grandeur associated with the 10th-century ...

Textile size 8.5 x 10 in. Frame size 13.5 x 15 in. This piece is an ancient Coptic Egyptian textile fragment, dating from the 3rd to 5th century CE. It is composed of a coarse, plai...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...

E.S.H. IV PARIS, France 2023 Inspired by sculptures and statues of Europe, a horse and rider are depicted as a black silhouetted abstraction. White and grey acrylic paint over text...

"Coyote Wreath" By Johanna Mueller is a unique and detailed piece which depicts a coyote, curled among iconography of the forest, structured in a Native American style flat ink style...

Linda Stein, Warrior Waging Peace: Addressing Fear 1279 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture T...

"Kissing Booth, Fright Nights, West Palm Beach, 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Arti...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Medium: Dyedwood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The ...

Hannah Reeves Is That All 2023 Acrylic and charcoal on raw silk and organdy 8 x 8 inches

"Lobster Girl. Fright Nights, West Palm Beach. 2017" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artis...

JARDIN DES PLANTES 2024, PARIS Inspired by the artist's relationship to "Jardin Des Plantes", located in the 5th arrondissements of Paris, France, this original landscape depicts th...

Monotype I Abstract Painting, Opaque and Transparent Colors, Signed Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th...

Cotton fabric hand dyed with natural dyes including barberry and avocado.

Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 87" x 63" (1976) by Czech textile artist, Jan Jladik, (192...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Jimmy Hendrix Portrait Playing Guitar on Purple Ink & Tie Dye Canvas by British Artist 36 x 36 inches

The Bait Shop, West Palm Beach, 2015 - Florida Landscape Nighttime Photography by Rachel Louise Brown "The Bait Shop, West Palm Beach, 2015" is a Dye Sublimation Print on Aluminium....

Minimal Biomorphic Abstract Sculpture in Hemp Fiber, Contemporary Organic Art By Silvana Ilieva This work was selected for the curated exhibition Artists in Focus at Sofia Art Fair...

"Day Remains II", 2023, Paris, France Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains ...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Thin Green Horizon, sisal, linen and flax, 45.5” x 55.5”, 2017. Gudrun Pagter is a Denmark-based artist that is known for creating exquisite woven tapestries. Pagter creates strong...

Medium: Dyed and Lacquered Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vi...

Medium: dyed wood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The...

Cut and Dyed Silk After working in painting and photography, Tim Harding became intrigued with the intimacy of fiber and textiles: their textural, tactile richness, the inherent gri...

Original painting using dye on silk signed by the Artist in the lower right corner.

dye on paper

Large Vertical Dark Green Abstract Painting Acrylic and Oil on Hemp Canvas Nature Inspired Abstract Forest Painting Contemporary Artwork Dimensions: Height: 39.38 in (100 cm)Width: ...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass, silk) painting depicting beautiful yellow Gingko leaves against abstract background by Calif...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

CUTTING ROOM 2018 This piece touches on abstracted themes of mass hysteria, confusion, and the curation of information. Subtly conveyed through fragmented, hand painted verbiage in ...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) painting depicting beautiful gold gingko leaves against abstract background by California ar...

Abstract, Neha Puri Dhir, patchwork of resist dyed cotton, 37.5” x 73”, 2014 Fiber artist, Neha Puri Dhir (1983, Inda) explains her motives and feelings behind this colorful, geomet...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against abstract background by Californi...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) abstract painting depicting beautiful monarch butterflies by California artist an...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. This kite entitled "Boro" is patterned with Japanese indigo-dyed fabric scraps, sewn together to form a patchwork of contrasting patterns and shades of blue. The kite's design recreates the traditional practice of Boro stitching...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

This is the unframed price listed. Inquire about our framing. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. Th...

ALL FOURS 2025 Paris, France The painting shows four men on hands and knees in the foreground, their bodies merging in muted white and black tones against a plain ochre-brown backgr...

A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...

"Mixed Amps" Dye sublimation on aluminium, flush mounted 32 x 40 inches / 81 x 102 cm Mixed Amps from Scott McDermott’s Backline series transforms the familiar sight of stacked guit...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

"Final Offering" delves into intricate details of a poignant scene. The viewer's gaze is drawn to a statuesque figure, with a hand gracefully outstretched, engaging in the tender act of placing a crown of flowers onto what appears to be a sepulcher or marble tomb. The careful attention to the folds, texture, and draping in the subject's clothing stand out in this piece. The color palette chosen - formed with India ink on dyed canvas...

These are the unframed prices. Please inquire about the framed prices in the current edition. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition b...

Keith Haring Leibovitz’s portrait of Keith Haring is one of her most iconic shots that made the artist auction record in 2016. The photograph is proof of one of Leibovitz central th...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

"Onslaught", 2025, Paris, France The animalia oil painting on antique linen features a striking and abstract composition of a prominent predator skull depicted in a reddish-brown hu...