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Medium: Dye
"City Lights, " Abstract Stainless Steel Sculpture
Located in Westport, CT
This mid-sized abstract sculpture by artist Joe Sorge is made with stainless steep, orange dye, and a clear coat. It features a thin strip of steel that appears to curl upwards, looping around itself in loose knots. This flowing form creates unique shadows in its environment. Please note that the white pedestal base pictured is not included.
Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece.
Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...
Category
2010s Contemporary Art by Medium: Dye
Materials
Stainless Steel
MARINE KNOTS
Located in Mexico City, MX
This three piece composition was handmade, it has natural pigment colors and it is inspired on sailors and marine life.
It is perfect for outdoor spaces for it stands weathering. On...
Category
2010s Contemporary Art by Medium: Dye
Materials
Cotton, Yarn, Dye
"Orange Skyline, " Stainless Steel Sculpture
Located in Westport, CT
Orange Skyline is an abstract sculpture by Joe Sorge, made from stainless steel with an orange dye and clear coat. The white pedestal pictured beneath the sculpture base is not included.
Connecticut sculptor Joe Sorge says about his work, "The works express fluidity and the resulting tension inherent in the material is balanced by the ensuing harmony of the sculptural object. The result is an expression that comes from a comprehensive understanding of the material and method. The work draws from the modernist vocabulary to create abstract, sometimes whimsical objects...
Category
2010s Contemporary Art by Medium: Dye
Materials
Stainless Steel
Untitled, paint and collage on treated paper
Located in Toronto, Ontario
Tasmanian-born artist Shane Drinkwater harnesses his interest in ancient manuscripts, cartography and astronomy to produce abstract artworks of mystery and beauty. All of his artworks are Untitled and measure approximately 20x20" (50x50 cm). Most are unframed and ship carefully rolled in a tube.
Using acrylic paint on reclaimed paper – dressmaker’s pattern sheets or dyed parchments – his visual vocabulary of dots and dashes, spheres and numbers render his vision as highly coded maps of cosmic systems, secret alphabets...
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Paper, Dye, Acrylic
Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Thread, Dye, Found Objects, Plaster
Untitled, paint and collage on treated paper
Located in Toronto, Ontario
Tasmanian-born artist Shane Drinkwater harnesses his interest in ancient manuscripts, cartography and astronomy to produce abstract artworks of mystery and beauty. All of his artworks are Untitled and measure approximately 20x20" (50x50 cm). Most are unframed and ship carefully rolled in a tube.
Using acrylic paint on reclaimed paper – dressmaker’s pattern sheets or dyed parchments – his visual vocabulary of dots and dashes, spheres and numbers render his vision as highly coded maps of cosmic systems, secret alphabets...
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Paper, Dye, Acrylic
Portrait of Nut / Goddess No. 2
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Portrait of Nut / Goddess No. 1
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
"Halloween" Blanche Lazzell, Batik Abstract Textile Composition, Cloth Dyeing
By Blanche Lazzell
Located in New York, NY
Blanche Lazzell
Halloween, circa 1920-22
Batik
15 1/2 x 9 inches
Provenance:
The artist
James & Janet Reed (gifted from the above)
John Cuthbert, Morgantown, West Virginia
Born ne...
Category
1920s Abstract Art by Medium: Dye
Materials
Textile, Dye
Candy-Striped Void
Located in New York, NY
Collage, dye, oil and wax on linen
This artwork is offered by ClampArt, located in New York City.
Carl James Ferrero is an artist whose experimental paintings, drawings, collages an...
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Dye, Wax, Oil
Guest [C.B.], 7.47 pm, 12th August
By Christopher Bucklow
Located in New York, NY
Unique dye destruction print
Signed, titled, and dated, verso
This artwork is offered by ClampArt, located in New York City.
Price includes framing.
Christopher Bucklow is a Britis...
Category
1990s Contemporary Art by Medium: Dye
Materials
Dye, Color
![Guest [C.B.], 7.47 pm, 12th August](https://a.1stdibscdn.com/christopher-bucklow-1957-british-photography-guest-cb-747-pm-12th-august-for-sale/a_9323/1528295201062/Christopher_Bucklow_Guest_7_47_pm_12_August_1998_1stdibs_master.jpg?width=240 "christopher bucklow guest")
SCAFFOLD (1) - Framed, Linear, Abstract Mixed Media Painting/Drawing on Paper
Located in Signal Mountain, TN
This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Pastel, Dye, Watercolor
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Thread, Dye, Found Objects
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Plastic, Dye
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Thread, Plaster, Dye, Found Objects
"The Undertaker", Figurative, Woodcut Print on Hand Dyed Paper
Located in Philadelphia, PA
This piece titled "The Undertaker" is an original print by Annalise Gratovich and is made by woodcut on hand-dyed paper. This piece measures 71.5"h x 38.75"w unframed.
Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Paper, Dye, Ink, Woodcut
Fiesta abstract with Yellow
Located in Greenwich, CT
A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...
Category
1970s Abstract Art by Medium: Dye
Materials
Masonite, Dye, Acrylic, Rice Paper
Greenhouse Garden
Located in Columbia, MO
Hannah Reeves
Greenhouse Garden
2023
Acrylic and dye on linen and organdy
42 x 42 inches
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Acrylic, Linen, Dye
"Day Remains I" (abstract, blue dye, deep red, yellow, framed painting, cotton)
Located in Paris, IDF
"Day Remains I", 2023, Paris, France
Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains I...
Category
2010s Abstract Art by Medium: Dye
Materials
Linen, Dye, Oil
"Villa of Diomedes" (abstract, blue-green striped, framed painting on linen)
Located in Paris, IDF
"Villa of Diomedes" is an enchanting painting that weaves a captivating tale through its blue-green, white, and sienna accents. The artist skillfully employs a mix of pigments, dyes,...
Category
2010s Abstract Art by Medium: Dye
Materials
Linen, Dye, Ink
Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture
By Jan Hladik
Located in Wilton, CT
Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 87" x 63" (1976) by Czech textile artist, Jan Jladik, (192...
Category
Mid-20th Century Abstract Art by Medium: Dye
Materials
Fabric, Textile, Tapestry, Wool, Dye
Little Weirdo No. 3
Located in New York, NY
Hand-machine knitted thread, fluid acrylic, burlap on dyed fabric
16.5 x 17 inches framed
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Sticks and Stone No. 2
Located in Boston, MA
Pima cotton broadcloth with reactive dyes, silk batting, cotton backing.
Raised in the American South, Rodger Blum received a BFA at North Carolina University of the Arts and an MFA...
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Tapestry, Cotton, Silk, Dye
Monotype II Abstract
Located in Soquel, CA
Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th century). Signed "D. Stephens" lower right.
Unframed. Print area: ...
Category
1990s Abstract Art by Medium: Dye
Materials
Archival Paper, Dye, Ink
Black Beans Goya Can by David Gamble
By David Gamble
Located in Chicago, IL
Goya Can
Dye sublimation print
28 x 20 inches
Edition size: 10
About the artist:
David Gamble is a multidisciplinary artist from London, now based in New Orleans. His body of wo...
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Dye
50th and 6th, #1 (Radio City)
Located in Greenwich, CT
Mark S. Kornbluth (American, b. 1966)
Dye Sublimated on Aluminum
From the DARK series, comprised of large-format photographs of Broadway theaters that quickly became symbols of the...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye
Valley Moon Abstract
Located in Greenwich, CT
This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...
Category
1970s Abstract Art by Medium: Dye
Materials
Dye, Acrylic, Board, Rice Paper
"Untitled" acrylic and dye red floral pinwheel on cotton canvas
Located in Nyack, NY
Abstract acrylic and dye painting on cotton canvas by artist Martha Lloyd.
A bright red pinwheel style flower in the center of a square canvas, against ...
Category
1990s Abstract Art by Medium: Dye
Materials
Dye, Cotton Canvas, Acrylic
Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture
By Jan Hladik
Located in Wilton, CT
Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...
Category
1970s Abstract Art by Medium: Dye
Materials
Fabric, Textile, Tapestry, Wool, Dye
LA PALMS (Violet)
Located in Agoura Hills, CA
This is part of a limited edition series.
Dye Sublimation Solorized Aluminum Prints mounted on EuroFrame
26 × 20 × 1 1/2 in 66 × 50.8 × 3.8 cm
Frame included
Editions 1-5 of 5
Maureen J...
Category
2010s Art by Medium: Dye
Materials
Dye
"Framed & Draped: Material Collection" Lia Cook, Contemporary Wall Textile
By Lia Cook
Located in Wilton, CT
"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989.
This contemporary abstract mixed media tapestry was done by California-based Ameri...
Category
1980s Abstract Geometric Art by Medium: Dye
Materials
Fabric, Tapestry, Thread, Dye, Mixed Media, Acrylic
SCAFFOLD (2) - Framed, Linear, Abstract Mixed Media Painting/Drawing on Paper
Located in Signal Mountain, TN
This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Pastel, Dye, Watercolor, Gouache
The Portraits Haring, Goldberg, Smith, Byrne Set 2023 by Annie Leibovitz
Located in Zug, CH
Keith Haring
Leibovitz’s portrait of Keith Haring is one of her most iconic shots that made the artist auction record in 2016. The photograph is proof of one of Leibovitz central th...
Category
2010s Art by Medium: Dye
Materials
Dye, Color
Textile Sculpture on Steel frame: 'Collar'
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category
2010s Contemporary Art by Medium: Dye
Materials
Steel
Blue Ice Island
Located in Santa Monica, CA
Watercolor on Arches paper
Category
1980s Abstract Art by Medium: Dye
Materials
Paper, Watercolor, Dye, Sumi Ink
Deep into the outer reaches of space
Located in Santa Monica, CA
Acrylic, dye, pencil on canvas.
Category
21st Century and Contemporary Outsider Art Art by Medium: Dye
Materials
Canvas, Dye, Acrylic, Pencil
Acute Onset no.3
Located in Santa Monica, CA
Mixed media (linen, light sensitive dye, polyfil, dryer lint, thread)
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Thread, Dye, Mixed Media
Acute Onset no.7 (pandemic buildup)
Located in Santa Monica, CA
Mixed media (linen, light sensitive dye, polyfil, dryer lint, thread)
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Linen, Thread, Dye
Acute Onset no.1
Located in Santa Monica, CA
Mixed media (linen, light sensitive dye, polyfil, dryer lint, thread)
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Thread, Dye
The Shark, Key West, FL, 2018
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Cisco Beach
Located in New York, NY
Ed. 1/5
Dye sublimation on metal
Vincent Ricardel is a photographic artist whose career has spanned the editorial, commercial and fine art worlds of photography. Throughout his ca...
Category
2010s Art by Medium: Dye
Materials
Dye
Porthole #13
By Jami Goldman
Located in New York, NY
Ed. 3/15
Infused dye sublimated on aluminum.
Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She is best known for her abstract re...
Category
2010s Art by Medium: Dye
Materials
Dye
Porthole #12
By Jami Goldman
Located in New York, NY
Ed. 3/15
Infused dye sublimated on aluminum
Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She is best known for her abstract rea...
Category
2010s Art by Medium: Dye
Materials
Dye
Porthole #14
By Jami Goldman
Located in New York, NY
Ed. 3/15
Infused dye sublimated on aluminum.
Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She is best known for her abstract ...
Category
2010s Art by Medium: Dye
Materials
Dye
Porthole #11
By Jami Goldman
Located in New York, NY
Ed. 3/15
Infused dye sublimated on aluminum.
Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She is best known for her abstract r...
Category
2010s Art by Medium: Dye
Materials
Dye
Korean Contemporary Art by Hyun Deok-Sik - One More
Located in Paris, IDF
Ink on Jang-Ji paper, dye, pigment & Ottchil on panel
Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...
Category
2010s Art by Medium: Dye
Materials
Paper, Dye, Ink, Panel, Pigment
All The People, Siesta Key, Florida, 2018
By Dinesh Boaz
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Stormy Love, Key West, FL, 2018
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Renegades, Tucson, Arizona, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price listed. Inquire about our framing.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Korean Contemporary Art by Hyun Deok-Sik - I am the Dragon
Located in Paris, IDF
Ink on Jang-Ji paper, dye, pigment & Ottchil on panel
Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...
Category
2010s Art by Medium: Dye
Materials
Paper, Dye, Ink, Panel, Pigment
Untitled
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Art by Medium: Dye
Materials
Copper
Layers in Life, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Ghost Ship, Key West, FL, 2018
By Dinesh Boaz
Located in Hudson, NY
This is the unframed cost. Please inquire for the framing cost in the three sizes this image comes in.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Destiny, Kaneohe Bay, Oahu, Hawaii, 2018
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. Th...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Moon Landing, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”.
Landscape, Ocean, Water, Sea, Color, Aerial, Israel, Dead Sea...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Feminist Figurative Mixed Media Contemporary Sculpture Warrior Waging Peace 1279
Located in New York, NY
Linda Stein, Warrior Waging Peace: Addressing Fear 1279 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture
T...
Category
2010s Feminist Art by Medium: Dye
Materials
Metal
Dye art for sale on 1stDibs.
Find a wide variety of authentic Dye art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Xinyi Liu, Dinesh Boaz, Nicholas Evans, and Judy Rushin-Knopf. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Dye art, so small editions measuring 0.01 inches across are also available