Art by Medium: Paint

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965) American painter and printmaker. Born in Brooklyn Heights, Beulah (Elsie Sloan) Stevenson lived there her entire life. In New York she studied at the Pratt Institute and the Art Students League, where her instructors included Ashcan artist John Sloan; in Provincetown, she worked and studied with Abstract Expressionist artist Hans Hofmann (an influential teacher whose students included many notable artists including Lee Krasner, Helen Frankenthaler, Irene Rice Pereira, Gerome Kamrowski, Fritz Bultman, Wolf Kahn, Marisol Escobar and Beulah Stevenson), a long-time curator at the Brooklyn Museum, was also among his pupils. Her work appeared in many group shows, and she won a number of awards. She was a curator at the Brooklyn Museum for many years, and that museum owns a number of examples of her work, as do the Library of Congress and the New York Public Library. Stevenson maintained many professional associations during her career; she was president of the New York Society of Women Artists, a board member of the National Association of Women Artists, and a vice-president of the Brooklyn Society of Artists, Art Institute of Chicago, International Graphic Society Inc., Philadelphia Print Club, Provincetown Art Association and the Creative Artist's Association. She also belonged to the American Artists' Congress which promoted social-realist style of American scene painting, she left to join the Federation of Modern Painters and Sculptors established To Promote Avant-Garde Art. Stevenson was said by a friend to have destroyed many of her papers prior to her death, but a collection was donated to the Archives of American Art at the Smithsonian Institution. Select Group Exhibitions Art Institute of Chicago; , Library of Congress, Washington, D.C.; Print Club of Philadelphia; National Arts Club, New York; Metropolitan Museum; Whitney Museum; Brooklyn Museum; Chicago Art Institute; Pennsylvania Academy Of Fine Arts; Rochester Memorial Museum; St. Paul Museum; M. H. De Young Memorial Museum Of Art; Houston Museum Of Art; William R. Nelson Museum Of Art; Columbus Museum Of Art; American Institute Of Graphic Arts; Provincetown Art Association; Columbia Museum Of Art; Schenectady Museum Of Fine Art; Portland Museum, ME; Royal Society, London; Gallery O...

Abstract artwork containing multitude of cooler colors.

Blue landscape is an original contemporary artwork by Mario Asnago (1896-1981). Mixed colored oil painting. Hand signed on the lower margin. Includes frame.

Daiva Kairevičiūtė graduated from the Vilnius Academy of Fine Arts in 1996. She is a prized Lithuanian artist. She became a member of the Union des ...

Lucía Rodríguez Pérez was first drawn to painting on a circular canvas while studying in Santiago, Chile. This early body of work experimented with color and featured ivy or plants i...

"Jane Fonda" is an Original Oil Painting on Canvas that is signed by the artist. This painting of Jane Fonda is one of the few figurative paintings that Howard Behrens made during hi...

"Good Instincts" is a 37in x 47in original oil painting by Katherine Fraser in a handmade wood frame. Artist Statement // Life often strikes me as a string of moments, like a series...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Original Period Newcomb Macklin Frame George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Blooming trees. 2017. Acrylic on canvas, 80x100 cm

A work by Julian Schnabel. This large scale, Untitled, oil, resin, gesso, fabric and leather on seamed dropcloth, abstract painting is executed in a dark palette, primarily in grays ...

This mixed media painting on masonite is a portrait of a Renaissance figure. The background is a light taupe color with a delineated profile of the face. The signature is on the front, bordering the figure's cape. The work is sold framed. Although the painting itself is in marvelous condition, the original wood frame has some slight imperfections on the top and sides, as pictured. Mario Martin del...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Wilhelmina Barns-Graham (1912 – 2004) Card for Sandra Blow’s 75th birthday (1995) Gouache and collage 34 x 21 cm Inscribed to reverse “For Sandra, Happy Birthday, with love Willie, 13/9/95”. Barns-Graham’s modern design features 70 vividly coloured circles; each one is different from the last, but all are geometrically aligned in neat rows and columns. Sandra Blow’s initials appear separately as “S” and “B” in the design. Blow and Barns-Graham became friends in the 1950s; both spent lengthy periods of time in St Ives, and made major contributions to Britain’s catalogue of post-war art. Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. Her parents were second cousins, and their respective families were well established representatives of minor Scottish gentry from both the east and west of the country. As a child, Barns-Graham showed very early signs of creative ability. It was at school that Wilhelmina decided that she wanted to be an artist, stating later in life that “painting chose me, not I it”. After school she set her sights on Edinburgh College of Art where, after some dispute with her father (who was an emotional man prone to uncontrolled anger), she enrolled in 1931. During her time at Edinburgh College, Barns-Graham was taught by tutors including portrait painter David Alison and painter William MacTaggart. Her friends there included the influential Scottish painters Robert MacBryde, Robert Colquhoun, and William Gear. After her education, Barns-Graham made study trips to Paris, London, and St Tropez before moving to St Ives, Cornwall, in 1940 (at the suggestion of the Edinburgh College of Art’s Principal Hubert Wellington). Barns-Graham moved near to where a group of modernist artists had settled, at Carbis Bay – this was a pivotal moment in her life. On one of her first evenings there she met the sculptor Barbara Hepworth, who made an immediate and lasting impression on her. She then went on to meet Borlase Smart...

"Mirador" by artist David Everett is polychromed mahogany, and measures 28 1/4 x 30 1/2 x 15 1/8 inches. It is signed "© D EVERETT 2023". David Everett was born in Beaumont, Texas, ...

Evening breeze by Mary Chaplin [2021] original acrylic on canvas Image size: H:65 cm x W:162 cm Complete Size of Unframed Work: H:65 cm x W:162 cm x D:2,5cm Sold Unframed Please...

Ink, charcoal, pencil, pastel, markers on paper Framed - 96 x 71 x 3 cm, brown wood frame Shota Imerlishvili is a Georgian artist born in 1991 who...

We are thrilled to have acquired this fine mid 19th Century oil, attributed to the genre scene painter Henry Adams (1794-1868). The scene shows an elegantl...

Portrait of a Man is an original modern artwork realized the Italian artist Gaetano Bocchetti in the half of the XX Century. Hand-signed by the artist on teh lower left corner. Exc...

Stages of Dreaming II displays a female figure wearing a sage green dress and a large bright blue and purple hat. An extra long stem of a flower ext...

Large dimensional oil painting. Story about painting: "Sometimes we see things around us and we don't see them in bright colors, but only black and white. It is similar when we t...

Artist: William Katz, American Title: Homage to Jackson Pollock Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 56 in. (91.44 x 142.24 cm) Frame Size: 37 x 57 inches

Large contemporary abstract expressionist oil, acrylic and sand on canvas, titled 'Implicite' by French artist Christian Manoury. Signed, dated 2019 ...

A gallery wrapped oval canvas, the painted image extends around the perimeter of the painting avoiding the need for any framing. Supplied ready to hang with advice on hanging options...

Auguste Herbin, 1882-1960, Vie III, 1950, Oil on canvas, Signed and dated lower left, Canvas : 23 5/8" high x 31 7/8" wide Frame: 33 7/8" high x 42 1/8" wide Auguste HERBIN (1882...

Che Leviathan (US based) "Passive Sacrifice" is an original, handmade oil painting that depicts a white horse in profile, with thick white mane, bowing i...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 41" x 61" x 1.5". It is framed as pictured. A ce...

“Oftentimes one has to get off the beaten track to discover secret treasures and this was the case when I discovered this scene in Northern California.” A splendid oil on canvas ...

"Voice of the Moon" is a 14-panel installation by Indian artist Ritu Sinha. Each panel represents a different story or experience in Sinha's life as a woman and mother in India. Rit...

Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...

Depicts the terminal view from LAX. Sparsely populated though replete with objects and evidence of the built environment, Gay Summer Rick creates iconic urban and coastal land and cityscape paintings that evoke emotion and a sense of place. She creates scenes that are at once dreamlike and familiar. You may have been there; you are there. Revealing an unexpected beauty in commonplace elements within the urban landscape, Gay Summer’s style is a melding of impressionism and color-field painting describing the quiet vibration of life where cities meet the sea. Applying oil paint to canvas using only palette knives, Gay Summer Rick creates images through a series of interacting, melded layers. The paint is treated architectonically; it is engineered, built into layers, carved, scraped, accumulated, and almost sculpted, but never removed, never discarded. In part to avoid material waste and the use of toxic solvents for reasons of environmentalism, she finds this almost mnemonic accrual of paint a reflection of her experiences in the places she depicts. Growing up in New York surrounded by artists, Gay Summer Rick began her arts education early in life. She went on to formally study art and received her Bachelor of Fine Arts degree in New York at the School of Art and Design, Alfred University, where she drew, painted and sculpted images on clay forms and vessels. After receiving a Masters degree in Business Administration, she continued her art training in Los Angeles in painting, which became the primary focus of her art practice. A resident of Southern California for over 25 years, the artist maintains her studio in Malibu. Gay Summer Rick regularly exhibits in California and Hawaii, and has shown in New York, Europe, and Japan. Her paintings have been featured in solo gallery exhibitions and museum group exhibitions including the Los Angeles County Museum of Art Rental & Sales Gallery; and in international and national group exhibitions where she has received numerous awards and honors. She is a member of Oil Painters of America, California Art Club, Malibu Art...

Up for sale is a beautiful Antique 18-century original oil painting on canvas depicting a portrait of a Nobleman with a large whig, and red lined jacket...

Acrylic on canvas/stretcher frame. Signed by the artist. Certificate of authenticity. “Life can be so beautiful,” he says. You just have to look at it from multiple angles. A glass ...

Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in the 1970s. In good conditions. Tempera, oil p...

Translated title: "Invitation to the game" Acrylic and sand on plywood.

Portrait of Garibaldi is an original modern artwork realized by an unknown Artist in the late 19th Century. Mixed colored oil painting on canvas. Good conditions.

This complimentary pair of paintings place emphasis on the blending of intricate detail and strong composition. Extensive detail is found in the pearls made of paper collage building...

Blue Cloud, Pink Sky is an original artwork realized by the English artist Martin Bradley in 1983. Original gouache on paper. Titled on the lower left corner Blue Cloud, Pink Sky...

"Untitled" is a painting by American artist David Smith. David Smith’s paintings from the 1930s rarely come to market, and when Untitled (Billiard Players) surfaced at a Christie’s auction in 2018, it created quite a stir, realizing an impressive price of $1.15 million. Painted around the same time, Untitled shares many similarities with Untitled (Billiard Players). Both paintings affirm Smith’s place among the American artists when ideas and style began to intermingle and coalesce around Picasso’s innovations. Uniquely positioned in temperament and ability, Smith was a man of considerable ambition whose direct-metal configurations would have much to do with achieving new ideas about abstraction. Yet all along, he insisted he was a painter, not a sculptor who painted. Paintings by Smith...

Michelle Jader's "Red Rover, Red Rover" is an original, handmade oil painting on 2 acrylic panels that depicts a child playing on a playground toy and t...

Pegah Samaie's (CA based) "Where is Home?" is an original, handmade oil painting that depicts a reclining nude woman, wrapped in a white fabric, gently to...

"Spring and All" (2019) by Gail M. Boykewich Acrylic on wood panel, figurative, butterfly, daytime, skyscape, portrait, woman holding an open book, flipping through the pages, a cup ...

Beautiful portrait of the hero of Italian Risorgimento, so-called "hero of two worlds" meaning his political and military effort in joining and enhancing revolutionary movements in L...

Lukaszs Olek Distortion Acrylic on Canvas Year: 2023 Size: 47x47x1.6in Signed by hand COA provided Ref.: 924802-1567 *comes framed on stretcher ready to...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Joseph Broghammer The Devil’s Tooth (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 40x40in Signed by hand COA provided Ref.: 924802-1894 *on stre...

From the Deep (Autumn), 2018

“Windows’ Foot” by Jim Banks is a contemporary take on landscape or floral painting. This 36 x 42 inch oil painting on Masonite is from his “Footscape” serie...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

Artist: Jack Graves III (American, 1988-) Title: "Rorschach Birds Supreme" Series: Eclecticism *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Original Acrylic Painting on Canvas Canvas size: 72" x 56" Condition: The stretched canvas was custom built by the artist himself. In mint condition Shipping: This painting will be shipped canvas...

A painting by Alexander Calder. "Tracks" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, and yellows by artist Alexander Calder. The artwork...

This is a painting from my architectural series of works. In this particular painting I tried to capture a graphic and simple use of colour by keeping the colours neutral and modern....

"The Cross" is a painting by Alexander Calder. The painting is signed in the lower right, "Calder". The framed dimensions are 30 x 37.5 x 1.75 in. "The Cross...

Paloma Ripollés Five Towers Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

Period frame Framed dimensions are 30" x 34" x 2" Signed & dated lower right

Stainless Steel and Paint California born and educated sculptor Matt Gil graduated from San Jose State University, and his work has been widely exhibited throughout California since...

Made in Ukraine, 2020. This series of sculptures is a tribute to the great importance that simple symbols make in our lives. Can not imagine we will not see these symbols we meet every day - links, hashtags and pins. Seem impossible and even unlogic now. Pure symbolism and collaboration of brutal steel and white nature stone...