Art by Medium: Dye

Ed. of 5, dye sublimation on metal. Vincent Ricardel is a photographic artist whose career has spanned the editorial, commercial and fine art worlds of photography. Throughout his c...

untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

This is a one of a kind original mixed media (Antique silk paper, dye, ink, paint, plexiglass) abstract painting by California artist and educator, Kathleen Kane-Murrell, titled, "Sa...

This is a one of a kind original mixed media diptych (Antique silk paper, wool fiber, dye, paint plexiglass) painting and collage depicting beautiful monarch butterflies against abst...

This is a one of a kind original mixed media (Ink, paper, plexiglass) abstract work depicting beautiful gold leaves against a vibrant blue background by California artist and educato...

This is a one of a kind original mixed media (Silk paper, molded paper, dye, ink, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled, "...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) abstract painting depicting beautiful monarch butterflies against a blue cloudy sky by Calif...

This is a one of a kind original mixed media (Antique silk paper, dye, ink, paper, plexiglass) abstract diptych (two separate panels) by California artist and educator, Kathleen Kane...

"Nature Bear Wreath" By Johanna Mueller is a unique and detailed piece which depicts a bear, surrounded by different iconography of the forest, structured in a Native American style ...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

AP, infused dye sublimated on aluminum. Internationally lauded as one of the leading photographers of her generation, Joyce Tenneson’s work has been published in books and major ma...

Scott McDermott’s "RHCB B-9 Case 4" transforms the raw energy of rock-and-roll into a vivid Pop Art statement. Featuring a dynamic arrangement musical gear especially for the famous ...

'Superman' by DJ Leon, 2020. 39 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

Scott McDermott "Bass Rings" Dye sublimation on aluminium, flush mounted 30 x 24 inches / 76 x 61 cm Scott McDermott’s Bass Rings, from his acclaimed Backline series, transforms the...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

Garden Blooms No. 5 is a botanical collage artwork created with Hand Cut dyed and painted paper by Deborah Weiss. The artwork is 22x22. It is framed to 25x25. It is a one of a k...

Woodland Blooms No. 1 is a botanical collage artwork created with Hand Cut dyed and painted paper by Deborah Weiss. The artwork is 28 x 22. It is framed to 29x23. It is a one of...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”. Landscape, Ocean, Water, Sea, Color, Aerial, Israel, Dead Sea...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

This listing is for the unframed dye sublimation photograph. Please inquire about framing available in all three sizes. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

This is the unframed price. Please inquire fr framing details in all three sizes available. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”. Landscape, Ocean, Water, Sea, Color, Aerial, Beach, Israel, Dead Sea...

This is the unframed cost. Please inquire for the framing cost in the three sizes this image comes in. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii...

The price listed is for the unframed photograph. Please inquire about the framing cost. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”. Landscape, Ocean, Water, Beach, Color, Aerial, Seascape, Dolphins, Whales, Helicopter, Animal, Sea, Kailua Kona...

Accumulation by Sedef Gali 2023 Mix Media on Canvas 63" × 35.4" Sedef's artistic practice is deeply influenced by her upbringing in cities characterized by diverse cultures. Her ...

Where Secrets Settle by Sedef Gali 2025 Dye, Oil, and Acrylic on Canvas 57" × 37.4" Gali’s artistic practice is deeply influenced by her upbringing in cities characterized by div...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Stephen Prina Untitled Version II, 1987 -88 Signed Titled Numbered and dated on Lower Edge Graphic Marker Dye on Drafting Film in Artists Frame 70 x 59.7 cm 27.6 x 23.5 inches Steph...

Contemporary School, Red and Yellow Dyed Silk Panel, mounted on canvas, unframed. 38" H x 52" W x 1.5" D. Provenance: From an East Village Estate.

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

Big Blooms No. 7 is a botanical collage artwork created with Hand Cut dyed paper by Deborah Weiss. The artwork is 28x22 and is in a white frame. The fr...

Seeking to evolve the way in which she collaborates with nature, Jennifer Wolf’s most recent series of works combine her signature flow process with innovative new layers of painterl...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Edition of 25

A painting by Tony de los Reyes. "Border Compression #1" is an abstract colorfield painting, oil and dye on linen by artist Tony de los Reyes. The artwork is signed on the verso, "Bo...

Luke Whitlatch is an American, Los Angeles-based, artist. His paintings have been shown in Los Angeles, New York City, and Wyoming. His work has been re...

Original Contemporary Sculpture Wood, plastic whale, plastic squid, dyes, pigmented finish, clear finish Artist's Commentary: "The sperm whales of the world consume more squid each year by mass than the mass of the human population of the planet. It's a lot of squid. They're almost constantly hunting squid. What you may not have known is that there is some evidence giant squid...

Signed by the artist Layered and dyed canvas float mounted within a box frame with non reflective glass Henry Woolway’s Over the Hills, The Sky is a striking abstract composition t...

Spiral (automatic thoughts) 2025 Linocut and gyotaku prints, indigo dye, paper rice bags, vintage washi from Kashiki Seishi, Konnyaku 88 1/2 x 75 in.

'Superman' by DJ Leon, 2020. 40 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

Ballpoint pen and leather dye on cowhide 65 x 43 in. This piece is currently unframed and framing is additional.

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Jennifer Wolf, Quantum Physical, 2015, natural dyes, mordants, acrylic medium on canvas over panel, 60" x 120", $26,500

Proud Liner of the Aberdeen White Star Line, AUSTRALASIAN carried emigrants and first-class passengers to Australia and South Asia in the late 1880s & 1890s. This colorful period woo...

Edition of 7 With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into...

Harley in the Hamptons Dye Sublimation on Aluminum 19.5 x 30.5 inches Edition size: 10 About the artist: David Gamble is a multidisciplinary artist from London, now based in New...

Black Bean Goya Can 2023 Enamel Paint on Dye Sublimation Unframed Size: 30" x 22" Framed Size: 35" x 27" Edition size: 10 About the artist: David Gamble is a multidisciplinary a...

Edition of 7 With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into...

Hand woven tapestry: wool, silk, dyes

Rug: hand-dyed wool on linen warp

Handwoven tapestry of undyed alpaca and dyes

Hand woven tapestry: wool, dyes

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...