Art by Medium: Dye
to
12
31
31
45
28
93
Overall Width
to
Overall Height
to
1
23
204
1
7
5
6
95
92
5
3
2
85
54
36
24
22
16
14
13
11
10
9
8
7
7
6
5
5
4
4
4
4
4
3
228
180,006
95,021
81,015
77,239
23
13
9
8
8
45
16
175
40
Medium: Dye
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Dye, Plastic
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Joel Urruty - Larko, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Dyed Mahogany and basswood
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...
Category
2010s Contemporary Art by Medium: Dye
Materials
Wood, Mahogany, Dye
"The Undertaker", Figurative, Woodcut Print on Hand Dyed Paper
Located in Philadelphia, PA
This piece titled "The Undertaker" is an original print by Annalise Gratovich and is made by woodcut on hand-dyed paper. This piece measures 71.5"h x 38.75"w unframed.
Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Paper, Dye, Ink, Woodcut
Valley Moon Abstract
Located in Greenwich, CT
This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...
Category
1970s Abstract Art by Medium: Dye
Materials
Dye, Acrylic, Board, Rice Paper
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Plastic, Dye
Monotype I Abstract
Located in Soquel, CA
Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th century). Signed "D. Stephens" lower right.
Unframed. Print area: ...
Category
1990s Abstract Expressionist Art by Medium: Dye
Materials
Archival Paper, Dye, Ink
Portrait of Nut / Goddess No. 3
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Candy-Striped Void
Located in New York, NY
Collage, dye, oil and wax on linen
This artwork is offered by ClampArt, located in New York City.
Carl James Ferrero is an artist whose experimental paintings, drawings, collages an...
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Dye, Wax, Oil
"Day Remains I" (abstract, blue dye, deep red, yellow, framed painting, cotton)
Located in Paris, IDF
"Day Remains I", 2023, Paris, France
Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains I...
Category
2010s Abstract Art by Medium: Dye
Materials
Linen, Dye, Oil
Monotype II Abstract
Located in Soquel, CA
Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th century). Signed "D. Stephens" lower right.
Unframed. Print area: ...
Category
1990s Abstract Art by Medium: Dye
Materials
Archival Paper, Dye, Ink
SCAFFOLD (1) - Framed, Linear, Abstract Mixed Media Painting/Drawing on Paper
Located in Signal Mountain, TN
This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Pastel, Dye, Watercolor
Black Beans Goya Can by David Gamble
By David Gamble
Located in Chicago, IL
Goya Can
Dye sublimation print
28 x 20 inches
Edition size: 10
About the artist:
David Gamble is a multidisciplinary artist from London, now based in New Orleans. His body of wo...
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Dye
"Villa of Diomedes" (abstract, blue-green striped, framed painting on linen)
Located in Paris, IDF
"Villa of Diomedes" is an enchanting painting that weaves a captivating tale through its blue-green, white, and sienna accents. The artist skillfully employs a mix of pigments, dyes,...
Category
2010s Abstract Art by Medium: Dye
Materials
Linen, Dye, Ink
Power Division Corruption Joy Lies Fact
Located in New York, NY
Power Division Corruption Joy Lies Fact
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Is That All
Located in Columbia, MO
Hannah Reeves
Is That All
2023
Acrylic and charcoal on raw silk and organdy
8 x 8 inches
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Cotton, Dye, Acrylic
Portrait of Nut / Goddess No. 1
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Textile Sculpture on Steel frame: 'Collar'
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category
2010s Contemporary Art by Medium: Dye
Materials
Steel
Untitled
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Art by Medium: Dye
Materials
Copper
Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture
By Jan Hladik
Located in Wilton, CT
Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 87" x 63" (1976) by Czech textile artist, Jan Jladik, (192...
Category
Mid-20th Century Abstract Art by Medium: Dye
Materials
Fabric, Textile, Tapestry, Wool, Dye
The Shark, Key West, FL, 2018
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Stormy Love, Key West, FL, 2018
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Renegades, Tucson, Arizona, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price listed. Inquire about our framing.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
All The People, Siesta Key, Florida, 2018
By Dinesh Boaz
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Layers in Life, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
The Dig, Manhattan Beach, CA, 2017
By Dinesh Boaz
Located in Hudson, NY
This listing is for the unframed dye sublimation photograph. Please inquire about framing available in all three sizes.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Abstract Composition On Handmade Hanji Paper
Located in Lake Worth Beach, FL
Abstract Handmade Hanji paper. artists signed and dated lower right corner.
The Yuns have created, in their works, a unique alchemy of ancient Asian techniques and more modern Wester...
Category
2010s Abstract Art by Medium: Dye
Materials
Dye, Handmade Paper
Sticks and Stone No. 2
Located in Boston, MA
Pima cotton broadcloth with reactive dyes, silk batting, cotton backing.
Raised in the American South, Rodger Blum received a BFA at North Carolina University of the Arts and an MFA...
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Tapestry, Cotton, Silk, Dye
Blooms + Stems LC2023, Botanical, Collage, Work on Paper, Floral, Vintage
Located in Riverdale, NY
Blooms + Stems No. LC2023 is a botanical collage artwork created with Hand Cut dyed and painted paper by Deborah Weiss. The artwork is 30x22. It is unframed. It is a one of a kind floral artwork. Everylasting flowers. Vintage Paper
This is part of the new “Blooms” series. According to Weiss, “Blooms is a celebration of the contemporary botanical image...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Dye, Handmade Paper
"Boroboro II, " Mixed-Media Kite
Located in Chicago, IL
Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels.
This kite entitled "Boroboro II" is patterned with a patchwork of Japanese cotton...
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Muslin, Wood, Cotton, Thread, Dye
Korean Contemporary Art by Hyun Deok-Sik - The Best
Located in Paris, IDF
Ink on Jang-Ji paper, dye, pigment & Ottchil on panel
Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...
Category
2010s Art by Medium: Dye
Materials
Paper, Dye, Ink, Panel, Pigment
Moon Landing, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”.
Landscape, Ocean, Water, Sea, Color, Aerial, Israel, Dead Sea...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Into The Abyss, Kailua Kona, Hawaii, 2019
By Dinesh Boaz
Located in Hudson, NY
The price listed is for the unframed photograph. Please inquire about the framing cost.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”.
Landscape, Ocean, Water, Beach, Color, Aerial, Seascape, Dolphins, Whales, Helicopter, Animal, Sea, Kailua Kona...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Depth Charge, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price. Please inquire fr framing details in all three sizes available. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”.
Landscape, Ocean, Water, Sea, Color, Aerial, Beach, Israel, Dead Sea...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Korean Contemporary Art by Hyun Deok-Sik - Hard
Located in Paris, IDF
Ink on Jang-Ji paper, dye, pigment & Ottchil on panel
Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...
Category
2010s Art by Medium: Dye
Materials
Dye, Ink, Panel, Bamboo Paper, Pigment
Watching Whales
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
1990s Contemporary Art by Medium: Dye
Materials
Dye, Silver Gelatin
Superman, Batman, Coronavirus by DJ Leon, Dye Sublimation Print
By DJ Leon
Located in White Plains, NY
'Superman, Batman, Coronavirus' by DJ Leon, 2020. 48 x 28 in. A dye-sublimation print on aluminum that is saturated in colors of reds, blues, and whites. The image incorporates, appropriates, and combines found images of Superman and Batman...
Category
2010s Pop Art Art by Medium: Dye
Materials
Metal
The Portraits Haring, Goldberg, Smith, Byrne Set 2023 by Annie Leibovitz
Located in Zug, CH
Keith Haring
Leibovitz’s portrait of Keith Haring is one of her most iconic shots that made the artist auction record in 2016. The photograph is proof of one of Leibovitz central th...
Category
2010s Art by Medium: Dye
Materials
Dye, Color
Racquets
Located in New York, NY
Racquets
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This work ...
Category
20th Century Contemporary Art by Medium: Dye
Materials
Metal
Carl
Located in New York, NY
Carl
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This work is o...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Oranges Drop Blossoms Tear
Located in New York, NY
Oranges Drop Blossoms Tear
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including f...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Prrrrince
Located in New York, NY
Prrrrince
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This work...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
High Jumper
Located in New York, NY
High Jumper
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This wo...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Greenhouse Garden
Located in Columbia, MO
Hannah Reeves
Greenhouse Garden
2023
Acrylic and dye on linen and organdy
42 x 42 inches
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Acrylic, Linen, Dye
Korean Contemporary Art by Hyun Deok-Sik - One More
Located in Paris, IDF
Ink on Jang-Ji paper, dye, pigment & Ottchil on panel
Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...
Category
2010s Art by Medium: Dye
Materials
Paper, Dye, Ink, Panel, Pigment
Daylight Blooms No.25, Botanical Artwork, Collage, Work on Paper, Floral
Located in Riverdale, NY
Daylight Blooms No. 25 is a botanical collage artwork created with Hand Cut dyed paper by Deborah Weiss. The artwork is 30x22. It is unframed. It is...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Dye, Handmade Paper
MARINE KNOTS
Located in Mexico City, MX
This three piece composition was handmade, it has natural pigment colors and it is inspired on sailors and marine life.
It is perfect for outdoor spaces for it stands weathering. On...
Category
2010s Contemporary Art by Medium: Dye
Materials
Cotton, Yarn, Dye
Joel Urruty - Redwhiteblack, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Charred and dyed basswood
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...
Category
2010s Contemporary Art by Medium: Dye
Materials
Wood, Dye
Orange Void
Located in New York, NY
Collage, dye, oil and wax on linen
This artwork is offered by ClampArt, located in New York City.
Carl James Ferrero is an artist whose experimental paintings, drawings, collages an...
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Dye, Wax, Oil
Feminist Figurative Mixed Media Contemporary Sculpture Warrior Waging Peace 1279
Located in New York, NY
Linda Stein, Warrior Waging Peace: Addressing Fear 1279 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture
T...
Category
2010s Feminist Art by Medium: Dye
Materials
Metal
LA PALMS (Red)
Located in Agoura Hills, CA
This is part of a limited edition series.
Dye Sublimation Solorized Aluminum Prints mounted on EuroFrame
26 × 20 × 1 1/2 in 66 × 50.8 × 3.8 cm
Frame included
Editions 1-5 of 5
Maureen J...
Category
2010s Art by Medium: Dye
Materials
Dye
Reflecting on Bordeaux
Located in Toronto, ON
24" x 48" Unframed
Open Edition on Dye Sublimated Aluminum
Hand Signed by Robert Greatrix
Category
21st Century and Contemporary Art by Medium: Dye
Materials
Archival Pigment, Dye
Textile Sculpture on Steel frame: 'Bust
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category
2010s Contemporary Art by Medium: Dye
Materials
Steel
Textile Sculpture on Steel frame: 'Dressy Dickie'
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category
2010s Contemporary Art by Medium: Dye
Materials
Steel
Textile Sculpture on Steel frame: 'Gloves'
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category
2010s Contemporary Art by Medium: Dye
Materials
Steel
Garden Blooms No. 5, Botanical Artwork, Hand Cut Collage, Work on Paper, Floral
Located in Riverdale, NY
Garden Blooms No. 5 is a botanical collage artwork created with Hand Cut dyed and painted paper by Deborah Weiss. The artwork is 22x22. It is framed to...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Dye, Handmade Paper
Dye art for sale on 1stDibs.
Find a wide variety of authentic Dye art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Xinyi Liu, Dinesh Boaz, Nicholas Evans, and Judy Rushin-Knopf. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Dye art, so small editions measuring 0.01 inches across are also available
Recently Viewed
View AllMore Ways To Browse
Vintage Glass Nude Girl
Used Volleyball
Vintage Coke Signs
Vintage Jewelry Michigan
Vintage Che Guevara
Vintage El Dorado
Tyrolean Painting
Vintage Bank Calendar
Vintage Carnival Glass Vases
Vintage Christmas Carolers
Vintage Dumbo
Vintage Diving Board
Vintage Cigarette Girl
Unicorn Figure
Vintage Hillman
Used Blimps
Velvet And Vinyl Vintage
Vintage Air Force Recruiting Posters