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Medium: Dye
"Single Ampeg", Pop Art Music Photography, Contemporary Guitar Amp Wall Art
Located in Dallas, TX
Scott McDermott – “Single Ampeg”
From the Backline series, 2023
Dye sublimation on aluminum, flush mounted
40h x 40w x 2d inches (102h x 102w x 5d cm)
...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Mixed Media, Photographic Paper
3rd to 5th Century Coptic Egyptian Textile fragment beige dark blue Brocade
Located in Austin, TX
Textile size 8.5 x 10 in.
Frame size 13.5 x 15 in.
This piece is an ancient Coptic Egyptian textile fragment, dating from the 3rd to 5th century CE. It is composed of a coarse, plai...
Category
15th Century and Earlier Art by Medium: Dye
Materials
Textile, Linen, Dye
Deep into the outer reaches of space
Located in Santa Monica, CA
Acrylic, dye, pencil on canvas.
Category
21st Century and Contemporary Outsider Art Art by Medium: Dye
Materials
Canvas, Dye, Acrylic, Pencil
$288 Sale Price
20% Off
Acute Onset no.3
Located in Santa Monica, CA
Mixed media (linen, light sensitive dye, polyfil, dryer lint, thread)
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Thread, Dye, Mixed Media
$369 Sale Price
20% Off
Joel Urruty - Redwhiteblack, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Charred and dyed basswood
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...
Category
2010s Contemporary Art by Medium: Dye
Materials
Wood, Dye
The Shark, Key West, FL, 2018
By Dinesh Boaz
Located in Hudson, NY
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Dye
Materials
Fabric, Plastic, Dye
Traces III
Located in Atlanta, GA
A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...
Category
2010s Contemporary Art by Medium: Dye
Materials
Canvas, Dye, Emulsion, Cotton Canvas, Archival Ink, Mixed Media, Acrylic...
$5,700
Daylight Blooms No.25, Botanical Artwork, Collage, Work on Paper, Floral
Located in Riverdale, NY
Daylight Blooms No. 25 is a botanical collage artwork created with Hand Cut dyed paper by Deborah Weiss. The artwork is 30x22. It is unframed. It is...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Dye, Handmade Paper
Wind Moon Howling I
Located in Atlanta, GA
A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...
Category
2010s Contemporary Art by Medium: Dye
Materials
Canvas, Dye, Emulsion, Cotton Canvas, Archival Ink, Mixed Media, Acrylic...
Black Beans Goya Can by David Gamble
By David Gamble
Located in Chicago, IL
Goya Can
Dye sublimation print
28 x 20 inches
Edition size: 10
About the artist:
David Gamble is a multidisciplinary artist from London, now based in New Orleans. His body of wo...
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Dye
Pedal Board Grid for Music Lovers - Bright, Patterned Pop Contemporary Photo
Located in Dallas, TX
PedalBoard Grid, Backline Series
Dye sublimation on aluminium, flush mounted
36.5 x 40 inches / 93 x 102 cm
Edition of 12
Scott McDermott’s PedalBoard Grid transforms the raw energy...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Mixed Media, Photographic Paper
Orange Void
Located in New York, NY
Collage, dye, oil and wax on linen
This artwork is offered by ClampArt, located in New York City.
Carl James Ferrero is an artist whose experimental paintings, drawings, collages an...
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Dye, Wax, Oil
Kathleen Kane-Murrell, Mixed Media Abstract, "Thoughts on Moths" 2025
Located in San Diego, CA
This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass, silk) painting depicting beautiful yellow Gingko leaves against abstract background by Calif...
Category
2010s Contemporary Art by Medium: Dye
Materials
Silk, Plexiglass, Paper, Dye, Acrylic
Kathleen Kane-Murrell, Mixed Media Abstract Composition "Parachute" 2025, Framed
Located in San Diego, CA
This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against abstract background by Californi...
Category
2010s Contemporary Art by Medium: Dye
Materials
Silk, Plexiglass, Dye, Acrylic
Greenhouse Garden
Located in Columbia, MO
Hannah Reeves
Greenhouse Garden
2023
Acrylic and dye on linen and organdy
42 x 42 inches
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Acrylic, Linen, Dye
Carl
Located in New York, NY
Carl
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This work is o...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Christaline
Located in Greifswald, DE
Technique: Dye sublimation on aluminum (Gloss finish)
Frame: Black Aluminium Float Frame (Matte)
Category
2010s Modern Art by Medium: Dye
Materials
Metal
Kathleen Kane-Murrell, Mixed Media Abstract Gingko Leaves, "Perspective Comes" 2
Located in San Diego, CA
This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) painting depicting beautiful gold gingko leaves against abstract background by California ar...
Category
2010s Contemporary Art by Medium: Dye
Materials
Plexiglass, Paper, Dye, Acrylic
Kathleen Kane-Murrell, Mixed Media Abstract Composition, "Midas Touch" 2024
Located in San Diego, CA
This is a one of a kind original mixed media (Silk paper, molded paper, dye, ink, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled, "...
Category
2010s Contemporary Art by Medium: Dye
Materials
Plexiglass, Paper, Dye, Ink
Monotype I Abstract
Located in Soquel, CA
Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th century). Signed "D. Stephens" lower right.
Unframed. Print area: ...
Category
1990s Abstract Expressionist Art by Medium: Dye
Materials
Archival Paper, Dye, Ink
Monotype II Abstract
Located in Soquel, CA
Opaque and transparent colors work together in this beautiful Monotype painting by David Stephens (American, 20th century). Signed "D. Stephens" lower right.
Unframed. Print area: ...
Category
1990s Abstract Art by Medium: Dye
Materials
Archival Paper, Dye, Ink
Mixed Amps for Music Lovers - Bright, Pop, Patterned Contemporary Photography
Located in Dallas, TX
"Mixed Amps"
Dye sublimation on aluminium, flush mounted
32 x 40 inches / 81 x 102 cm
Mixed Amps from Scott McDermott’s Backline series transforms the familiar sight of stacked guit...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Mixed Media, Photographic Paper
Summerset II
Located in Atlanta, GA
A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...
Category
2010s Contemporary Art by Medium: Dye
Materials
Canvas, Dye, Emulsion, Cotton Canvas, Archival Ink, Mixed Media, Acrylic...
Kathleen Kane-Murrell, Mixed Media Abstract Butterflies, "La Danza" 2025
Located in San Diego, CA
This is a one of a kind original mixed media (Acrylic, shibori dyed fabric, molded paper, plexiglass) abstract painting depicting beautiful monarch butterflies by California artist a...
Category
2010s Contemporary Art by Medium: Dye
Materials
Fabric, Plexiglass, Paper, Dye, Acrylic
"The Undertaker", Figurative, Woodcut Print on Hand Dyed Paper
Located in Philadelphia, PA
This piece titled "The Undertaker" is an original print by Annalise Gratovich and is made by woodcut on hand-dyed paper. This piece measures 71.5"h x 38.75"w unframed.
Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...
Category
21st Century and Contemporary Contemporary Art by Medium: Dye
Materials
Paper, Woodcut, Ink, Dye
Is That All
Located in Columbia, MO
Hannah Reeves
Is That All
2023
Acrylic and charcoal on raw silk and organdy
8 x 8 inches
Category
21st Century and Contemporary Abstract Art by Medium: Dye
Materials
Cotton, Dye, Acrylic
"Day Remains I" (abstract, blue dye, deep red, yellow, framed painting, cotton)
Located in Paris, IDF
"Day Remains I", 2023, Paris, France
Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains I...
Category
2010s Abstract Art by Medium: Dye
Materials
Linen, Dye, Oil
Portrait of Nut / Goddess No. 2
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Little Weirdo No. 3
Located in New York, NY
Hand-machine knitted thread, fluid acrylic, burlap on dyed fabric
16.5 x 17 inches framed
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Ceramic Bowl with Peaches and Red and Blue Plums
Located in BARCELONA, ES
Jean-Marie Guyaux’s artworks are unique for their blend of digital capture and non-photographic software. In the “Redux” series, he reinterprets classic masterpieces, projecting thes...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Digital
Power Division Corruption Joy Lies Fact
Located in New York, NY
Power Division Corruption Joy Lies Fact
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Portrait of Nut / Goddess No. 1
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Art by Medium: Dye
Materials
Fabric, Thread, Dye
Prrrrince
Located in New York, NY
Prrrrince
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This work...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
High Jumper
Located in New York, NY
High Jumper
2021
Signed and numbered on label, verso
Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs)
32 x 24 inches
$4,500, including framing
This wo...
Category
2010s Contemporary Art by Medium: Dye
Materials
Metal
Candy-Striped Void
Located in New York, NY
Collage, dye, oil and wax on linen
This artwork is offered by ClampArt, located in New York City.
Carl James Ferrero is an artist whose experimental paintings, drawings, collages an...
Category
2010s Contemporary Art by Medium: Dye
Materials
Linen, Dye, Wax, Oil
Double Panel Monumental Pink and Purple Dyed and Painted Stretched Rubber Canvas
By Jack Drummer
Located in Buffalo, NY
This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's.
This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition.
The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017.
John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii.
On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime.
Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...
Category
1980s Contemporary Art by Medium: Dye
Materials
Rubber, Paint, Dye
WT - Two Lemon Meringue
Located in BARCELONA, ES
Jean-Marie Guyaux’s artworks are unique for their blend of digital capture and non-photographic software. In the “Redux” series, he reinterprets classic masterpieces, projecting thes...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Digital
All The People, Siesta Key, Florida, 2018
By Dinesh Boaz
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Art by Medium: Dye
Materials
Dye, Photographic Paper
Fiesta abstract with Yellow
Located in New York, NY
A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...
Category
1970s Abstract Art by Medium: Dye
Materials
Masonite, Dye, Acrylic, Rice Paper
SCAFFOLD (2) - Framed, Linear, Abstract Mixed Media Painting/Drawing on Paper
Located in Signal Mountain, TN
This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Pastel, Dye, Watercolor, Gouache
Utopalypse #5
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Art by Medium: Dye
Materials
Canvas, Silk, Wood, Dye
Into The Abyss, Kailua Kona, Hawaii, 2019
By Dinesh Boaz
Located in Hudson, NY
The price listed is for the unframed photograph. Please inquire about the framing cost.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz and Edward Burtynsky. Born in India with deep roots in Sri Lanka, Boaz moved from Chennai to the United States. He studied Psychology at Rutgers University, but it was there that he also took his first photography class. After graduation, he ran a successful recording studio in Soho. Then, as he returned to photography, he took multiple courses including digital printmaking at the International Center of Photography. In May 2019, Boaz was announced as the winner of the National Geographic Adventure photography contest for his piece “All The People”.
Landscape, Ocean, Water, Beach, Color, Aerial, Seascape, Dolphins, Whales, Helicopter, Animal, Sea, Kailua Kona...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Dasha and Doves
Located in New York, NY
AP
Infused dye on sublimated on aluminum.
Internationally lauded as one of the leading photographers of her generation, Joyce Tenneson’s work has been published in books and major...
Category
1990s Art by Medium: Dye
Materials
Dye
Layers in Life, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Art by Medium: Dye
Materials
Photographic Paper, Dye
Textile Sculpture on Steel frame: 'Collar'
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category
2010s Contemporary Art by Medium: Dye
Materials
Steel
SCAFFOLD (1) - Framed, Linear, Abstract Mixed Media Painting/Drawing on Paper
Located in Signal Mountain, TN
This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Pastel, Dye, Watercolor
"Framed & Draped: Material Collection" Lia Cook, Contemporary Wall Textile
By Lia Cook
Located in Wilton, CT
"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989.
This contemporary abstract mixed media tapestry was done by California-based Ameri...
Category
1980s Abstract Geometric Art by Medium: Dye
Materials
Fabric, Tapestry, Thread, Dye, Mixed Media, Acrylic
Big Blooms No 7, Botanical Artwork, Blue, Collage, Work on Paper, Floral, Framed
Located in Riverdale, NY
Big Blooms No. 7 is a botanical collage artwork created with Hand Cut dyed paper by Deborah Weiss. The artwork is 28x22 and is in a white frame. The fr...
Category
2010s Contemporary Art by Medium: Dye
Materials
Paper, Dye, Handmade Paper
Valley Moon Abstract
Located in New York, NY
This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...
Category
1970s Abstract Art by Medium: Dye
Materials
Dye, Acrylic, Board, Rice Paper
Utopalypse #3
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Art by Medium: Dye
Materials
Canvas, Silk, Wood, Dye
Porthole #14
By Jami Goldman
Located in New York, NY
Ed. 3/15
Infused dye sublimated on aluminum.
Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She is best known for her abstract ...
Category
2010s Art by Medium: Dye
Materials
Dye
Eye Above III
Located in Jersey City, NJ
Eye Above III, 2021, embroidery and crystals on hand dyed canvas, eye, yellow, blue, red, and orange.
Hand signed by artist
Certificate of Authenticity in...
Category
2010s Contemporary Art by Medium: Dye
Materials
Canvas, Yarn, Wood, Dye
Dye Painting #19
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Art by Medium: Dye
Materials
Canvas, Silk, Wood, Dye
Feminist Figurative Mixed Media Contemporary Sculpture Warrior Waging Peace 1279
Located in New York, NY
Linda Stein, Warrior Waging Peace: Addressing Fear 1279 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture
T...
Category
2010s Feminist Art by Medium: Dye
Materials
Metal
$38,400 Sale Price
20% Off
Cisco Beach
Located in New York, NY
Ed. 1/5
Dye sublimation on metal
Vincent Ricardel is a photographic artist whose career has spanned the editorial, commercial and fine art worlds of photography. Throughout his ca...
Category
2010s Art by Medium: Dye
Materials
Dye
Utopalypse #6
Located in Santa Monica, CA
Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...
Category
2010s Abstract Art by Medium: Dye
Materials
Canvas, Silk, Wood, Dye
Suzanne with Lit Arm
Located in New York, NY
AP
Infused dye sublimated on aluminum.
Internationally lauded as one of the leading photographers of her generation, Joyce Tenneson’s work has been published in books and major ma...
Category
1990s Art by Medium: Dye
Materials
Dye
Dye art for sale on 1stDibs.
Find a wide variety of authentic Dye art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Xinyi Liu, Dinesh Boaz, Nicholas Evans, and Judy Rushin-Knopf. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Dye art, so small editions measuring 0.01 inches across are also available