Antique English Oil Painting 'The Knight Errant' Pre-Raphaelite Nude & Knight

c. 1900's

Attributed to Antoine Felix Boisselier (19th Century) French 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso Size of pain...

19th Century Continental School (unsigned, as one would expect) A study of a saint Medium ; oil on panel, unframed. Size: 26" x 12" inches

French school after 1890 The Knight's Farewell Oil on canvas 124 x 64 cm Not signed A very beautiful painting, romantic and very decorative, both monumental in its composition and touching in its subject, especially since it stands out in a tight frame. The knight's farewell to his beloved is represented on a background marked by naturalism with its meadow, its flowers, its wood, its river and its very beautiful colors. The painting is of the end of the 19th century or the beginning of the 20th century, and he is certainly French as indicated by the mtamp of the canvas merchant on the back of the canvas (the Jules Chauvin house which was active at 33 rue du Dragon in Paris between 1895 and 1937). The style of our painting is romantic, even picturesque. The knight carries the "Reichsadler", the imperial eagle of the Holy Roman Empire and the lady a satchel with various signs including bear paw prints. The style is naturalistic and reminds of the English painters of the 1890s inspired by the Pre-Raphaelites and Art Nouveau with religious and medieval themes and it is very close to nature with their settings of meadow, flowers and woods. The English art historian John Christian spoke of the last English Romantics in relation to these painters of the end of the century, Burne-Jones, Stanley Spencer or John William Waterhouse. Those motifs are also found here, of the meadow, flowers, wood and river that we often see in Waterhouse's art in particular. As for the composition, that reminds in particular of the English woman painter of Austrian origin Marianne Stokes...

A Large and impressive antique oil on canvas Pre-Raphaelite painting by the German artist, Hermann Frobenius (1871-1954), signed and dated 1900. Frobenius had classical training and studied both in Rome and Florence, he later was in the circle of Arnold Bocklin and Hans von Marees, he settle in Munich but also in Dresden briefly and latterly in Berlin. He, like many other European painters was fascinated with North Africa and painted many oriental scenes of Algiers, Tunis and Cairo, he was represented at many exhibitions, including the "Great German Art Exhibition" in Munich 1941. This painting (an early example of the artist's work) is very finely painted in the Pre Raphaelite style, depicting a medieval costumed...