Art by Medium: Dye

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

WRAITHS, PETALS 2024 Paris, France "Wraiths, Petals" is a dark, flora, atmospheric painting that blends organic forms with abstraction. Created using a mix of oil paint, oil stick, ...

Monotype I Abstract Painting, Opaque and Transparent Colors, Signed Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th...

Fireworks in Bed by Sedef Gali Represented by Tuleste Factory 2024 Pigment Dye, Acrylic on Canvas 71.5" x 68.5" Sedef’s artistic practice is deeply influenced by her upbringing ...

The work "Womanliness" is an exquisite and multilayered reflection on the nature of femininity, embodied in the painted (cold) batik technique on 100% silk. The canvas is stretched o...

"Lacuna 1", 2024, Paris, France This artwork, created with India ink on antique cotton, evokes a visceral play between texture, pattern, and absence. Titled "Lacuna", the piece is a...

'Batman and Friends' by DJ Leon, 2020. The print measures 25 x 32 inches and is also available in a 30 x 23 3D backlit print. This dye-sublimation print on aluminum combines and appr...

'Superman, Batman, Coronavirus' by DJ Leon, 2020. 48 x 28 in. A dye-sublimation print on aluminum that is saturated in colors of reds, blues, and whites. The image incorporates, appropriates, and combines found images of Superman and Batman...

Not Signed. Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of time, utilizing a ra...

Not signed. Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of time, utilizing a ran...

Not signed. Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of time, utilizing a ran...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, ...

Between Petals I by Sedef Gali Represented by Tuleste Factory Acrylic and Pigment Dye on Organza 85" x 115" “Between Petals & Unsent Letters” brings together a new body of work by Sedef Gali, expanding the artist’s ongoing exploration of memory, desire and emotional residue through layered painterly surfaces and translucent materiality. Moving between raw canvas, organza and suspended veils of pigment, the exhibition unfolds as a fragmented landscape of unsent letters, unfinished conversations and dissolving intimacies. At the core of Gali’s practice lies an interest in what remains unresolved: emotions that resist closure, memories that continue to shift over time, and words that were never fully spoken. Embedded within the surfaces are fragments drawn from personal writings alongside excerpts from historical letters...

Luke Whitlatch is an American, Los Angeles-based, artist. His paintings have been shown in Los Angeles, New York City, and Wyoming. His work has been re...

Seeking to evolve the way in which she collaborates with nature, Jennifer Wolf’s most recent series of works combine her signature flow process with innovative new layers of painterl...

SIgned verso in the mat Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of time, uti...

"Day Remains II", 2023, Paris, France Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains ...

OVERTURES LIKE THAT 2024 Paris, France This painting portrays a mysterious pattern. The almost living floral shapes and organic shadows allude to both beauty and danger in an abstr...

"Onslaught", 2025, Paris, France The animalia oil painting on antique linen features a striking and abstract composition of a prominent predator skull depicted in a reddish-brown hu...

"Lacuna 2", 2024, Paris, France This artwork, created with India ink on antique cotton, evokes a visceral play between texture, pattern, and absence. Titled "Lacuna", the piece is a...

Seeking to evolve the way in which she collaborates with nature, Jennifer Wolf’s most recent series of works combine her signature flow process with innovative new layers of painterl...

PHYLUM FOUR 2024 Paris, France This painting features intriguing, intersecting folds, evoking shapes that are both floral and insect-like. The organic shadows suggest subtle relatio...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

JARDIN DES PLANTES 2024, PARIS Inspired by the artist's relationship to "Jardin Des Plantes", located in the 5th arrondissements of Paris, France, this original landscape depicts th...

The Street, West Palm Beach, 2014 by Rachel Louise Brown "The Street, West Palm Beach, 2014" is a Dye Sublimation Print on Aluminium. This print is available from a limited editi...

The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the story...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Wonderful vertical abstracted batik, a painting on fabric, of a beautiful rubber tree in yellow, green, & blue by Leventhal (American, 20th Century), circa 1990s. Signed lower left. ...

"Final Offering" delves into intricate details of a poignant scene. The viewer's gaze is drawn to a statuesque figure, with a hand gracefully outstretched, engaging in the tender act of placing a crown of flowers onto what appears to be a sepulcher or marble tomb. The careful attention to the folds, texture, and draping in the subject's clothing stand out in this piece. The color palette chosen - formed with India ink on dyed canvas...

"Ice Cream Stand. Stuart. 2015." is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Proofs. Brown complete...

OF CERULEAN 2024 Paris, France Named after a specific shade of blue, this painting portrays an abstracted, organic floral pattern. The floral shapes and shadows allude to both beau...

This piece titled "The Mother" is an original print by Annalise Gratovich and is made from woodcut with hand dyed paper. This piece measures 71"h x 39.5"w unframed. Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...

"Villa of Diomedes" is an enchanting painting that weaves a captivating tale through its blue-green, white, and sienna accents. The artist skillfully employs a mix of pigments, dyes,...

VESUVIUS 2022 PARIS, FRANCE Graphically textural, yet bold, this abstract piece comes framed, and offers a neutral color palette. Inspired by the eruption of Mount Vesuvius in 79 AD...

CUTTING ROOM 2018 This piece touches on abstracted themes of mass hysteria, confusion, and the curation of information. Subtly conveyed through fragmented, hand painted verbiage in ...

This artwork was awarded and Pre-select by Bite , the exhibition, London 2012 , at The Mall Galleries, at the centre of London's famous The Mall, an iconic Avenue, in front of Buckin...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"The Carousel. Palm Beach Zoo. West Palm Beach. 2015" is a Dye Sublimation Print on Aluminium. This print is available from an Edition of 10 + 2 Artist Pro...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...

Eye Above III, 2021, embroidery and crystals on hand dyed canvas, eye, yellow, blue, red, and orange. Hand signed by artist Certificate of Authenticity in...

Where Secrets Settle by Sedef Gali 2025 Dye, Oil, and Acrylic on Canvas 57" × 37.4" Gali’s artistic practice is deeply influenced by her upbringing in cities characterized by div...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) abstract painting depicting beautiful monarch butterflies by California artist an...

Medium: Dyed and Lacquered Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vi...

Margie Hughto Blue Blossom, 1983 Dyed Handmade paper Hand signed and dated by the artist on the lower right front. Titled on the back. Frame Included in ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

"Arch Points" - Abstract Expressionist Indigo on Acrylic Resin Sculptural San Francisco abstract expressionist (American, 20th c.). Signed indistinctly lower right. Indigo dye and ...

Yet Another Start by Sedef Gali Represented by Tuleste Factory 2025 Pigment Dye, Indian Ink, Acrylic on Canvas 107" x 59" Sedef’s artistic practice is deeply influenced by her u...

Ashton Howard Dye Sublimation “sunset sky”. In good condition measures 35x29

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Color Study II by Sedef Gali Represented by Tuleste Factory Pigment Dye, Acrylic on Canvas 61" x 52.5" Sedef’s artistic practice is deeply influenced by her upbringing in cities ...

"Gibson SG – Buckle Rash" Dye sublimation on aluminium, flush mounted 37.5 x 30 inches / 95 x 76 cm Gibson SG – Buckle Rash is part of Scott McDermott’s acclaimed Backline series, a...

The Weight of Transparency by Sedef Gali 2025 Dye and Acrylic on Canvas 65" × 49.2" Sedef’s artistic practice is deeply influenced by her upbringing in cities characterized by di...

This piece titled "The Undertaker" is an original print by Annalise Gratovich and is made by woodcut on hand-dyed paper. This piece measures 71.5"h x 38.75"w unframed. Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...