Art by Medium: Paper

Vintage black and white photograph realized in 1970s. Very good condition.

Cereal Monsters Set (Count Chocula, Frankenberry, Boo Berry and Frute Brute). Painted cast vinyl sculptures. Produced by KAWS Studio from a sold-out edition of unknown size. Each of the 4 sculptures comes on their original boxes. Each sculpture is stamped on the underside of the feet with the character name and "KAWS 23, General Mills Medicom Toy China...

Infinite Dawn is a limited-edition giclée print triptych that explores the quiet power of geometric modernism through subtle gradations of color and form. Expanding squares emerge fr...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Signed lower right, 'W. L. Judson' for William Lees Judson (American, 1842-1928) and painted circa 1910. Born in Manchester, England, William Lees...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

This ethereal underwater fine art photograph captures a figure suspended above submerged pool steps, rendered in soft aquamarine and pearl tones. The crystalline water creates a drea...

Roman Arch (Arch of Settimo Severo) is an original screen print on paper realized by Italian artist Marco Orsi (1926 - 1999). Hand-signed on the lower righ...

Original, vibrant watercolor on archival paper of a quaint Peruvian village nestled in the foothills of a large mountain. Two figures, a woman and young child are seen walking down t...

Roman Arch (Arch of Janus) is an original screen print on paper realized by Italian artist Marco Orsi (1926 - 1999). Hand-signed on the lower right in penc...

Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...

Exquisite and iconic Baroque religious devotional engraving and embroidery, 18th century, depicting Our Lady of Mercy with the Child Jesus, framed in its original carved and polychro...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

WALERIA MATELSKA (born 1994 in Belarus) In 2012-2015 she studied at the Faculty of Painting at the Academy of Fine Arts in Krakow, where in the years 2015-2018 she her diploma from t...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...

Step into the timeless brilliance of Henri Matisse with this extraordinary color cliché, expertly edited by Editions du Chêne in Paris, France, in 1943. Adorned by a stunning solid...

Unframed pigment ink print on Museo Paper Image size: 36"H 30"W Paper size: 44"H x 35"W Edition: 50 Signed and numbered Dirk De Bruycker is originally from Belgium but spent ov...

Ships that pass, 1969 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Ships that pass, 1969 is a Limited Edition Estate Stampe...

Daddy Bear by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Daddy Bear" is a Limit...

A refined example of French Art Deco illustration, this elegant drawing is executed in ink and gouache on blue laid paper and showcases the stylish, fashion‑forward aesthetic of the ...

Untitled XII, Ain’t Got No Troubles series, is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is sold unframed as a print only. It is available ...

Bright and airy watercolor of a figure in a small tropical village by French artist Stephane Magnard, circa 1950. Original artwork on paper displaye...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Bob Gruen

“Pile of Stones” is an original handmade cyanotype monotype that distills the quiet presence of stacked forms into a refined, contemporary composition. Rendered in layered blues with...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Bob Dylan, Don't Think Twice, It's Alright, Mondo Scripto, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró II Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In v...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Large scale photograph of elegant interior view of the French revolutionary ballroom in the Villa Napoleone in Elba, Tuscany. Napoleon Bonaparte II (2025) by Frank Schott 48 x 72 i...

"Alpine Twilight" is a serene watercolor that captures the majestic stillness of snowy mountain peaks as day transitions into night. The painting embodies the crisp, thin air and the...

'Yellow is the Dawning of May' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools of early summer lig...

Painted by Victor di Gesu (American, 1914-1988) circa 1955 and with Di Gesu estate stamp verso. A loosely painted, Post-Impressionist study of a woman shown nude and seated. Winner...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Photographed by fellow astronaut Alan Bean, NASA Apollo 12 astronaut and commander Pete Conrad Jr poses with the American flag after he and Bean planted it o...

This diptych draws on the visual language of the seascape, using flowing, interlaced lines to evoke the movement of water and shifting currents. Contrasting tones of turquoise and de...

Portrait is a Watercolor and color Markes Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (49x35 cm). No si...

Original watercolor on paper. Hand signed on front; signed, titled and dated on verso by the artist. Additional images are available upon request. Certificate of Authenticity is inc...

Edition of 50 copies. Copy number 41, signed by the author. Collection of etchings, each of them numbered and hand signed by the artist. Includes introduction in french by Alain Jou...

Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...

A Handsome 1940s Portrait of a Seated Man by Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A wonderfully executed line drawing dating from 1946 with great character; looks ...

Artist: Alex Katz (American, b. 1927) Title: Bicycle Rider Medium: Seventeen-color Lithograph on Arches Cover Paper Year: 1982 Sheet Size: 22 x 30 inches (55.9 x 76.2 cm) Edition: 4/...

With vibrant acrylic, pastel, and watercolor, I poured raw emotion into this piece—an energetic symphony of shape and color. The swirling patterns and fragmented forms echo movement ...

Bert stern Marilyn in Vogue The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine photographic paper format 9...

This contemporary acrylic landscape painting is rendered in orange and lavender. Bold contemporary form and striking bright colours defines the unique artistic style of Aron Hill. A...

A Fine 1930's, Depiction of a Boxing Match by Notable Chicago Modern Artist, Francis Chapin. This dynamic drawing captures overlapping human forms rendered in expressive, gestural li...

Henri Matisse: Colour Lithographs after the Cut-Outs, Framed Print, 1958 In 1941 Matisse underwent abdominal surgery after which he found painting to be physically taxing. Increasi...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Bold print of "Death Takes the Children" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 9 from a series...

This is an exclusive handprinted limited edition cyanotype. "Bright Sunrise Bay " is a handmade cyanotype print of Mediterranean shiny waves. Details: + Title: Bright Sunrise Bay +...

The Juncture (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventor...

Screenprint and gold leaf on paper. Signed and titled in pencil. Numbered from the edition of 100. Image size: 220 x 220mm Paper size: 380 x 400mm Gold Leaf on Paper Edition of...

"The Sunflowers" is a vibrant celebration of vitality and light. In this 40 x 30 cm soft pastel work, the artist captures the heavy, nodding heads of sunflowers at the peak of their ...

Zigzag Ovals is a cyanotype monotype diptych that explores the interplay between fluid forms and structured repetition. Organic white shapes drift across rich blue tonal fields, crea...

Fernand Léger (1881-1955) Femme sur fond jaune (Woman Against Yellow Background), 1952 Created in 1952, this original color lithograph is hand signed in ink by Fernand Léger (1881 - 1955) in the lower right margin. Printed by Fernand Mourlot, Paris out of the total edition of 150 unnumbered proofs on Arches wove paper. We at Bloomsbury Fine Art & Antiques can...